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DVIDS – News – Five US Army Soldiers to Represent Team USA in World Championship Shotgun Events in Croatia


Five soldiers from Fort Benning will represent Team USA at the upcoming International Federation of Shooting Sport Shotgun World Championships in Osijek, Croatia, Sept. 19-October 12.

To make Team USA, the soldiers, who are all Marksmanship Instructors/Competitive Shooters for the US Army Marksmanship Unit Shotgun Team, competed side-by-side with top trap and skeet athletes from across the country in various shooting selection matches across the United States. Now these soldiers at Fort Benning, along with their civilian teammates, will seek not only world championship medals, but also the coveted quota places for the 2024 Olympics.

To participate in the Olympics, each country must first earn a quota or place for one of its athletes, and only two athletes per event per country are allowed. The Croatia World Championship is the first opportunity for the United States to earn quota in the trap and skeet events.

That fact alone makes the Croatian World Championship a high-stakes competition, and soldiers know it.

“It is humbling and exciting to represent the United States Army and the United States at the World Championship,” said Sgt. Rachel Tozier, a native of Pattonsburg, Missouri, who will compete in both the women’s trapping and mixed trapping events.

After a competitive selection process, Sgt. Will Hinton, like Tozier, knows being part of the team was a privilege. However, now this Dacula, Georgia native says it’s time to put his past efforts to the test.

“Serious training and a focus on my sport have earned me a spot on the team. I’m excited to further exploit my abilities with the intention of earning an Olympic quota and a medal for the United States. and the United States Army at this world championship,” said Hinton, who will compete in the men’s trapping and mixed trapping events.

The Trap portion of the World Championship will take place September 26-30.

The Skeet portion of the World Championship will take place October 7-11 and will include three more USAMU Soldiers.

Newest to the unit, but not to the international competition circuit, is the Spc. Samantha Simonton from Gainesville, Georgia. This experienced world championship athlete will compete in the women’s skeet and mixed skeet events.

On the men’s side, there are two other soldiers from Fort Benning: Staff Sergeants Christian Elliott and Dustan Taylor. They will compete in the Men’s Skeet and Mixed Skeet events.

With top international competitors vying for limited medals and Olympic quota, the competition will be intense, but that’s also what makes this World Championship so unique, Elliott said.

“The ISSF World Championship hosts the highest caliber of international shotgun shooters every year. Being able to represent the United States military and the United States at this event inherently adds a level of pride and honor unmatched by many competitions,” said the Greenville, Indiana native.

With that level of pressure, soldiers know they have to overcome any anxiety and focus on the mission, Taylor said.

“I’m completely focused right now on my fundamentals, my foundation and my rotation. When all of that is in sync, the game slows down and the targets seem to get bigger,” the Liberty, NC native explained.

“During practice, I don’t focus on the score. I have a goal for each shot and I break down my body movement before shooting my next target. By making this second nature, I can identify the problems before they cause misfires without having to ask a trainer what my body did differently on the previous shot.

Of course, even with all the focus and determination on the process, deep down every soldier feels the excitement when they’re not on the range. For Taylor, competing in his first-ever world championship is more than a mission, it’s the biggest competition of his life.

“It’s an opportunity I’ve been dreaming of since the day I started shooting international skeet.”

To follow World Championship details, visit the ISSF website at https://www.issf-sports.org/competitions/venue/schedule.ashx?cshipid=3073.

Date taken: 21.09.2022
Date posted: 21.09.2022 12:08
Story ID: 429778
Location: FORT BENNING, Georgia, USA
Hometown: DACULA, Georgia, USA
Hometown: GAINESVILLE, Georgia, USA
Hometown: GREENVILLE, Georgia, USA
Hometown: LIBERTY, NY, USA

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Happy Valley Indian Performing Arts Festival returns September 23

After a hiatus due to COVID-19, the Happy Valley Indian Performing Arts Festival is come back strong September 23 and 25.

Penn State Nritya and Penn State’s Society for Indian Music and Arts (SIMA) announced the festival’s return with four diverse forms of music and dance from across the Indian subcontinent at the HUB Flex Theatre.

The anticipation for the festival is high and will include a performance by SIMA’s own Qawwali troupe. The festival will also include a performance of Bharata Natyam, Hindustani vocal music and Carnatic vocal music, which together with the performance of the Qawwali troupe will constitute four unique recitals.

Tickets are $4.99 for general admission and $4 for Penn State students. Purchases are available up to one hour before the event or online.

To purchase tickets and learn more, visit the festival’s Facebook page.

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Gracie is a junior from Delaware County, Pennsylvania studying telecommunications with a minor in English. In her spare time, Gracie enjoys playing with her cat, Luna, and playing video games on her PS5. She loves to read and write, of course, and enjoys the ice cream sandwiches at Trader Joe’s a little too much. Connect with Gracie on her Instagram @gracemullan_.

‘Prosecution Witness’ Delivers Murderous Suspense | Culture & Leisure

Opening just a day after what would have been Agatha Christie’s 132nd birthday, CLOTA’s new production of Christie’s “Witness for the Prosecution” offers a truly captivating theatrical experience.

The play – which opens on Friday – is directed by local playwright and novelist Daniel Stallings, who said he failed to tie in with the anniversary when scheduling dates. Although a self-proclaimed “superfan”, Stallings said he always knew that when he was directing someone else’s play, he wanted it to be by Christie.

This production does not disappoint. From the stunning, expressionistic setting to the excellent acting and inventive direction, “Witness for the Prosecution” is a thrilling experience full of suspense. That is, unless you’ve already seen the classic movie starring Marlene Dietrich. In this case, the suspense may be a little less, but the play will entertain all the same.

The story resumes the murder trial of a certain Leonard Vole (Calvin Johnson in a breathtaking tour de force). Did he? That’s the question, of course, and the one the infamous lawsuit attempts to answer.

Vole is accused of killing wealthy widow Emily French (who is only seen in one photo). The entire story takes place in his lawyer’s office and in court and the exposition comes in the form of interviews and testimony in court. In recent years, true crimes and court cases have become a high-profile source of entertainment. But that’s where it all started, folks. No one unfolds a legal drama better than Dame Agatha.

What makes the performance so delightful is that the theatrical elements are on par with Christie’s work. The stylized red and black ensemble works perfectly to convey the high-stakes situation for someone accused of murder in 1950s England. (Full disclosure: This reporter’s mother, Dorothy Saitz, and Sandy Pryor did the striking paintings above and inside the stage door.)

Avoiding spoilers, the direction takes some bold and successful risks that set it apart from most homegrown productions. The courtroom scenes in which Vole fights for his life do well as pure drama.

Each actor nails their role, with Beth Sparks-Jacques in particular playing the role of Dietrich with panache. Sparks-Jacques also made the costumes, which are wonderful (especially his). It’s a fun show to watch.

Also of note are Jonathan Blair and Olivia Holm as two opposing attorneys. Watching these two tangle in the courtroom is high-level entertainment.

Other actors include Haley Puckett, Ed Kramer, Stallings, River Cotterell, Monica Dwyer, Nicole Johnson, Madeleine Smith and Murolo Patchin. It’s a cliché to say that there are no small roles, only small actors. This means that a good actor can turn a small role into a memorable role. In this case it is true. Even the smallest characters are rendered with a classic theatrical flair. I was particularly impressed with the decision to use English accents where appropriate. Done wrong, it can really hurt. But these accents were perfect and really added to the atmosphere of the room.

It seemed like quite a long play, but it keeps the suspense going throughout. I honestly didn’t see the ending coming and was shocked. (The review is for the dress rehearsal/press preview on Tuesday night.) I also found it oddly funny, which may be due to the excellent character introduced.

Minus a few dress rehearsal blurbs, the technical elements of the play flowed perfectly. I don’t list the technical team, but they all deserve congratulations. I was also particularly impressed with all the graphics associated with this production. Even the program looks really cool.

In another note, the play is set during the reign of Queen Elizabeth II who literally just became history. Her photo is seen on a back wall and her recent death adds another eerie moment that adds to the overall atmosphere.

“Witness for the Prosecution” performs October 16, 17, 23, 24, 30, and 1 at 7:30 p.m. at CLOTA Center Stage (1425 N. Inyo St.). Doors open at 7 p.m. Tickets are $18 for general admission, $15 for students and military with valid ID, and $12 for active CLOTA members. Tickets are available now at Red Rock Books and online at clota.org.

Everyone Makes These Mistakes With Crypto Lending

1. Don’t “buy the dip”.
2. Sell the current wallet instead of taking out a crypto loan.
3. Improper market research before taking out a crypto loan.
4. Ignore short-term trading opportunities
5. Ignore when the crypto loan margin call is red.
Crypto loans in 3 steps

Crypto lending has been around since the dawn of smart contracts and decentralized finance. The idea of ​​crypto loans has become popular over the years as the industry continues to grow. Several crypto lending platforms have sprung up and have continued to offer top-notch services crypto loan services to customers all over the world. However, many investors make common mistakes with crypto loans due to the volatile nature of cryptocurrencies and crypto loans.

The crypto market is the most active market for retail and institutional investors. The high volatility can lead to massive price fluctuations which primarily affect the overall value of the investment portfolio. Due to these sudden price changes, investors often make hasty decisions that turn out to be serious investment mistakes. This article demystifies some of the most common mistakes with crypto loans.

1. Don’t “buy the dip”.

Often when the crypto market turns red, some crypto investors interpret it as the end of times and continue to lament the downside as they think they are losing money on their investments. However, a long-term investment strategy takes advantage of significant price declines. Whenever a dip occurs, seasoned crypto investors view it as an opportunity to buy the dip. Below is a chart of Bitcoin prices over the years from 2013 to 2022 showing how declines are part of the growth journey.

Bitcoin price chart from 2013 to 2022

Bitcoin Price Action for 2013 to 2022 by Market capitalization

So what does “buy the dip” mean?

Crypto investors can take advantage of falling prices to buy more crypto tokens. Whenever prices fall, seasoned crypto investors use crypto-backed loans and invest in promising digital assets that would earn more interest in the long run. For example, here is a chart that shows Bitcoin’s long-term price prediction.

The chart predicts the price of bitcoin until 2031

2. Sell the current wallet instead of taking out a crypto loan.

Making investments is a difficult part for most people. Financial literacy is essential for financial success. Whenever someone needs a loan, there are often better options to obtain without harming their property or investment portfolio.

Whenever faced with financial constraints, people often rush to sell expensive and most valuable assets, such as houses. Others spend their savings or deplete their salaries to advance their investments.

This mistake is a common one for investors – ignoring the huge investment opportunities that open up crypto loans and keep turning the funds held. Crypto lending platforms provide a safer option that allows taking out cryptocurrency loans by borrowing against crypto collateral. The best crypto platforms allow users to take out quick and accessible loans for an indefinite period and pay them back as soon as they are ready. These crypto loans provide significant hedging against investment risk and protect crypto investors from unnecessary market risk.

3. Improper market research before taking out a crypto loan.

Crypto loans from different platforms often come with different terms and conditions. Taking out crypto-backed loans without proper background checks is as risky as investing in a crypto project without doing any research.

Many crypto users fall into the trap of looking for attractive returns that are often above market rates without investigating how these companies generate additional profits. Here are some factors to consider;

The best crypto lending platforms generate profits from the loan interest earned. However, some platforms use the locked collateral to trade on third-party platforms that attract more interest. These additional investments expose crypto loan users to risks that can often lead to loss of collateral. A reliable crypto lending platform should only depend on interest rates and lock loan collateral in safe cold wallets to protect their clients from unnecessary risk.

Crypto lending platforms sometimes form partnerships with other industry players to ensure smooth processes. Platforms with big industry players as partners are often more credible.

Crypto lending platforms need to process loans and security deposits quickly and efficiently. If a platform has robust APIs that are too large, it can take extremely long to receive your loan amounts.

4. Ignore short-term trading opportunities

The high volatility in the crypto market is essentially a double-edged sword. Day traders and carvers often take advantage of daily price changes to make more profitable trades. These short-term strategies are sometimes more profitable than long-term strategies that involve holding tokens even when the market is red.

Experienced day traders can use fast cryptocurrency loans to trade, earn profits during the day, and repay the loans at the end of the day to retain the profits. Such strategies often benefit smart hands that can take advantage of good trading opportunities on daily market trends.

5. Ignore when the crypto loan margin call is red.

Crypto-backed loans are issued by depositing your preferred crypto as collateral before receiving loan amounts on stablecoins of your choice. It is essential to monitor the Loan-to-Value ratio when funding crypto because it determines your liquidation price.

The investor ignores the red line of his collateral margin call

Since the crypto market is a 24-hour market, prices change every time, allowing for quick liquidation. Some of the big crypto lending platforms have effective notification systems that monitor collateral levels and notify users of their loan status to top up their crypto collateral whenever the liquidation price is near.

Crypto loans in 3 steps

CoinRabbit crypto lending platform has an excellent track record of credibility and trust in handling client crypto collateral. The platform has gained considerable trust in the industry through its partnerships with major companies such as ChangeNow, Atomic Wallet, and Guarda Wallet, greatly improving the overall experience of crypto lending users on the platform.

Here is a guide on how to get a quick loan from CoinRabbit’s crypto lending platform.

  • Calculate. – On the loan calculator, enter the collateral amount to calculate the loan amount to be disbursed.
  • Get in 15 minutes – Post your collateral and wait around 15 minutes for your loan to be disbursed.
  • Spend – Receive your loan amounts and spend them wisely.


Borrowing against crypto is a fantastic way to preserve your portfolio while creating more investment opportunities. Crypto-backed loans can open more investment doors and build your crypto portfolio avoiding the mistakes described above.

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MindStir Media Review 2022: The Best Self-Publishing Company?

Sometimes it’s not easy for authors to get their work published, but MindStir Media was created to make it easy for authors of all experience levels to get their work published.

In our review, we’re going to take a look at MindStir Media and what they offer, giving you our assessment of their worth.

What does MindStir Media offer?

The company has a unique business model designed to work for writers. It gives them all the tools and resources they need to publish their books the way they want. From marketing to printing to illustration and everything in between, it’s all in one place. Writers can choose any publishing package they want, taking their books from concept to print and even mass-market distribution through this one company.

MindStir Media can design and create the cover, handle the interior design of the book, and even distribute the book through major retailers like Barnes & Noble, Amazon, etc.

On top of all that, the company’s founder, JJ Herbert, offers mentorship to authors to help them get their books published. He is a published author himself, so he knows the craft well.

The company’s marketing packages include features such as a one to three month advertising campaign, a trailer for your book, the website, and even professional reviews to help give your book some prestige and a level of authenticity it would otherwise lack.

They also offer a print-on-demand service, so you can pay for only the books you need to print at that time to fulfill orders or host book signings and other events.

How much does it cost?

It takes a lot of money for a publishing house to try its luck with a writer and publish his book, distributing it in bookstores and various markets. Writers can self-publish through MindStir with packages starting at $1,899.

There are several different packages they offer, each offering a different set of services to help get the book to the mainstream. The lower tier plans mean there are no book royalties for the writer, while the standard plan gives the author 50% royalties for digital and physical sales.

Our assessment

MindStir Media makes things really easy for authors who struggle with the traditional publishing route or just want to handle things their own way. The comprehensive suite of features and services they provide gives authors great freedom and ensures that they can publish their book exactly the way they want. We highly recommend this service to anyone looking to self-publish and make their book output as professional as possible.

Last update: September 20, 2022

Opening of the Sugar Loaf Film Festival in Chester, Orange County

CHESTER – There’s a new film festival coming to the Hudson Valley.

The first-ever Sugar Loaf Film Festival promises to showcase the best of emerging filmmakers, with a focus on the Hudson Valley, an area whose reputation as an attractive film location has been building for years.

The three-day festival will take place from Thursday to Saturday at the Sugar Loaf Performing Arts Center on Creamery Pond Road in the city of Chester.

While the festival is expected to attract tourists from near and far and bring economic benefits to accommodations and other businesses, that is not its primary goal, according to Amanda Dana, director of tourism and film for the county. of Orange.

“The biggest push is to bring more awareness to the local film industry and the artists who work there,” Dana said. “There is a very strong film industry growing in Orange County.”

One of the featured films, “The Winter House”, was filmed in Newburgh. It will be screened on Saturday.

“We worked hand-in-hand with the producers, including helping to scout locations,” Dana said.

“The Winter House” tells the story of Eileen, a grieving woman who rents an isolated house in the dead of winter. But her quest for solitude does not go as planned. The cast includes Lili Taylor, François Arnaud, Hunter Emery, Stephen Bradbury and Beth Fowler.

Other featured films will tell intriguing stories of a Cold War-era spy, a suburban mother, and two gang recruits, among others. Some of the filmmakers are already established in the business, while others are new.

More than 40 films will be screened in all, including many short films.

One of the shorts, “Paris Blues in Harlem,” a 14-minute entry, is about a woman who struggles to save her grandfather’s Harlem jazz club. It was directed by Nadhege Ptah and stars Tonya Pinkins, whose extensive credits include appearances on the TV shows “Madam Secretary” and “Gotham.”

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In addition to the films, there will be panel discussions and workshops covering not only acting, but also the behind-the-scenes roles that go into making a film – scriptwriting, cinematography, costume design, hair and makeup .

The festival will offer categories for underrepresented filmmakers and filmmakers under 21. The festival will also feature comedy, live music and two award ceremonies on Friday and Saturday nights.

Each day will begin at 11 a.m. with the free screening of a classic film: “Casablanca” on Thursday, “Jaws” on Friday and “Back to the Future” on Saturday. Fans of the latter film should take note: there will be a classic DeLorean, like the one that traveled back in time in this film, available for photo ops at the festival.

First day events are free. On Friday and Saturday, a standard daily pass will grant its holder access to screenings, Q&A sessions and panel discussions, and includes lunch and dinner. VIP Daily Passes grant holders access to the 7:00 p.m. comedy show at no additional cost, provide honorary judge status, and provide access to the red carpet media area and post-award cocktail reception. price.

For more information, including a full schedule of events and ticket prices for the various events, visit slffny.com.

Mike Randall covers breaking news for The Times Herald-Record, The Poughkeepsie Journal and The Journal News/lohud. Contact him at [email protected] or on Twitter @MikeRandall845.

Review: LA Opera centers a Donizetti heroine in a troubled United States

Agency is the necessary word that always comes up with “Lucia di Lammermoor”, which opened the new season of the Los Angeles Opera at the Dorothy Chandler Pavilion on Saturday evening. This time in a surprising new production updated for the current, now disenfranchised Rust Belt America.

There has never been any doubt as to whose side we are in the nearly two centuries since Donizetti’s most popular opera, written in 1835, has been consistently on the opera stage. Forced into a loveless political marriage, Lucia simply kills her unwanted fiancé on their nuptial bed and goes insane.

It is of course not simple at all. Should madness be the agency’s excuse? Do we pity Lucia because, well, she’s a dreamy, vulnerable woman and she has one of the most deliciously transporting crazy scenes in an art form that has made a crazy scene production industry for women ? Does the agency simply sing like a bird, with mind-blowing coloratura?

Obviously not. The greatest Lucia ever recorded is Maria Callas, who was not a freak of nature but a force of nature. The most persuasive and brilliantly sung performance of “Lucia” I’ve ever seen is from Beverly Sills. The great American soprano made it clear that she was sane, a pawn in an ailing patriarchal society. His crazy scene turned out to be 15 minutes of transcendent lucidity, an illumination of the world as it should be.

In Stone’s new production – a co-production between LA Opera and the Metropolitan Opera, which premiered in May – oxycodone addict Lucia shares a home with her older brother, Enrico. She is saved from an attempted rape by a guy who works at the local convenience store and is the enemy of her brother, Edgardo. They instantly fall in love.

It’s an ugly, decaying little town full of angry people. They don’t look exactly like the Jan 6 Rioters, but they get angry easily enough for you to understand. Cars and vans are old (when was the last time you saw a Pinto?). The pawn shop is open 24/7.

Although Netflix describes ‘The Dig’, the feature film Stone directed last year for the site, as ‘simple’, the Australian director who lives in Vienna is anything but that in opera. It exposes the toxic undersides of modern society, whether it’s Wagner’s “Tristan und Isolde” or Kaija Saariaho’s exceptional last opera, “Innocence,” regarding a school shooting.

Lucia update does not always work. The parallels between the mores of the nineteenth century and those of our era are hardly exact. The last half-century of feminism has sparked considerable thought and reflection on the interpretations and implications of “Lucia”. Many productions over the past three decades have been directed by women, including a particularly effective one by Katie Mitchell at the Royal Opera which is now on view. video.

Two previous LA Opera productions were by German actress Marthe Keller and most recently, in 2014, by Elkhanah Pulitzer, the director of John Adams’ new opera “Antony and Cleopatra” in San Francisco. Martin Bernheimer dubbed the company’s first “Lucia” in 1993, led by Andrei Serban on a vacant lot of concrete slabs, “Our Lady of the Petrified Dunghill.”

We have come a long way. But not all the way. The quirky, depressing Scottish setting of the opera, where Lucia is forced to marry for financial and political reasons, seems almost good compared to what Stone offers. In the 19th century, Lucia had no options for agency. In this new production, we wonder why she lets her brother force her hand. Why don’t she and Edgardo jump in his pickup and take off? Why? Because she is on oxycodone, he leaves to join the army and Enrico shows him doctored photos on social networks of an unfaithful Edgardo.

It then becomes a “Lucia” destined not for pity but for indignation. Rather than lamenting the mores of the British Empire centuries ago, Stone shows a troubled picture of America just as the UK looks momentarily admirable, collective in its mourning for the death of Queen Elizabeth II. .

Yet it is a gripping production, the most theatrical that the Los Angeles Opera has mounted in some time, and also with the most excellent cast, the excellence being in both singing and acting. actor.

The action takes place on a rotating set, continually changing perspective. A video screen above Lizzie Clachan’s realistic set reveals live shots of the singers, sometimes close-ups on stage, sometimes in rooms or locations not seen on stage.

Stone is easily satisfied with his visual imagination. A decrepit drive-in theater screens a dark 1947 parody, “My Favorite Brunette,” for seemingly no other reason, perhaps, than Bob Hope and Dorothy Lamour are locked up in a sanatorium. At worst, the disconnect between the old libretto and the update (the translations on the projected titles are also updated to better conform to the production) had audiences laughing in all the wrong places.

The singers need a strong presence throughout the piece to take on their own agency when it comes to the audience’s divided attentions. All but one of the actors are LA Opera veterans and/or alumni of its Domingo-Colburn-Stein Young Artists program. All but one of the singers are American. What’s new is that Saturday marked the first performance of Lina González-Granados in her new role as LA Opera’s resident conductor, and the first performance of the LA Opera Chorus under its new director. , Jeremy Frank.

Amanda Woodbury is a hardened Lucia with a soft, full and radiant voice. She does very little to show Donizetti’s coloratura, but rather everything flows from her as if effortlessly. She sings her crazy scene, filled with the otherworldly glass harmonica rather than the more usual flute, in what seems like a narcotic haze rather than madness. It offers a striking cadence, but more studied than instinctive.

The scene’s impact, however, is further mitigated by showing what’s going on in her mind on pre-recorded video. As Lucia walks around in her blood-soaked white wedding dress like someone out of a horror movie, we see her happy with Edgardo, dutifully illustrating what every note she reveals of her imagination.

Mexican tenor Arturo Chacón-Cruz is an ardent Edgardo, intense on stage and vibrant on vocals. The first major album is by Alexander Birch Elliott, who is Enrico as the drunk thug from your nightmares. The commanding presence and demanding vocals of Eric Owens, Chaplain Raimondo trying to vindicate the community, is a luxury cast. Anthony León, Madeleine Lyon and Anthony Ciaramitaro, in the small roles of troublemaker Normanno, Lucia’s friend Alisa and ill-fated husband Arturo, all make sure their small roles count.

González-Granados seems to have conquered the orchestra, which played with suave beauty. But his relationship to the stage was, at this first performance, uneven. Slow tempos and a general sense of caution resulted in a dramatic lack of propulsion.

For its part, the chorus rang on the nerves, but acted disconcertingly on the money, as if well practiced to trigger fears of national unrest in a country where a sense of lack of agency could reach the point of crisis.

“Lucia of Lammermoor”

Where: Dorothy Chandler Pavilion, 135 S. Grand Ave., LA

When: 7:30 p.m. Wednesday, Saturday and Sept. 28; 2 p.m. on October 2 and 9. (Liv Redpath is Lucia from September 28 to October 9)

Tickets: $20-$324

Information: (213) 972-8001 or laopera.org

Operating time: 3 hours, 20 minutes

Actor Ahn Sung-ki is recovering from blood cancer

Actor Ahn Sung-ki during the Gangneung International Film Festival red carpet event in October 2021 [YONHAP]

Actor Ahn Sung-ki, 70, is recovering from blood cancer, according to his entertainment agency Artist Company on Saturday.

“The actor was diagnosed over a year ago, but because Ahn Sung-ki has always taken care of his health, he is currently on the road to recovery,” the agency said in a statement. communicated.

On Thursday, Ahn was seen in public at the opening ceremony of “Director Bae Chang-Ho’s 40th Anniversary Special Exhibition” held at CGV in Gangnam District, south of Seoul.

Before the screening of director Bae’s “People In a Slum” (1982), Ahn took the stage to say hello to the audience. He wore a wig and was supported by fellow actor Kim Bo-hyun. Ahn left the theater without watching the entire film.

The agency said Ahn will continue to focus on getting better for now so she can return to acting in the future.

Ahn made his debut in 1957 through a romance film called “Twilight Train”. The actor was five years old at the time. He has since acted in over a hundred films. He is best known for the films “Good Windy Day” (1980), “Two Cops” (1993) and “Radio Star” (2006). Most recently, Ahn had a supporting role in the historical film “Hansan: Rising Dragon”. The film was released in July.

Actor Ahn Sung-ki, far left, before the screening of the film

Actor Ahn Sung-ki, far left, before a screening of the film ‘People in a Slum’ (1982) on Thursday at CGV Gangnam in southern Seoul [YONHAP]

BY LEE JIAN [lee.,[email protected]]

Legislation aims to ease teacher loan burden

Two New Mexico lawmakers have introduced legislation to extend student loan forgiveness to some educators, which sponsors say will help recruit and retain much-needed teachers.

Senator Ben Ray Luján and Representative Teresa Leger Fernández, both Democrats, introduced the bill on Thursday that asks the federal government to make monthly payments on federal student loans for educators who work in education programs early childhood and teachers in public institutions in need. schools. The loans would be fully canceled once the teachers had held these jobs for five years.

The legislation comes as President Biden’s administration has signaled it will pay off $10,000 to $20,000 in student loans for most Americans who have unpaid college debt.

In a press release, lawmakers said their bill would also attract more diverse people to the teaching field.

“Educators are the foundation of our classrooms and daycares – preparing the next generation of leaders and giving them the tools to succeed in life,” Luján said in a statement. “But teachers, childcare workers and school leaders are facing high costs of education and subsequent financial burdens, creating barriers that have only contributed to shortages. of labor affecting New Mexico and countless other states.”

Jahana Hayes, D-Connecticut, is also sponsoring the legislation.

NOT AT THE PARTY: Governor Michelle Lujan Grisham was one of many at an afternoon party at the White House last week to celebrate the Cut Inflation Act, a bill signed into law last month.

Most of the Democratic members of the state’s congressional delegation were not at the party – which was criticized by some Republicans as out of touch – although they all supported the legislation.

The shindig featured a performance by singer James Taylor.

“The congresswoman would have loved to attend, but unfortunately couldn’t,” said Julia Friedmann, spokeswoman for Rep. Melanie Stansbury.

Adan Serna, spokesman for Luján, said the senator was busy with meetings on Capitol Hill, but otherwise would have been there. Leger Fernández was unable to attend due to his schedule, according to his spokesperson.

Sen. Ben Cardin, D-Md., center — flanked by Sen. Joe Manchin, DW.Va., left, and Sen. Martin Heinrich, DN.M., right — wears his hat to the side for protection sunlight as President Joe Biden speaks about the Cut Inflation Act of 2022 during a ceremony on the South Lawn of the White House in Washington, Tuesday, Sept. 13, 2022. (AP Photo/Andrew Harnik)

Sen. Martin Heinrich, who was in attendance, said he was proud to celebrate the law with the president and other Democrats. He said the legislation would fight inflation, cut health care and prescription drug costs, and make the tax code fairer for ordinary Americans.

“The Cut Inflation Act is the biggest step we’ve ever taken to change the trajectory of the climate crisis,” he said. “The investments, incentives and consumer rebates we have secured will move the climate needle further than ever by accelerating the widespread deployment of reliable, affordable and pollution-free electricity generation.”

Meanwhile, Rep. Yvette Herrell, RN.M., mocked the rally on Twitter, pointing out that the event took place on the same day an inflation report was released showing that prices in across the country rose 8.3% in August from a year earlier. Prices rose 8.5% in July from a year earlier, according to The New York Times.

“As hard-working American families wish they’d ‘have a friend’ in the Oval Office,” Herrell wrote on Twitter, referencing a Taylor song, “The White House is having a soft-rock party to celebrate a inflation of 8.3%.”

Ryan Boetel: [email protected]

Youth take center stage at Hopkinsville Community College’s Bell Hooks event – Clarksville Online


Hopkinsville, Kentucky – Young people will take center stage as Hopkinsville Community College (HCC) and the HCC Foundation commemorate the 70e birthday of Bell Hooks, Christian County’s own Gloria Jean Watkins.

The HCC Foundation is hosting a luncheon and new feature unveiling commemorating the life and work of bell hooks on Sunday, September 25, beginning at 1:30 p.m. in the Emerging Technologies Building, Anderson Hall.

Amira Trotter, a Hopkinsville High School student from Hopkinsville, will comment on her thoughts on the bell hooks and what installing the feature in the park means to her personally. Trotter, 14, is an active member of Cedar Grove Baptist Church.

She is a National Honor Society Hopkinsville High School cheerleader in the Gifted and Talented Academic Program, and played trumpet in the band. She is also self-taught on a variety of string instruments. Amira is the daughter of Brittany and Sheldon Trotter and has three younger brothers.

Trotter is also part of HCC’s Upward Bound program, which is part of the federal TRIO programs designed to identify and provide services to first-generation students to help increase academic readiness, motivation, and social skills needed to enter, complete and succeed in a secondary education program.

“We are pleased to have Amira as a member of our program,” said HCC TRIO Programs Director Gregory Marable.

The luncheon’s keynote speaker is Reverend Donavan Pinner, a 2016 graduate of Hopkinsville High School where he served as class president. Pinner is a 2020 graduate of Morehouse College and served from 2018 until graduation as a program facilitator for Atlanta Public Schools.

He was a special education teacher at Christian County Public Schools before being accepted and enrolled at Princeton Theological Seminary. Pinner was also selected in a national competition in August 2020 as the National Winner of the All-America City Youth Leadership Award.

A licensed and ordained minister, he has ministered at Virginia Street Baptist Church in Hopkinsville since 2013, where he preached his first sermon at age 16, and currently serves First Baptist Church of Lincoln Gardens in Somerset, New Jersey. He also served on the Prichard Committee, an independent, nonpartisan, citizen-led organization that works to improve education in Kentucky – from early childhood to post-secondary education – to improve the quality of life for all Kentuckians. .

Pinner is the youngest person ever elected to the Hopkinsville Community College Foundation, Inc. Board of Trustees. A self-proclaimed advocate and educator, Pinner has spoken at numerous organizations, churches, community summits, unity rallies, and social justice forums.

“We are thrilled to welcome Donavan to Hopkinsville as we commemorate the anniversary of the legendary bell hooks and unveil the added feature to the Roundtable Literary Park and look forward to hearing his thoughts on this moment in the history of our community and our college,” shared Yvette Eastham, Executive Director of the HCC Foundation and Director of Institutional Advancement for HCC.

The event will culminate at the Round Table Historic Literary Park with the unveiling of the aspirational element added to honor the life and legacy of Bell Hooks. Averi Williams, an eight-year-old third-grader at Indian Hills, and bell hooks’ great-great niece will be one of the final speakers.

“Focusing on aspirations and possibilities and how these turn into reality, our responsibility to future generations to help them become the best version of themselves – that is our hope as we let’s add a performance to our beloved Round Table Literary Park,” the HCC chairman said. and CEO, Dr. Alissa Young.

A limited number of luncheon/reveal tickets are available on the Eventbrite website at /www.eventbrite.com/e/bell-hooks-round-table-park-luncheon-and-feature-reveal-tickets-410000962917 ?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=escb

The HCC Foundation also continues to receive donations for improvements to the Round Table Literary Park and the Memorial Feature. To donate, call 270.707.3731 or go to https://systemoffice.kctcs.edu/giving/give-now.aspx?college=hopkinsville&fund=bell+hooks+literary+park&utm_source=direct+link&utm_medium=giving&utm_campaign =Literary+Park.

About Hopkinsville Community College

For many residents of the Pennyrile Kentucky and Fort Campbell area, higher education begins at Hopkinsville Community College (HCC).

The college serves thousands of area residents annually as a comprehensive regional learning center offering academic and technical associate degrees; degree and certificate programs in professional fields; pre-baccalaureate education; adult, continuing and developmental education; personalized training for business and industry; and distance education. As part of the Kentucky Community and Technical College System, HCC is a vital part of transforming the region’s economy by providing citizens with the education and training needed for high-growth, high-paying careers.

For more information, visit Hopkinsville.kctcs.edu.

Swan Lake to Open ASUMH Performing Arts Series | Advertisement

MOUNTAIN HOME – Arkansas State University-Mountain Home and the Performing Arts Council announced the 11th annual performing arts season. Season ticket prices are $130 for adults and $65 for students and include one ticket for each show. All shows are scheduled at 7 p.m.

The season will kick off on October 11 with Kyiv City Ballet’s performance of Swan Lake. Individual tickets will cost $40 for adults and $20 for students.

Amazon Prime Video announces limited ‘Blade Runner’ live-action TV series • TechCrunch

“Blade Runner” is getting its own limited series on Prime Video. Amazon confirmed to TechCrunch that the streaming service today announced that it has turned on “Blade Runner 2099,” the first time the sci-fi franchise has received a live-action television broadcast. Last year, Adult Swim made an animated series called “Blade Runner: Black Lotus.”

The Hollywood Reporter originally leaked the news in February. Amazon made the news official today.

Nothing else has been shared about the series, including the plot or its premiere date. However, based on the title, “Blade Runner 2099” will likely take place 50 years after the “Blade Runner 2049” sequel.

Directed by Ridley Scott, known for the 1979 horror “Alien,” the sci-fi film “Blade Runner” premiered in 1982 and later became a cult classic. The cyberpunk film stars Harrison Ford as a Los Angeles cop in a dystopian future. Ford’s character, Rick Deckard, is a blade runner who hunts down bio-engineered humanoids called “replicants”.

Thirty-five years later, the franchise was revived, and the sequel “Blade Runner 2049” hit theaters in 2017, starring Ryan Gosling as the replicant blade runner.

Alcon Entertainment, the production company that secured the production rights to the prequels and sequels to “Blade Runner” in 2011, said in a statement, “We are excited to continue our working relationship with our friends at Amazon. And we are more than happy to continue to expand the Blade Runner’ canon into a new realm…we hope we can live up to that standard and delight audiences with the next generation of ‘Blade Runner’,” co-CEOs and co-founders of Alcon Entertainment, Andrew Kosove and Broderick Johnson, said.

News of a green-lit “Blade Runner” series comes on the heels of the streamer airing a “Lord of the Rings” series earlier this month. “The Lord of the Rings: The Rings of Power” has done extremely well for the streaming service, taking advantage of the beloved fantasy adventure film trilogy. Amazon claims that 25 million viewers worldwide streamed “The Rings of Power” within the first 24 hours of its debut, noting it was the biggest premiere in Prime Video history.

It’s likely that Amazon Prime Video and other streaming services will continue to revive popular franchises in an effort to gain more subscribers.

Disney+ is considered the king of franchises, releasing series after series based on the “Star Wars” universe. Paramount+ has a bunch of “Star Trek” series on its platform.

Mayor – News – September 2022 – New Orleans Tourism and Culture Fund, New Orleans and Society Announce 2nd Annual “NOLA x NOLA” Music

NEW ORLEANS – The City of New Orleans today announced the launch of the New Orleans Tourism and Cultural Fund (NOTCF), in partnership with New Orleans & Company, 3090 x 3090 LLC and a proactive coalition of nightclubs and venues entertainment-oriented concert venues in New Orleans. “NOLA x NOLA” starting September 23, with special performances scheduled through October 9, 2022. To date, there are more than 50 venues and 300 musical performances around New Orleans during the 16-hour festival. days.

NOLA x NOLA was created in the fall of 2021 following the cancellation of Jazz Fest, due to the ongoing pandemic. Building on the success of the musical series, NOLA x NOLA is now an annual tradition and will once again promote New Orleans’ extensive inventory of musical options and concerts and showcase the many talented musicians who make up the musical landscape of the city.

“NOTCF is thrilled to partner with New Orleans & Company and 3090 x 3090 LLC to support and celebrate music and entertainment venues during one of the best times of the year,” said Lisa D. Alexis, President and CEO of NOTCF. “NOLA x NOLA checks the boxes of our mantra, ‘Culture is our open door,’ and provides economic stimulus to our cultural industries and culture bearers.”

“Supporting our music culture is important to our organization and New Orleans & Company is proud to be the Presenting Sponsor,” said Stephen Perry, President and CEO of New Orleans & Company, the official destination sales and marketing organization for the New Orleans tourism industry. “By creating this unique festival in 2021, we wanted to send a clear message: despite the challenges our hospitality industry is facing due to the pandemic, the show must go on. The people of New Orleans and our critical visitor economy deserve a rich array of music, and with the return of music festivals filling our calendar with vibrant events, we believe it’s vital to continue this new musical tradition. unique, perhaps the only one like her anywhere. .”

In its first year, 35 venues from nearly every neighborhood in the city participated over a two-week period, including Tipitinas, Preservation Hall, The Howlin’ Wolf, dba and more. In total, there were over 300 shows over 10 days in October.

Weeks later, a two-night virtual event took place to celebrate the resounding success of the inaugural citywide festival, including a fundraiser featuring never-before-seen performances from some of the most iconic artists and legends of New Orleans, which benefited community-based nonprofit organizations. dedicated to promoting the musical culture of New Orleans.

Other venues are expected to participate in this year’s event, according to event organizers.

“The first NOLA x NOLA was an incredibly meaningful show of support for the community of our musicians,” said Sig Greenebaum, Founder and CEO, Sigfest Events. “Our original intent in collaborating with New Orleans & Company was to help concert venues and, by extension, help musicians recover some of the much-needed revenue lost to pandemic closures and cancellations. It ended up being a huge blow in the arm and many sites said they had their best ever October in 2021 thanks to NOLA x NOLA. Thanks to the additional economic infusion of NOTCF, we look forward to this second year with a wide variety of performances that will demonstrate the richness and depth of our city’s musical heritage.

For more information on lineup and locations and to purchase tickets, visit www.neworleans.com/nolaxnola.

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Drive-In Horror Movies and Live-Action Monsters Return to the Clark County Event Center This Halloween


PORTLAND, Oregon., September 15, 2022 /PRNewswire/ — Treadway Events has announced the return of “The Cinema of Horrors: Drive-In Experience,” a touchless Halloween experience at Clark County Fairgrounds & Event Center, 25 minutes from downtown Portland, OR. This unique drive-in horror film series offers a COVID-19 safe way to celebrate Halloween in 2022. The month-long event showcases the spookiest horror films and combines real live actors, exaggerated lighting and special effects throughout the filming each night.

The Drive-In Horror Cinema will run for sixteen nights in October, kicking off on October 7. Tickets are on sale now for $69.00 per vehicle and allow as many people as you can legally enter your car! There is no age limit, but parents are encouraged to exercise discretion based on each night’s movie rating.

Event dates: October 7-913-16, 20-23 and 27-31 2022. Movies start every night at 7:00 p.m.and the doors open to 5:00 p.m.. All vehicle placements are first come, first served and interested participants should purchase tickets online in advance.

For movie listings, tickets and more event information, visit www.Ridgefield.CinemaOfHorrors.com.

To view the promotional video, visit https://www.youtube.com/watch?v=7os2Oy9jYLU.

About Treadway Events: Treadway Events is a full-service event management agency based in Portland, OR. Helping nonprofits, individuals, and Fortune 500 companies in Oregon, Washington deliver unmissable live event experiences. Treadway produces and owns various themed annual events such as the Haunted House of Horror Cinema at Kelso, WA.

SOURCE Treadway Events & Entertainment LLC

Mastriano’s education plan would cut school funding by $12 billion, union says

Ben Hodge, a York County performing arts teacher, said last year that one of his students told her that her acting class was the only thing that kept her up every day and come at school.

At the start of the year, the high schooler had been shy and shy, he said. But Hodge saw her come out of her shell as she played three separate roles in a school play, an opportunity that boosted her confidence and taught her leadership skills.

It’s the kind of experience Hodge fears he’ll lose if GOP Sen. Doug Mastriano wins his gubernatorial bid this year and implements funding cuts that could jeopardize electives and force larger classes. .

“I am concerned for the 125 students who are currently enrolled in my performing arts electives that I currently teach,” Hodge said Wednesday at a press conference hosted by the Pennsylvania State Education Association (PSEA). “If those funds are cut, choices are often the first things to be done: music, art, dance, performing arts.”

An analysis of the PSEA — which Mastriano says is incorrect and based on misinterpretation — estimates that the candidate’s plan would cut annual public school funding by more than $12 billion and result in the estimated loss of about $119,000. Commonwealth jobs.

The association’s analysis builds on Mastriano’s comments in March about changing state student funding levels, now set at $19,000 per student.

After:Not in. Gubernatorial candidate Doug Mastriano: What we know about his January 6 ties

“I think instead of $19,000, we fund each student about $9,000 or $10,000, and then they can decide which school to go to: public school, private school, religious school, cyber school, or home school,” Mastriano said during the Altoona radio interview. .

The PSEA said this will result in a $29 million cut in school funding and a loss of 304 jobs for the Central York School District.

“Halving school funding would be devastating. Can you even imagine what a school would look like with half the teachers, half the staff and half the opportunities for our students? said association president Rich Askey at the press conference, one of about a dozen PSEAs held around the state this week to present their estimates.

But Mastriano accuses the union of picking the remark from his March interview and incorrectly extrapolating from it. The comment about funding $9,000 or $10,000 per student relates to just one element of his overall education plan, according to a rebuttal video released by the campaign.

“The syndicate has deceptively taken this element and represented it as its entire plan,” the video’s narrator said. “Except that’s not his plan.”

Mastriano’s website says that as governor he would “make sure public schools are well funded,” but he would also “fight like hell to give them the competition that will make them great.” His plan, the site says, would call for expanding school choice options so that “no child will ever be trapped in a failing school again.”

He also says he would try to eliminate property taxes, promising that if elected he would form a task force to work towards that goal.

However, the site offers few details on how it would achieve these policy goals. PEAS representatives said they repeatedly asked Mastriano for details of his plan but received no response.

“Senator Doug Mastriano told you who he was,” Askey said. “Please, for the sake of our students, believe it.”

The PSEA is backing Mastriano’s Democratic rival, Attorney General Josh Shapiro, in the Nov. 8 general election.

Coalition of Asian Pacifics in Entertainment Announces Names of CAPE Leaders Scholarship – Deadline

CAPE (Coalition of Asian Pacifics in Entertainment) has selected its class of 2022 executives for the sixth annual CAPE Leaders Fellowship, a program that equips aspiring creative executives with the skills and professional network to advance to the ranks of Vice President and beyond.

The Fellowship is co-chaired by ACEP Board Members Albert Cheng (COO, Amazon Studios), Naia Cucukov (EVP, Development and Production, Walden Media), and Peter McHugh (Partner and Manager, The Gotham Group).

“With the continued notoriety and popularity of the CAPE Leaders Fellowship, we were honored to consider and meet so many impressive candidates,” said Peter McHugh, Fellowship Co-Chair and Board Member. CAPE leaders. “We congratulate this outstanding class of executives and welcome them to this fellowship for leaders of today and tomorrow. We look forward to their continued rise in the industry and hope that the conversations and connections over the past few weeks are just beginning and will continue to benefit Fellows throughout their careers.

Names of CAPE Leaders Fellowship Participants:

• Eric Hsiao: creative manager at Perfect Storm Entertainment
• Grace Tran: Head of Scripted Programming at Universal International Studios
• Grant Torre: director, film development and production at Stampede Ventures
• Jason Pan: Manager, Original Series of Shows and Events at Netflix
• Michelle Wilens: Creative Lead, Film at The SpringHill Company
• Moera Ainai: head of television at 21 Laps Entertainment
• Sid Mehra: Head of TV Development and Production at Endeavor Content
• Tom Fields: creative executive, animation and family at Amazon Studios

“As the first organization to recognize the importance of creative executives in changing the stories told by Hollywood, CAPE is extremely proud of this scholarship,” said Michelle K. Sugihara, Executive Director of CAPE. “It is essential to have creative executives from different backgrounds who understand the dynamic diversity of stories and experiences within our communities.”

Nearly two dozen alumni have been promoted to the upper ranks, including Nikitha Menon (VP, Destin Daniel Cretton’s Family Owned Entertainment), Mohan Mandali (VP, Development and Production, Fabel Entertainment), Rebecca Cho (SVP, Development and film production, Ryan Coogler’s Proximity Media), Jon Wu (producer and head of filmed content, The Green Room), Kenny Tsai (SVP, Current Programming, UCP), Janice Park (VP, Scripted, Onyx Collective), and more .

The CAPE Leaders Fellowship is one of three CAPE development programs along with the CAPE New Writers Fellowship, which will enter its eleventh year in 2023, and the CAPE Animation Directors Accelerator. For more information, visit capeusa.org.

Maker Increases Ethereum Staked Limit to Reduce Reliance on USDC

Maker, the DeFi protocol behind the DAI stablecoinannounced that it has doubled its debt cap on its Ethereum (stETH) vault.

The world’s largest decentralized finance app, Maker is working to reduce its reliance on centralized stablecoins such as the Center’s USD Coin (USDC), especially after the Tornado Cash scandal in mid-August. .

Staked Ethereum is a crypto token representing a unit of Ethereum that has been staked or locked in anticipation of the merger, the upcoming network upgrade.

Decentralized lending platforms provide direct loans to businesses and individuals without intermediaries, while offering interest to other parties who provide capital. Staked Ethereum is a staking token issued as a reward to Ethereum lenders on staking services such as Lido Finance, Coinbase, Kraken, and Binance, among others.

Maker seeks to untie the influence of the USDC and the proportion the token holds as collateral for DAI, the US dollar-pegged crypto lending service’s own decentralized stablecoin. By approving Maker DAO governance proposal at raising the debt cap to $200 million, the protocol expects to see more stETH deposited against DAI, reducing its reliance on USDC.

Data from DAI Stats showed that the WSTETH-B vault – the pool in which users can deposit collateral – now has over 245,000 stETH provided, or around $392 million.

Tornado Cash Impacts

The US Treasury Department sanctioned the crypto mixer Tornado Cash in August, making the use of the protocol and associated smart contracts illegal for Americans.

Circle, part of the Center Consortium, has blacklisted 38 sanctioned wallets as part of the Tornado Cash ban. The The move has been decried by privacy advocates as the companies’ compliance with excessive and unfair government censorship.

“We know that obeying the law and fighting money laundering is both right and our obligation as a regulated financial institution,” Circle founder Jeremy Allaire said in a statement. “We also know that doing the right thing has compromised our belief in the value of open source software on the Internet and our belief that the presumption and preservation of privacy should be enshrined as a design principle in the issuance and circulation of dollar digital currencies.”

Reduce dependency

Tornado Cash developments have largely taken into account Maker DAO’s August 25 setting change proposal. His analysis on the loan market explained, “TThe imposition of sanctions by the US agency OFAC on Tornado Cash smart contracts… could indicate a growing risk for direct holdings of censorable assets such as USDC.

Crypto services have raised concerns about USDC as a centralized asset compared to Tornado Cash. The Manufacturer’s Warranty Ratio still relies heavily on USDC to support DAI, despite recent developments.

MakerDAO founder Rune Christensen took to the DAO’s Discord on Aug. 11, saying, “I think we should seriously consider getting ready to pull out of the USD.”

Christensen suggested an “uprooting” solution, described as the “yolo USDC to ETH” approach. By converting USDC to ETH, the majority of MakerDAO collateral would change to a valueless cryptocurrency locked.

Lenders depositing stETH in exchange for DAI will reduce the proportion of collateral USDC clears in Maker pools. Although this decision would move away from USDC, it could be potentially disastrous given the volatility of the market.

“The market may finally start to reward decentralization to the point where the risks are acceptable because USDC is no longer the obvious it used to be,” Christensen added.

Other analysts such as Erik Voorhees, founder of ShapeShift, spoke to Maker, calling on the protocol to begin “immediately rolling out your USDC collateral, converting it to more censorship-resistant stables.”

A series of changes

In July, urging users to deposit more collateral in the pool, Maker DAO reduced its WSTETH-B stability fee to 0%. The proposal saw an immediate increase in collateral provided near the vault’s previous debt cap of $100 million.

In addition to incentivizing users to deposit more stETH in the vault as collateral against DAI, the doubling of the debt cap bolsters efforts to reduce the collateral ratio USDC has against Maker’s native stablecoin. compared to other assets.

Ongoing news about Tornado Cash and Circle’s blacklisting of wallets has only increased the urge to use less USDC on the Maker Network. Maker’s use of stETH is their latest attempt to unwind their USDC collateral.

Stay up to date with crypto news, get daily updates in your inbox.

Media and tech trader jump at O’Melveny in New York

Signage is seen outside the O’Melveny & Myers law firm in their legal offices in Washington, DC, U.S., May 10, 2021. REUTERS/Andrew Kelly

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  • Matthew Syrkin was Global President of Hughes Hubbard & Reed’s Media, Technology and Business Transactions Group
  • He said he brings a “wide roster of industry leaders”

(Reuters) – Los Angeles-based O’Melveny & Myers said on Tuesday it had tapped a media and technology industry trader who has handled deals for companies such as Roku Inc, WarnerMedia LLC and Home Box Office Inc.

Matthew Syrkin, who was global chairman of Hughes Hubbard & Reed’s media, technology and business transactions group, which he said he started in 2007, joins O’Melveny as co-chairman of the media technology group of the ‘company.

O’Melveny Chairman Bradley Butwin said in a statement that Syrkin would help the firm meet the demand for “sophisticated, innovative and proactive media and technology advice.”

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Hughes Hubbard’s website no longer features a media, technology and business transactions group that was listed earlier this year, according to archived web pages. Ted Mayer, chairman of Hughes Hubbard, said in a statement that the company continues to have a “thriving” media practice within its corporate and M&A practices, noting that it worked for Paramount Global, Sony Music, AMC Networks Inc, Sotheby’s and MSG Entertainment Corp.

Syrkin said he brings a “wide list of industry leaders” to O’Melveny, though he declined to name them. He said O’Melveny’s background in the entertainment world and his willingness to evolve with the evolution of the industry was a major draw for him.

“Tech is now becoming so industry-agnostic that there’s really a groundswell happening here,” he said.

Syrkin said a convergence of media and technology represents a new wave that could help drive the market for legal transactions in the future, citing Sotheby’s creation of a one-of-a-kind art metaverse as an example.

In April, O’Melveny advised a New York-based sports and entertainment company on its acquisition by metaverse development firm Infinite Reality LLC.

Read more:

O’Melveny, the latest major law firm to lead a Metaverse-related deal

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Chinekwu Osakwe

Thomson Reuters

Chinekwu Osakwe covers legal industry news with a focus on mid-sized law firms. Contact her at [email protected]

Kauffman Center for the Performing Arts Announces NATIONAL GEOGRAPHIC LIVE School Matinees in 2023

The National Geographic Live 2023 Student Matinee Series features three presenters, including a cave diving photographer, a wildcat filmmaker and a nature photographer. Each National Geographic Live speaker will share visual stories, illustrated with award-winning photography and video, about their topic. A short Q&A session will follow each presentation.

Recommended for college students. Tickets are $2 each for students and educators. Schools attending a school matinee at the Kauffman Center can apply for bus assistance through the Evergy-supported Open Doors Transportation Fund. Learn more at kauffmancenter.org/transportation.

Educators can find more information and request tickets for matinees beginning September 12, 2022 at kauffmancenter.org/schoolmatinees. Email [email protected] with your questions.


Jasper Doest, photographer
A voice for nature

January 24, 2023 at 10:30 a.m.

Dutch photographer Jasper Doest creates visual stories that explore the relationship between humanity and nature. From Bob, a rehabilitated flamingo on the island of Curacao who now acts as an ambassador for education, to Japanese “snow monkeys” who delight in bathing in local hot springs, Doest aims to give a voice to the wildlife of our world. His moving, award-winning images are an urgent reminder of the beauty and fragility of our planet.

Sandesh Kadur, photographer and filmmaker
wild cats of india

February 21, 2023 at 10:30 a.m.

With landscapes spanning the towering Himalayas, arid plains and dense jungles, India is home to an unparalleled diversity of wild cats. While many big cats are well-known and well-documented, photographer and filmmaker Sandesh Kadur is on a mission to shine a light on the country’s lesser-known felines to safeguard their future. Check out Pallas’ little cat with a grumpy face, the fishing cat that leaps into the water to catch its prey, and the ancient and elusive clouded leopard. With Kadur’s captivating images and video, you’ll experience a world of wild cats up close like you’ve never seen before.

Robbie Shone, photographer
In Deep: Caving Adventures

April 11, 2023 at 10:30 a.m.

For over 20 years, renowned cave photographer Robbie Shone has traveled to remote areas of the world to illuminate and document the deepest, largest and longest known cave systems in the world. In 2018, he joined a team on a National Geographic expedition to Abkhazia, Georgia, to descend to the bottom of Veryovkina, the deepest known cave in the world. But when a sudden surge of flooding hit, Shone and the team had to climb for their lives to escape the rapidly rising waters. Join him for a first-hand account of this captivating adventure and an inside look at the mesmerizing beauty of one of the world’s last known frontiers of exploration.

The 2023 National Geographic Live School Matinees in Kansas City are supported by the Marlese and Robert Gourley Children’s Fund, the Teresa and Tom Walsh Family Foundation, and the John N. and Marilyn P. McConnell Foundation. PNC Bank is the sponsor of the Community Notes.

The 2023 National Geographic Live in Kansas City series is made possible by the Teresa and Tom Walsh Family Foundation. The Kauffman Center Presents series is made possible by the John N. and Marilyn P. McConnell Foundation.

Support is also provided by the Saint Luke Health System, as well as Aristocrat Motors and Mercedes-Benz of Kansas City. “A Voice for Nature” is sponsored by the Kansas City Zoo.

Find information and maps for Kauffman Center parking and construction updates at kauffmancenter.org/parking. The Arts District Garage, immediately south and below the Kauffman Center for the Performing Arts, is the main parking lot for guests. Parking for individual cars is $10 per vehicle in the Arts Quarter Garage.

The Kauffman Center’s promise to bring artists and audiences together is reflected in many ways, including breaking down barriers and providing access to our performing arts experiences for all clients. You can learn more by visiting kauffmancenter.org/accessibility. To request services or receive additional information that would make your visit more enjoyable, please contact our box office at 816.994.7222 or [email protected]

Comcast technology solutions selected to provide centralized video platform for FIA Rally Championships by WRC promoter

Comcast Technology Solutions, a division of Comcast Cable that provides media and entertainment technologies to content providers, carriers and advertisers, today announced that its cloud video platform is being rolled out as a new platform backbone unified by WRC Promoter GmbH to support FIA World Rally Championship (WRC), FIA European Rally Championship (ERC), FIA World Rallycross Championship (World RX) and FIA European Rallycross Championship (Euro RX). In addition, Comcast Technology Solutions will power the upcoming 24/7 Rally TV Channel, which will feature all syndicated championships across global TV networks and OTT platforms, slated to launch next year.

WRC Promoter is jointly owned by Red Bull Media House and KW25 Beteiligungs GmbH. He is responsible for all commercial aspects of the FIA ​​World Rally Championship, FIA World Rallycross Championship and FIA European Rally Championship, including television production, marketing and rights. worldwide sponsorship. Together, these championships represent the world’s premier multi-day rally competitions, governed by the FIA, with competition contested on surfaces ranging from gravel and asphalt to snow and ice, in exciting destinations. worldwide.

“As our sport grows, we remain committed to delivering the most comprehensive and engaging rally and rallycross experience for fans around the world,” said Jona Siebel, Managing Director of WRC Promoter. “We selected Comcast Technology Solutions for its global expertise and market-proven scalability. Its centralized cloud video platform will help us deliver a unified experience across all devices and markets for WRC, ERC, World RX and Euro RX fans around the world. We look forward to working together today and on future innovations such as our 24/7 channel to syndicate the FIA ​​Championships across TV networks and OTT platforms.

“WRC Promoter is a world-class organisation, offering the highest level of global rally competition,” said Bart Spriester, Vice President and General Manager of Content and Streaming Provider Suite for Comcast Technology Solutions. “We are delighted to provide a centralized back-end system across WRC properties and 24/7 support for the future TV channel, so that fans around the world can enjoy all the content from the WRC. rally they want, via a smooth and exciting viewing experience, anywhere, anytime.”

Specifically, WRC Promoter will use Comcast Technology Solutions’ cloud-based video platform to provide a comprehensive video management platform for centralized ingest, transcoding and processing of live and on-demand video; metadata management; content recommendations; content protection and rights enforcement; commerce and subscription management; content delivery; and streaming to connected devices and apps.

Can you pay credit card with credit card?

  • Credit card payments directly with another credit card are not permitted.
  • You can use balance transfers or cash advances to pay a credit card bill with another credit card.
  • Balance transfers are generally less expensive than cash advances.

Credit cards are handy tools for covering both planned purchases and unexpected expenses. They offer consumers a way to pay a lump sum up front and then make smaller, more manageable monthly payments on the balance.

However, using credit cards can be a slippery slope when not handled thoughtfully. It can be easy to overspend and end up with high balances and large monthly payment obligations.

Every year, millions of people miss a credit card payment or pay late. A 2021 survey by WalletHub found that around one in six respondents said they expected to miss at least one credit card due date in 2022.

Cash-strapped consumers facing possible missed payments may consider using one of their credit cards to make a payment on another.

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Can I pay a credit card with another credit card?

A credit card payment cannot be paid directly by another credit card.

“But when there is a will, there is a way,” says Adem Selita, CEO and co-founder of The Debt Relief Company. “If a consumer really wanted to, they could technically use a balance transfer or take a cash advance on their credit card to pay off another credit card.”

Balance transfer

Credit cards allow you to transfer the balance from one credit card to another. Balance transfers typically cost between 1% and 5% of the transferred amount. For example, transferring $1,000 to a credit card that charges a 3% transfer fee would cost $30. Interest rates also apply.

Cash advance

With a cash advance, you borrow money from your credit card company and pay it back over time.

“For example, if your credit card has an APR of 18%, you could get a $500 advance and repay $525 over time, for a fee of $25 plus interest charges,” explains Christine Uptain, payment industry expert and Marketing Director of Redde Payments. “Some cards will also charge interest on the cash advance from the day it is withdrawn until it is fully repaid.”

Although balance transfers and cash advances are available to consumers and can be used to make credit card payments, neither settles debt or helps pay it off. They simply move the balance from one card to another.

How do balance transfer credit cards work?

A balance transfer allows you to move part or all of the current balance to a new card. It’s a popular choice when a credit card offers better terms. Sometimes credit cards offer low or even zero introductory annual percentage rates (APR) for a specified period. There is also usually a balance transfer fee that is added to the balance.

To initiate a transfer, you can call the credit card company or use the checks that credit card companies sometimes provide. A balance transfer will typically cost 4% of the amount debited, which is essentially the same as an upfront interest payment, Selita says.

The biggest benefit of doing a balance transfer is that you can get a lower interest rate and not miss a monthly payment.

“If you’re looking for a short-term solution to your credit card debt, balance transfers can be a good option,” says Uptain.

The disadvantages of using a balance transfer to pay a credit card payment are that they do nothing to reduce your total indebtedness and, if you don’t pay off the balance before the end of the introductory period , it may cost you high interest charges.

How do credit card cash advances work?

You can get a cash advance on your credit card limit and receive the money from an ATM or bank.

Consumers can access cash advance money immediately, which is useful if they need to pay a bill that is due soon. However, there are significant downsides to borrowing money via a cash advance.

Selita points to the most important implication to consider: “Cash advance fees can be huge.”

In addition to the fees your credit card company will charge upfront (usually 3-5% of the total advance amount), you’ll likely pay much higher interest on the borrowed money. Some cards charge rates of around 30%. You’re also unlikely to have a grace period, which means interest will start accumulating immediately.

Of the two options, a balance transfer is the better decision, according to Uptain.

“Cash advances are often used by people who have no other way to get cash quickly,” she says. “In general, it’s better to use a balance transfer than a cash advance.”

While it’s possible to use balance transfers and cash advances to pay your credit card payments, it’s not a smart financial decision. None of these options help you pay off your debt, and they can cost you even more in interest and fees. You may find yourself in a worse situation than before.

Alternatives to paying a credit card with another card

Using credit to pay monthly credit obligations is generally not a good idea. Using credit cards to make payments only moves money around, which can put you further into debt.

Instead of using a cash advance or balance transfer to cover monthly credit card payments, consider these five alternatives.

1. Get a personal loan

Applying for a personal loan from a bank or credit union can help you consolidate your payments and get a lower interest rate. Personal loans can reduce the total monthly payments required, especially if you have balances on multiple credit cards.

A personal loan is an appropriate form of debt consolidation. These rates start at a fraction of what credit cards would charge.

2. Borrow from family or friends

Parents, siblings, or close friends who are financially stable may be willing to help a loved one with an interest-free loan. Borrowing from friends and family relieves the stress of paying late, which can lower your credit score if creditors report it to the credit bureaus.

3. Sell things

If you’re looking for a short-term way to settle your credit card payments, why not get rid of some items you no longer need or use? There are many ways to sell your clothes, jewelry, home decor, furniture, and electronics online. While this won’t completely erase your debt, you may be able to raise enough funds to cover the payments due.

4. Increase your income

If your bills are more than your income, consider a second job or side business. Find a job online, take a few shifts at the mall, or drive for Uber or Lyft. A few extra hundred dollars a month is more than enough to cover your credit card payments.

5. Negotiate with creditors

Contrary to popular belief, your credit card terms aren’t set in stone.

“Lower your interest rate, if possible,” advises Uptain. “If you have good or excellent credit, ask your issuer if they will lower your rate. They may offer you a lower rate or waive the annual fee if you’ve been a long-time customer, even if your account is in good standing. – which can save money on interest over time.”

The bottom line

Making a credit card payment with another credit card is indirectly possible using balance transfers and cash advances. However, these options are not recommended since they do not help reduce your debt. It’s a good idea to look for other ways to make credit card payments, so you can reduce the amount you owe and possibly get out of debt.

“Paying a credit card bill with another credit card is generally unwise,” says Selita. “There’s a reason credit card companies don’t allow these transactions to be made directly.”

Black chef at Hunterdon NJ wine bar breaks down barriers

There are no black vineyard owners in New Jersey.

Nationwide, that figure is just 1%.

And in a survey of more than 3,000 people working in the wine industry, just 2% identified as black.

But Hunterdon County’s Cree Wine Company is helping boost those numbers. In June, the wine bar located in the historic former inn in Perryville in Union Township appointed Kadon Barnwell as executive chef.

“Kadon’s influence will certainly help break down local barriers and diversify the industry,” said Christopher Cree, owner of the Cree Wine Company. “I think Kadon’s talent, drive, professionalism, accomplishments and passion are great inspirations for anyone looking to get into the culinary arts.”

Barnwell, who was previously head chef at Wine Spectator’s Grand Award-winning Pluckemin Inn in Bedminster, now oversees the development of the new pairing menu, as well as special meals and catered private events at Cree Wine Company.

“My main goal is to create seasonal things and reflections of my past experiences and culture,” Barnwell said. “I want food and wine to go together and it’s a beautiful dance between the two.”

Some of the dishes Barnwell has already added to the menu include shrimp and grits; calamari with miso chili and coriander; ricotta gnocchi with corn, crab and tomato; pumpkin blossoms stuffed with ricotta; and sake-poached scallops — “a dish you’d be happy with at a three-star Michelin restaurant,” Cree said.

Calamari at Cree Wine Company created by Kadon Barnwell.

Barnwell’s mother is Honduran, his father is Guyanese, and he grew up eating in the kitchen of his stepmother, who is Filipino.

“I ate everything growing up and was never picky about anything,” Barnwell said. “I want to invite flavors that comfort me and feel comfortable while making them accessible to people who aren’t used to such strong flavors or ingredients from elsewhere.”

Some of these ingredients include fish sauce, shrimp paste, and fermented vegetables – all hallmarks of Filipino cuisine. He also uses Indian spices, curries, goat cheese and cereals, which are often found in Guyanese cuisine.

Squash blossoms created by Kadon Barnwell at Cree Wine Company.

“A lot of my dishes are Asian-inspired, but I also use a lot of traditional French methods and then ingredients from other cultures to create balance,” Barnwell says.

At home, Barnwell eats plant-based meals and he wants to bring that element to Cree Wine Company by sometimes using tofu or creating vegetarian dishes.

Looking back:Cree Wine Company to open at historic Hunterdon Perryville Inn

While working at the Pluckemin Inn, Barnwell attended many of the restaurant’s wine dinners. Before that, he started his culinary career as a prep cook at Raritan Valley Country Club, after being promoted from the dishwasher. Even when he went through the dishwasher, he knew his future lay in haute cuisine.

“It’s always been my dream to do haute cuisine and work for Michelin-starred restaurants,” Barnwell said. “Wine has always been on my mind…but the Pluckemin Inn definitely got me to focus on it and see the possibility of wine pairing.”

In June, the Cree Wine Company of Hunterdon County appointed Kadon Barnwell as Executive Chef.

He knows that wine is a white-dominated industry, although he doesn’t know why. He introduced his own family to different wines, so they could see the range of varieties and how they can be paired with food.

“I’ve definitely noticed that wine culture is something that some people are brought up with,” Barnwell said. “I only have a few family members who love wine and understand where the wines are produced, the flavor profiles and the pairings. I’m trying to demystify that myself. How come we don’t fully immersed in the wine culture within the black community?”

Whiskey in an unexpected place:Demand for whiskey at Hunterdon wine bar inspires new club

Barnwell said he had never experienced racism or been treated differently. He attributes all the wide-eyed looks to his age – he just turned 25, quite young for an executive chef in the world of high-end cuisine.

“I’m the guy who likes to stay behind the scenes, so people didn’t really know who I was until I was at Cree Wine Company,” Barnwell said. “I feel like when people saw me they didn’t believe I was doing what I was doing. But I don’t think it was about race. I just think it was because People are more surprised that I’m doing what I’m doing, whether it’s for who I am or my age.

Go: 167 Perryville Road, Union Township; 908-200-7772, creewineco.com.

Jenna Intersimone has been a staff member of the USA Today Network New Jersey since 2014, having become a blogger-turned-journalist after founding her award-winning travel blog. To get unlimited access to her food, drink and fun stories, please subscribe or activate your digital account today.

Contact: [email protected] or @JIntersimone.

Royal Family LIVE: Queen heads to final resting place today – details, times and route | royal | New


The Prince of Wales spoke to Welsh First Minister Mark Drakeford by phone on Sunday, promising to serve the Welsh people with “humility and great respect” alongside his wife the Princess of Wales.

A statement from Kensington Palace said: “His Royal Highness The Prince of Wales and the First Minister of Wales spoke by telephone earlier today.

“His Royal Highness thanked the Prime Minister for his fitting tribute, on behalf of the people of Wales, to Her Majesty The Queen.

“HRH expressed his honor and that of the Princess of Wales to have been invited by His Majesty the King to serve the people of Wales. They will do so with humility and great respect.

“The Prince recognized his and the Princess’s deep affection for Wales, having established their first family home in Anglesey, including during the early months of Prince George’s life.

“The Prince and Princess will spend the months and years to come deepening their relationship with the communities of Wales.

“They want to do their part to support the aspirations of the Welsh people and highlight both the challenges and the opportunities ahead of them.

“The Prince and Princess look forward to celebrating the proud history and traditions of Wales and a future full of promise.

“They will seek to live up to the proud contribution that members of the Royal Family have made over the years.

“TRHs look forward to traveling to Wales very soon and meeting the Prime Minister and other leaders at the earliest opportunity.”

Behind the Scenes at PPAC with TINA: The Tina Turner Musical

Larry Smiglewski works 24/7. “We are in technology [rehearsal]so basically an hourly thing.

Smiglewski is the production manager of “TINA: The Tina Turner Musical”. The show’s nationwide tour kicks off this week from the Providence Performing Arts Center.

It’s the 21stst show to use PPAC as a launch pad for a national tour.

“I got here two weeks ago today,” Smiglewski said during our chat last Friday. Her production team arrived over the weekend, and the first day on stage for casting was Wednesday, August 31.

“Sometimes you feel like you’re approaching the technical process at square one,” he said. Not so here. “We’re lucky. Our associate director, Sharika Niles, was stage manager for ‘TINA’ on Broadway. She was in the room with us while we rehearsed in New York, providing a wealth of knowledge, things to look for , things to avoid.

The transition to the stage is important for the blocking and flow of the show. In the rehearsal room, the sets are delimited by adhesive tape on the floor. On stage, they are solid and three-dimensional.

The sets were all built and shipped to Providence. “This loading process takes a few weeks. They were loading into the show in Providence while we were rehearsing in New York. So, we’re about to have everything we need here, which is amazing.

This is “TINA’s” first national tour, but “there are iterations all over the world. What we have [in Providence] was created specifically for this cast and version. When we arrived here, we were able to bring our creative vision directly from the rehearsal room to the stage.

This is important, says Smiglewski, because “even at the best of times, technology can be tedious. We need all the time we can get for the technology, with the elements in place.

The first step was what Smiglewski called “dry tech, for the designers, the crew and myself.” Then they add the actors and musicians and go through the whole show. “We add lighting, scenic pieces, to make sure we’re all on the same page.”

For Smiglewski and his team, this is the first time “I see the vision for real. The tape on the floor only goes so far.

This is Smiglewski’s fourth visit to Providence as production manager. “La Providence is an excellent starting point. He was here with “White Christmas” and “School of Rock”. During the last season of PPAC, he directed “Ain’t Too Proud”, the musical Temptations. “I was literally here just four months ago.”

Nkeki Obi-Melekwe in TINA (Photo: Manuel Harlan)

Each show, says Smiglewski, “has different moving parts. ‘School of Rock’ was difficult because there were children and 16 instruments.

“TINA” will have its own set of challenges. “Some we know, some will come. What we need to do is figure out the best way to bring this show to this place right now.

The biggest known challenge is the “tour in times of Covid. It brings so many challenges to the schedule. You never know what you’ll wake up to on test day. The cast and crew test three times a week. Since the return of Broadway and touring productions about a year ago, “we haven’t had a show without a Covid scare. This highlights the importance of liners.

If you’re trying to find a positive from the Covid negative, Smiglewski says, “the positive raises one-liners and swings and how valuable they are to a production.”

This tour features nine off-stage cover artists. “The days of a male stunt double, a female stunt double are over.”

Another challenge is to have two actors representing the main character. “There are big roles, and then there’s Tina,” says Smiglewski. “It’s unreal the amount of steps she has to do. Lots to cover in just two hours.

It’s not the first time Smiglewski has worked on a tour where they’ve had such a separation, but “it’s the best I’ve seen.” These women are fantastic. They are such good friends for each other. It very well could have been tricky, but they are so wonderful about it.

Due to the split, “we’re teching two shows at the same time. All costumes change, wigs change. Even though they play the same role, they each bring a different energy. It made technology a challenge I had never faced before. It really keeps the process a bit livelier.

Smiglewski has been a full-time director since 2015. “I was a director here and there when I was younger. One of my first experiences was as a production assistant on ‘White Christmas’ before it came to Broadway.

After some time, Smiglewski left New York to teach at the university. He has taught at Sam Houston State University, Westchester University and the University of Miami. “I love teaching whenever I can balance it with stage management.”

By chance, he met Randy Skinner, the choreographer he had befriended while working on “White Christmas”, at a party. “He said, ‘Hey, ‘White Christmas’ is hitting the road again and we just lost our stage manager. Would you be interested in going out with us? »

“You just have to remember that you never know when someone is going to come back into your life and give you an opportunity.” He’s been on the road ever since. “I found what I really liked. I like to understand how the show fits into each location.

Smiglewski really loves his job. “It’s six days a week, weird hours. So I don’t want to do anything that doesn’t feel great to me, that isn’t supported. From day one, this [show] was a dream. Everyone is amazing. We’re really lucky because it’s hard to do theater now.

The first nationwide tour of “TINA: The Tina Turner Musical” kicks off from Providence Performing Arts Center through September 18. For tickets and information, call 401.421.ARTS or visit www.ppacri.org.

Lea Michele reveals she has ‘early signs’ of COVID-19 | Entertainment

Lea Michele is taking a hiatus from ‘Funny Girl’ after being hit with the ‘first signs’ of COVID-19.

The 36-year-old actress starred as Fanny Brice on Broadway, but Lea confirmed via Instagram that she was stepping back from the production after feeling ill.

She wrote on the photo-sharing platform: “I am devastated to say that due to the early signs and symptoms of COVID and an inconclusive test result – due to production safety protocols, I am not am not allowed to perform on today’s shows.”

Léa plans to take another test and hopes to find out soon if she can return on Sunday (09.11.22).

The actress added, “Julie [Benko] going to smash it today as Fanny – as are all of our incredible one-liners who have stepped up so incredibly this week as we battle a very intense covid outbreak in our theater (sic)”

A source close to the production told PEOPLE: “[There is] an outbreak among the crew and cast, so they obviously put safety first.”

Earlier this month, Lea revealed she broke down in tears after being cast in ‘Funny Girl’.

The former ‘Glee’ star was having brunch with her two-year-old son, Ever, when she learned she had been cast in the Broadway production.

She said: “Funny story, I got the call from my agents that I got the part. I had no idea.

“I was literally sitting at Bubby’s with my kid, giving her buttery pasta and broccoli. And I got a call from my agents, and they said, ‘You’re going to be Fanny Brice on ‘Funny Girl.’ And as I watched standing up, I start crying hysterically and I’m like, oh my God.”

Turning pandemic-related uncertainty into business advantage

This Q&A has been edited and condensed.

What is your job title and where do you work?

I am an account coordinator at M&C Saatchi Sport & Entertainment North America. It is a New York-based creative communications agency that operates across sports, entertainment, and lifestyle. I mostly work remotely from my hometown in Maryland.

What does a day in your role look like and how do you approach new projects?

It all depends on the week, and the important projects for the different client accounts. As an Account Coordinator, I am one of many people within the company assigned to client-related PR/communications projects. On a daily basis, my responsibilities include attending weekly meetings related to client projects as well as assisting with public relations and communication needs for various accounts.

Is there anything about your professional background that people would find surprising?

I’m not sure many would find my background surprising, but a lot of it has come from networking. At the height of the pandemic in 2020, I reached out to a former University of Maryland student-athlete involved in communications and public relations. After learning a little more about what she does and the experiences that led her to this position, I was intrigued. She helped me connect with several different people who ultimately helped me land my job at M&C Saatchi Sport and Entertainment.

Tell us about your journey from graduation to your current job .

As for what I wanted to do after getting my Bachelor of Arts in Maryland in 2021, I was very lost. Things seemed very complicated for new graduates looking to enter the job market. With my psychology degree, I knew I was interested in people, but I wasn’t interested in going to graduate school in psychology or becoming a psychologist.

Due to the pandemic, the NCAA has granted student athletes the choice of an additional year of eligibility to play and make up for a lost season in 2020. My academic advisors had introduced me to the Smith School Plus 1 program, just in case I decided to stay in Maryland for another year. I thought it was a unique opportunity to play football longer in college and gain more academic knowledge, so I took the extra year. I also wasn’t sure if entering the workforce at that time felt right to me, so I applied for the master’s program at Smith.

The Master of Science in Business and Management program seemed to me to be the best foundation for gaining more business knowledge, while getting back to talking to people face to face in a professional manner. I would have been too nervous to do this if I had chosen to work right after graduating from high school.

In the spring semester of 2022, I finished playing football and just focused on school as well as the next steps after graduation. I contacted a contact at M&C Saatchi Sport & Entertainment North America. They offered me an internship, and I liked it so much that I expressed my interest in working for them full time.

Are you where you thought you were in your career? What are your goals?

No and yes. I had hoped that I would be in a creative field – something like marketing, communications or public relations – after graduation, but I didn’t think I would enjoy an internship with an agency as much as I would. did it. My original goal was to get a full-time position in a sports league/team.

I’d be lying if I said I knew exactly what my long-term career goals were, but for now, I think I’d like to pursue PR.

What Smith resources or connections have you leveraged for your career?

I mainly used my teachers and classmates within my cohort to help me leverage my career. While my current role was acquired through Smith’s outside contacts, it was Associate Professor of Management and Organization, Rellie Derfler-Rozin, my other professors, as well as guest lecturers at Smith who really helped me understand my interests and career opportunities.

How has your training at Smith helped you in your career? Are there specific courses, experiential projects, team projects or internships that have been particularly useful to you?

I got a second degree which allowed me to build a foundation in business and gave me tools like negotiation, writing, networking and team building. Since the courses were based on simulations with team presentations, it was a useful and realistic introduction to work.

The negotiation and brand management courses were very useful to me.

What about your personal journey that led to your success?

Being honest with myself about my interests has contributed to my success. With the uncertainty that comes with the pandemic, I realized that goal setting should only be a baseline for your career plans, not a checklist. My goal was to have a full-time job after I got my BA, with no intention of ever going back to school. I felt a certain pressure, as many undergraduates do, to get a job before graduation. This is considered by many to be the start on the road to success.

I also think that just networking and having conversations with people – formally or informally – exposed me to a wide range of jobs and careers that I didn’t even know existed, but that fit my needs. my interests. Hearing about other people’s career paths made me more comfortable not being sure what I wanted to do. The advice I received from several people in my network helped me understand that there is no set path to a career, but having a few goals can help you figure it out.

23 indoor and outdoor events are taking place in Greeley, Windsor, Loveland and around NoCo for the week of September 10-16, 2022


While we may have banked on summer for so long and immersed ourselves in welcoming the fall season in all its golden glory, that doesn’t mean the calendars of events and activities take a turn for the worse. pause.

This week’s Go+Do is packed with fun indoor and outdoor events sure to keep everyone in the family entertained. From concerts and comedy shows to a groovy fundraiser for the Humane Society of Weld County and a 9/11 tribute, check out some of these 23 events taking place in Greeley, Windsor, Loveland, Fort Collins and across the country. northern Colorado region.

Saturday September 10

1. Get out your tie-dye and head over to Weld Community Credit Union for the 2nd Annual Woofstock. The event invites community members of all ages to come out and enjoy crafts, music, Humane Society of Weld County puppies and more. Donations of food, pet beds, cleaning supplies and other items for the shelter are appreciated. Admission and parking are free. For more information, visit https://bit.ly/3AJpJUP.

2. The King Street Market Craft and Vendor Show starts at 9am at the United Methodist Church at 108 King Ave., Johnstown. The open market is open to all ages and will include local vendors, a food truck and more. Registration is not required to attend. For more information, visit https://bit.ly/3KGRbqG.

3. The Great Bison Shuffle is scheduled to take place at 7:30 a.m. at the Terry Bison Ranch, 51 I-25 Service Road East, Cheyenne. The route will take runners and walkers of all ages through scenic ranch land. Money raised at the event will help purchase exercise equipment for Cheyenne Regional Medical Center’s cardiac/pulmonary rehabilitation program. Participants can sign up for a fun 10k, 5k, 2k or kids run. Registration fees vary from $20 to $75 per person depending on the race chosen. For more information or to register, go to https://bit.ly/3BiJkwN.

4. Join Windsor-Severance Fire Rescue at 9am for their dedication at New Fire Station 4, 1350 New Library Road, Windsor. All ages are welcome to attend the dedication, meet the staff, tour the station and learn more about the department. For more information, visit https://bit.ly/3Qamxr6.

5. The Fort Morgan Fly-In and Air Expo: Just Plane Crazy is scheduled for 8 a.m. at the Fort Morgan Municipal Airport, located at 23101 State Highway 52. ​​The free event will feature pilots and flight instructors, food trucks, skydiving, drones and more for all ages. For more information, visit https://bit.ly/3wQfKfc.

6. The Tri-County Walk to End Alzheimer’s will begin at 8 a.m. at Riverside Park, 1600 Main Street in Fort Morgan. The national event helps raise funds and awareness for Alzheimer’s disease care, support and research. All ages are welcome to participate in the walk. For more information or to register, go to https://bit.ly/3TFuk2O.

Sunday September 11

7. Bootleg Emulator is scheduled to perform at 4 p.m. at Verboten Brewing, 127 5th St., Loveland. The band will perform a wide variety of selections ranging from Bill Withers to Thundercat, sprinkling in soul, pop and jazz tracks along the way. The concert is open to adults 21 and older and there is no charge to attend. For more information, contact Verboten Brewing at (970) 775-7371.

8. Honor the 21st anniversary of the 9/11 terrorist attacks by joining the 9/11 Rally for America flag waving event at 7 p.m. at Liberty Island on Highway 34, corner southeast of Lake Loveland. The event will include opening remarks by David Hunt, an invocation by Lt. Randy Stokes, presentation of the colors and guest speakers. All ages are welcome to attend the free event. For more information, visit https://bit.ly/3RgF7PI.

9. The Honey Festival is scheduled for 9 a.m. at Fairgrounds Park, 700 S. Railroad Ave., Loveland. The free event will feature different types of honey and beeswax products, a children’s play area, a mead garden, education on the nutritional benefits of honey, and the opportunity to observe a beehive. All ages are welcome. For more information, visit https://bit.ly/3KLHYOa.

10. The 4th Annual Horsetooth Fest: Opera Grand Finale will be held at 11:30 a.m. at 1209 N. College Ave., Fort Collins. The festival will feature a variety of experimental, student, narrative and animated shorts and music videos, as well as question and answer sessions from filmmakers and videographers. All ages are welcome and admission is $35 per person. For more information or to purchase tickets, go to https://bit.ly/3AM78HO.

Monday September 12

11. Get started in country swing dance class at 5:30 p.m. at Aims Community College, 5401 W. 20th St., Greeley. The six-week course will teach dancers ages 18 and up the ins and outs of swing country dancing. You do not need a partner to participate in the course. Registration is $139 per person. For more information or to register, go to https://bit.ly/3q6ahx7.

12. Ladies, struggling with toxic relationships? is set for 2 p.m. online. The free program, led by Life Coach Des Caminos, will discuss how to recognize a toxic relationship, find clarity and move on. The program is open to adults 18 and older and registration is required. For more information, visit https://bit.ly/3elzEIN.

Tuesday September 13

13. NoCo Connections for Young Professionals is to meet at 5 p.m. at Old Chicago, 2349 W. 29th St. in Greeley. The group, open to adults 45 and under, offers attendees the opportunity to network, make connections, learn about other businesses and organizations in the community, and have fun while doing it all. The event is free and registration is not required. For more information, visit https://bit.ly/3wRHq3f.

14. Learn about natural remedies at Herbal Brain Tonics for Clarity, Energy, and Focus at 6:15 p.m. at Golden Poppy Herbal Apothecary and Clinic, 223 N. College Ave., Fort Collins. The class will be taught by Brita LaTona and will discuss nootropics, a class of herbs that restore, strengthen and help people focus. Each participant will have the chance to create their own dye mixture. Admission is $25 per person and the course is open to adults 18 and older. For more information, visit https://bit.ly/3RxJx4h.

Wednesday September 14

15. The Duane Betts Trio will take the stage at 7 p.m. at the Moxi Theatre, 802 9th St., Greeley. Betts is an American singer-songwriter from Sarasota, Florida who cut his teeth in the music business while serving with The Allman Brothers Band. The musician is currently working on his second album which will contain notes of blues, rock and country. All ages with valid photo ID are welcome to attend. Tickets are $20 per person for general admission, $70 for a reserved table for two, and $140 for a reserved table for four. For more information or to purchase tickets, go to https://bit.ly/3ehChLw.

Thursday September 15

16. Unstoppable Curiosity is hosting a Brown Bag Non-Book Club at 12:30 p.m. at 2410 35th Ave., Greeley. The event will feature a short quick-read article followed by a discussion on self-reflection, growth and development. The event is open to adults 18 and older and registration is $20 per person to attend. For more information or to register, go to https://bit.ly/3RvsMXA.

17. The Head and The Heart is scheduled to perform at 7:30 p.m. at Red Rocks Amphitheater, 18300 W. Alameda Parkway, Morrison. The group puts on a high-energy show and has landed performance spots at Coachella, Lollapalooza and Austin City Limits. All ages are welcome to attend the concert and tickets range from $55 per person to $275 per person depending on seat selection. For more information, visit https://bit.ly/3AI8Z03.

Friday September 16

18. Oktoberfest Fest weekend kicks off at noon at MainStage Brewing Company, 450 Main St., Lyons. The event will feature a variety of beers from Colorado breweries as well as polka bands, dancing, pretzels and more for adults 21 and older. Entrance to the festival is free. For more information, visit https://bit.ly/3wU1cv7.

19. The Cheyenne Greek Festival begins at 4 p.m. at Frontier Park Exhibition Hall, 1312 W. 8th Ave. with a variety of Greek dishes, live entertainment, Greek dancing, a bazaar and more for all ages. Proceeds from the event will be donated to Needs Inc. Admission and parking are free. For more information, visit www.cheyennegreekfestival.com.

20. Help the City of Windsor welcome its new restaurant, Betta Gumbo, during a grand opening celebration at 6 p.m. at 526 Main Street. The event will feature the Bourbon Brass Band, food and drink for all ages. For more information, contact Betta Gumbo at (970) 685-4842.

21. Comedian Jim Gaffigan – The Fun Tour is set to appear at 8 p.m. at the Ranch Events Center, 5280 Arena Circle. The show will mark Gaffigan’s first Loveland appearance for the Grammy-nominated comedian. Gaffigan is known for his unique brand of fatherhood-centric comedy and life observations. The show will have adult themes, so parental supervision is advised. Tickets are $65 and $75 per person plus handling fees. For more information or to purchase tickets, go to https://bit.ly/3KK44jT.

22. Country music superstar Keith Urban brings his The Speed ​​of Now World Tour to Colorado at 7 p.m. at The Ball Arena, 1000 Chopper Circle, Denver. Urban has a long string of hits which include “Blue Ain’t Your Color”, “Stupid Boy” and “The Fighter”. Ingrid Andress and Tyler Hubbard will join Urban at the concert. Tickets range from $35 per person to $379 per person depending on seat selection. All ages are welcome. For more information, visit https://bit.ly/3ALQcBd.

23. Again! Bis! presents Screwball Comedy by Norm Foster at 7:30 p.m. at Lincoln Center, 417 W. Magnolia St. in Fort Collins. The show captures the flair of the 30s and 40s through colorful characters, witty dialogue and fast-paced comedy. All ages are welcome and admission is $18 for guests 13 and older and $14 for children 12 and under. For more information, visit https://bit.ly/3ek2OrG.

The first production of Constellation places the audience and actors around a campfire

Constellation’s first performance literally ignites the audience.

Repeat then dive. That’s what Constellation Stage and Screen did as they prepared for the first (and immersive) performance of the new company. “The Grown-Ups” will be outside under real constellations.

A small audience will gather around a campfire, from September 14 to October 1, and immerse themselves in the talent of the cast. That’s because the actors, playing the camp counselors, will be sitting right there among the ticket buyers.

Although there is no stage, “this is NOT a show with audience interaction,” said Chad Rabinovitz, artistic director of new works for the company.

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The play, by Skylar Fox and Simon Henriques, is set in a summer camp. The campers sleep in their tents while the monitors relax by the light of the fire. As they observe what seems to them an increasingly dark world, they discuss how best to mold the future sleeping rulers. Henriques stars as Lukas and Fox directs.

As a child, Henriques attended an overnight camp much like that of “The Grown-Ups”.

“I was 10. It wasn’t for me. I cried a lot, got sick, didn’t make any friends and got lost in the woods briefly at night,” a- he declared. “I spent my next summers doing theater, which was much more my speed.”

The camp staff tell the story in

Fictional turbulence occurs outside the playcamp (you’ll have to be there to find out), and the monitors check their phones for the first time since breakfast. We begin to learn what is going on there beyond the tent pegs and the glassy lake.

“You sit around the campfire with (counselors) as if you were another counselor. So (immersion) is about the closeness you have with the actors, the action and the environment of the play,” explained Henriques.

“The Grown-ups,” which also happens to be Constellation’s first page-to-stage-to-screen project, premiered a year ago in Brooklyn, New York, in Henriques’ backyard.

“It extended its sold-out tour three times,” he said, “and Time Out New York gave it four stars and called it ‘the coolest new piece you probably can’t. see”. They also included it on their list of the top 10 shows of 2021.”

The writers realized that to create a play where people sit and talk, they had to create compelling dialogue. “Aside from the unique theatrics and immersion,” Henriques said, “I think it’s just a good story. And it’s funny!

Roasting marshmallows and keeping the campfire burning will be part of

As for the immersion, the senses of the public will provide the scenography, as they will soak up the atmosphere, of a real old summer camp. They will feel the heat of the fire as they smell the roasted marshmallows, hear the cicadas and katydids, and gaze at the constellations.

The inescapable feeling of coming of age against one’s will is largely the subject of the play. “Perhaps the immersive aspect of the show is even more appropriate than we thought.”

And since the audience will be seated with the actors, they may notice tiny sideways glances and high-pitched breaths that they normally wouldn’t.

More: Create a soft spaceConstellation’s new releases art director opens a candy store

“That summer camp feeling won’t just start when the audience sits down – in a way, the whole journey to the venue will be part of the experience.”

The team devised ways to incorporate some of the camp’s existing features into the staging of the play. The open spaces of the Hundredth Hill site help.

“The Grown-Ups” allows us to discover the importance of how people talk about their days or how activities are assigned in reinforced ways by generations of campers and counselors. for you, while adapting to change?

“The Grown-Ups” looks at tradition and change and what drives people to want to change, especially when nothing has prepared them for it. The playwrights are hoping for a bit of a scare, after all they imagine the play as one big scary story told around a campfire. “That said, no one is going to jump in and surprise you.”

If you are going to

WHAT: Constellation Stage & Screen’s first production, “The Grown-Ups: An Immersive Outdoor Experience”

WHEN: September 14 to October 1. Check the website for more details: https://seeconstellation.org

WHERE: The Hundredth Hill Artist Retreat and Residence8275 N. Fish Road

TICKETS: Availability is extremely limited and there is a waiting list. Tickets may be available on the Constellation website and at the box office, 812-336-9300. Bring your own refreshments; camping chairs are provided. Masking is optional.

Stocks recover from a stumble on Wall Street and end higher

Stocks rebounded from a midday slump and closed higher on Thursday, keeping the major indexes on track for their first weekly gain in four weeks.

The Standard & Poor’s 500 index closed 0.7% higher after recovering from an early 0.9% decline. The Dow Jones industrial average and the Nasdaq composite each gained 0.6% after going through their own bumpy rides. The indices are on pace for a weekly gain after posting losses the previous three weeks.

Wall Street had its eye on interest rates as the European Central Bank made its biggest rate hike ever to fight inflation. The move is in line with actions taken by the US Federal Reserve and other central banks.

Investors also heard from Fed Chairman Jerome H. Powell, who reaffirmed the central bank’s commitment to keep rates high for as long as necessary to control inflation.

Traders “were initially caught off guard by the Fed’s tough stance on fighting inflation,” said Sam Stovall, chief investment strategist at CFRA. “But once investors realized he wasn’t saying anything different than what he had said before, markets pulled back.”

The S&P 500 rose 26.31 points to 4,006.18. It is up 2.1% so far this week.

The Dow went from a loss of 259 points to a gain of 193.24 points, closing at 31,744.52. The Nasdaq gained 70.23 points to 11,862.13.

Small company stocks also gained ground after an initial pullback. The Russell 2000 rose 14.90 points, or 0.8%, to 1,846.91.

Stocks have mostly lost ground in recent weeks after the Federal Reserve signaled it would not stop raising interest rates anytime soon to bring down the highest inflation in decades. The interest rate policies of the Fed and other central banks, which also have a strong influence on stock and bond markets, have become a major concern for investors.

On the same day, the European Central Bank announced its big rate hike, Powell told a monetary policy conference hosted by the Cato Institute, a think tank that promotes libertarian ideas, that the Fed would keep rates on hold. high “until the job is done” to bring inflation back to its 2% target.

“There is a record of failed attempts to control inflation, which only increases the ultimate costs to society,” Powell said.

The Fed has already hiked rates four times this year, and markets expect it to deliver another giant-sized hike of three-quarters of a percentage point at its next meeting in two weeks.

Powell “seemed very resolute in the [Fed’s] mission to stifle inflation and, therefore, probably gave more credence to the possibility of a 75 basis point hike at the September meeting,” Stovall said.

One of the Fed’s biggest fears is that households and businesses are starting to expect inflation to stay high over the long term, which could lead them to start buying in a way that creates a vicious circle making inflation even more difficult to shake.

The Fed has been criticized for not taking inflation seriously earlier, and Powell said setting interest rate policy is as much art as science. A big question remains as to whether the high inflation ravaging economies around the world is a one-off event created by the pandemic or the start of something more persistent.

Bond yields rose overall as traders weighed Powell’s remarks and the ECB’s rate hike. The two-year Treasury yield, which tends to track expectations for Fed action, rose to 3.52% from 3.44%. The 10-year Treasury yield, which influences interest rates on mortgages and other loans, rose to 3.32% from 3.27% on Tuesday night.

Healthcare stocks were a big part of S&P 500 gains. Regeneron Pharmaceuticals jumped 18.8% after the company and its partner Bayer reported encouraging study data on an anti-blindness drug.

Opening of a new event location | New


NEW COLOMBIA — Planning a wedding reception, graduation party or other event? There is a new venue in the area to host such gatherings.

Members of Lewisburg Odd Fellows Lodge 96 are planning the grand opening of the Odd Fellows Barn, to serve as a venue for those wishing to rent space to hold a celebration.

President Biden announces student loan forgiveness of up to $20,000

By Connie Lee and Samantha Padilla, September 6, 2022

President Biden announced on August 24 that the US Department of Education will provide a three-part plan to pledge $10,000 in federal student loan forgiveness.

According to the White House, the three-part plan begins by providing debt forgiveness to people who have been financially impacted during the pandemic. Pell Grant recipients with loans borrowed from the Department of Education will receive up to $20,000 in loan forgiveness. Borrowers who are not eligible for the Pell Grant will receive up to $10,000 in debt forgiveness. To allow for a successful adjustment of refunds, refunds have been suspended until December 31, 2022.

“Based on the news I’ve heard about President Biden forgiving student loans, I can honestly say it’s a huge relief and I’m excited to see how it’s going to pan out,” said Edgar Castañeda, a biology student. “I feel like it would definitely help our students like me who are struggling to repay large loans, while trying to manage our ability to pay our tuition.”

The second part of the plan is to ensure that the student loan system is affordable for undergraduate students. By doing so, undergraduates will pay half of the monthly payments, resulting in a reduction of more than $1,000 for future loan recipients. The final plan is to reduce the cost of college education by increasing Pell grants and making community college free.

In the United States, an estimated $1.6 trillion in federal student debt is a significant burden on students. Student loans are the largest form of consumer borrowing for higher education in the United States and have grown significantly over the years.

President Biden’s plan will give loan forgiveness to 43 million borrowers and cancel student debt for about 20 million borrowers, according to the White House.

With the recent student loan forgiveness announcement, several CPP borrowers have contacted the FAFSA and wondered if they are eligible for the forgiveness plan and would like to know how they can enroll in the process. The official FAFSA website crashed after President Biden’s announcement within the first three days of the proposal.

Federal loans will be forgiven after a process to qualify for the forgiveness plan. For borrowers already registered in the system, their loans will be automatically rejected because their income information is already registered. However, those who are not in the system will need to register and see if they are eligible, for example by providing information such as their annual income and the number of loans they have.

“I feel like there’s always going to be a catch,” said Denise Benavides, a graduate student in social work. “I am happy that we are being supported and that some of the debt is forgiven, especially during today’s difficulties. I think this will also affect students of the future generation as tuition fees increase every year despite inflation.

Student debt forgiveness will help more than 8 million borrowers, with 87% of student loan forgiveness benefiting people with annual incomes below $75,000 and 13% of the forgiveness helping borrowers whose personal income between $75,000 and $125,000.

“To wrap up. This is something our president has promised since he was elected,” said David Jimenez, CPP Office of Financial Aid and Scholarships Counselor and graduate student. I kind of thought it was a bit out the door and maybe he promised something he couldn’t deliver. I thought it was going to be more, but in the end it’s better than nothing, so I think it helps no matter what.

According to the Department of Education, the student loan debt forgiveness application will be available in October and will take about four to six weeks to fully process.

For more information, visit CPP financial aid and scholarships and FAFSA.

Feature image courtesy of Sasun Bughdarian.

Daniel Garcia wonders if pro wrestling is harder than sports entertainment

For some, the lines between professional wrestling and sports entertainment are blurred, often to the point that the two activities could be considered a single entity. But for AEW’s Daniel Garcia, there’s a clearly defined line that separates the two.

In an interview with Bleacher Report, the 23-year-old member of the Jericho Appreciation Society explained why he divides these two sectors into separate entities.

“I think pro wrestling and sports entertainment are different things,” Garcia said. “I know you’ve even heard people say it on podcasts. You’ve heard Triple H say it on Logan Paul’s podcast that there’s a difference between a sports entertainer and a professional wrestler. And I think I I would be lying if I said there was no difference.”

For Garcia, sports entertainment was “perhaps more difficult than professional wrestling”, noting that he “never grew up saying I want to be a sports entertainer”.

“Sports entertainment, people think is more consumable for a large audience,” he continued. “And it’s not. Professional wrestling can evoke as many emotions and stories as sports entertainment, if not more.”

Garcia also warned that “sports entertainment can eventually be limiting” and risks negatively impacting wrestling if not done properly. He gave a nod to Chris Jericho, the leader of the Jericho Appreciation Society, for enlightening him “on the entertainment aspect of wrestling” through his segments.

“That’s the most important thing I learned from him: how to portray a story and how to portray an emotion without necessarily having to state it abruptly and so broadly to the audience,” Garcia said. “I think he’s mastered the art of telling the story through his body language and pushing the narratives forward without having to say it so simply.”

Veterans Awareness Center recognizes Suicide Prevention Week with events and resources


ROCHESTER, NY (WROC) – About 46,000 people in the United States died by suicide in 2020, according to the CDC. Suicide is a leading cause of death in children and adults, but recognizing the warning signs isn’t always easy.

This week is National Suicide Prevention Week, a time to highlight the many resources available for people struggling with depression or having thoughts of suicide.

The Veterans Awareness Center (VOC) of Rochester recognizes this important week with a variety of different events for veterans and their families.

“Veterans are at a very high risk of suicide. We have more than 22 veterans who commit suicide every day, which is double the national average,” said Laura Stradley, executive director of the VOC.

Stradley said while the community has made progress in addressing suicide, there’s still a long way to go. To help, the VOC is hosting the following events this week to help raise awareness about suicide prevention.

Tuesday, September 6: Raise the flag for the awareness event: 12 p.m. at the Highland Bowl in Rochester

“The butterfly is a symbol of hope and so we invite the public to join us, anyone who has been affected by suicide in their life, or perhaps someone who really wants to help stem this tide for others. who are facing this challenge,” Stradley said. “So you come out, we just have a very casual gathering, we pass out American flags, people take a little time to think, and then we do a butterfly release at the end, symbolizing the hope that still exists for people struggling with mental health and challenges.

Wednesday, September 7: Workshop on emerging from the crisis: 8:30 a.m. – 12 p.m. at the RIT Inn and Conference Center in Henrietta

“We have an impactful lineup coming up that day for guest speakers. We have Major General Greg Martin, and he’s been involved with bipolar disorder. He started to feel the effects of that in the beginning while he was on duty, when he was actually in combat, and so he calls it his ‘eternal war,’” Stradley said. “He’s actually going to come over from Florida and talk about the impact of bipolar disorder and mental health on the military.”

Dr. William Gibson, clinical psychologist, will also discuss the effects of PTSD and how veterans can move beyond it. Sheriff Todd Baxter of the Monroe County Sheriff’s Department will explain how law enforcement and mental health work together and how people can receive support.

Friday September 9: Armed with Creativity II: A Veterans Art Show: 6:00 – 8:00 p.m. at Flower City Studios in Rochester

“Art therapy is a wonderful way for veterans to express their challenges and express themselves and the things they’ve been through,” Stradley said. “Every year we have an art exhibit for our veterans who have created art, and through their self-expression others can come and they can see that and it’s a very healing process for our veterans. .”

The art exhibit will showcase the talent of local veterans and their work, including fine art, carpentry, ceramics, pottery, photography, songwriting and creative writing.

You can learn more about events and National Suicide Prevention Week by visiting the COV website here. The national suicide and crisis lifeline is 9-8-8.

Things to do: Lighthouse Day, a kite convention and puppets on the ball

West Quoddy Head Lighthouse in Lubec. James W. Thompson/Shutterstock.com

Maine Open Lighthouse Day
9 a.m. to 3 p.m. on Saturday. Statewide. lighthousefoundation.org/maine-open-lighthouse-day
Who doesn’t love a lighthouse? The United States Coast Guard, the Maine Office of Tourism, and the American Lighthouse Foundation do this, and they present the annual Maine Lighthouse Day where you can get up close to several lighthouses across the state. . Most will be open for interior tours, so be prepared to climb stairs for great views. A partial list of participating lighthouses includes Burnt Boat Harbor, Curtis Island, Doubling Point, Dyce Head, Fort Point, Goat Island, Grindle Point, Moose Peak, Owls Head, Pemaquid Point, Bug Light, Portland Head, Spring Point and West Quoddy. Check the Lighthouse Foundation site for updates, then plan to hit one or more on Saturday.

Maine’s ultimate garage sale takes place Saturday at the Cumberland Fairgrounds. mikeledray/Shutterstock.com

Maine Ultimate Garage Sale
9 a.m. to 3 p.m. Saturday (rainy date Sunday). Cumberland Fairgrounds, 175 Blanchard Road, Cumberland, $10, 12 and under free. On Facebook.
If garage sales are your love language, this is your day to shine, not to mention shop till you drop. Hundreds of vendors selling just about anything you can imagine will be congregating all over the Cumberland Fairgrounds. From deals galore to rare collectibles you were hoping to stumble upon, you never know what you’ll find at Maine’s Ultimate Yard Sale. Concessions will be available, and yes, there will be restrooms. Happy bargain hunting!

The Capriccio Festival of Kites at Ogunquit Beach is part of this year’s Capriccio event. Photo courtesy of Ogunquit Performing Arts

Capriccio Kite Festival
9 a.m. to 2 p.m. on Saturday. Ogunquit Beach, Beach Street, Ogunquit, Free. ogunquitperformingarts.org
Ogunquit Performing Arts invites you to spend part of your day at the beach for the 30th Annual Capriccio Festival of Kites, which combines dazzling professional kite demonstrations with live music performances. Singer-songwriter and violinist Andy Happel will perform sets with his band at 10 a.m. and 2 p.m., and the latter coincides with what is called the Great Ascension, during which the sky will be dotted with countless deer -ruffles. Children will receive free white kites, and there will be markers and crayons to decorate them with.

The washerwoman puppet was featured in a Bread and Puppet Theater event. Photo courtesy of Mayo Street Arts

Our Domestic Resurrection Circus
4 p.m. Saturday. Fort Allen Park, 49 Eastern Promenade, Portland, free, cash donations accepted. mayostreetarts.org
Mayo Street Arts is thrilled to bring Vermont’s legendary Bread and Puppet Theater to Portland for an outdoor extravaganza called Our Domestic Resurrection Circus. The show is described as a bright and raucous melee of short acts led by a fanfare, tackling the heart of the current moment with various styles of puppetry and spanning many moods, from the burlesque to the sublime. In other words, it’s going to be great! After the show, Bread & Puppet will be serving their sourdough rye bread with aioli for free and selling books, posters, postcards and brochures at low prices.

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New student loan plan lowers monthly payments and interest

The day the Biden administration unveiled its much-anticipated student loan forgiveness plan was a “day of celebration” for Justin Short.

Short, 34, graduated from the University of Missouri in 2012 with a degree in hotel management, $47,000 in federal student loans and $5,800 in private student loans. Like many borrowers, her college debt plagued her personal and financial decisions for years.

So while he found relief in lots of ads coming from the White House on August 24 – $10,000 in debt forgiveness, another extension of the payment pause until the end of the year – Short was most interested in the announcement of the proposed changes to the plans of income-based reimbursement.

The Department of Education’s new plan would cap monthly undergraduate debt payments at 5% of discretionary income, up from the usual 10% to 15% on existing plans.

The proposal also increases the amount of money considered non-discretionary income and protected from being used to calculate student loan repayments.

It would cover any accrued unpaid interest so that none of the borrower’s balance would increase if they made a qualifying payment.

And it would cancel loan balances after 10 years of payments, instead of the usual 20, for those with an initial loan balance of $12,000 or less.

This “dormant” detail of the loan forgiveness plan could be a “game changer” for millions of borrowers with remaining balances, says Julie Peller, executive director of Higher Learning Advocates, a bipartisan education nonprofit superior.

“I wish people would talk about it more than the $10,000 coin,” Short says, “because it will put more money in the pockets of ordinary, middle-class Americans who need that extra help, in especially when student loan repayments resume on Jan. 1. 1.”

“It has huge implications,” he adds.

From $690 to $200 a month: New income caps could be ‘life changing’

Short was about to start making payments on his federal student loans, which were forborne, in early 2020. At the time, he was making enough money working in the hospitality industry, but even putting 10% of his discretionary income — $690 — toward student debt each month would require sacrifice, he says.

Justin Short, 34, graduated from the University of Missouri in 2012 with a degree in hospitality and a nearly $53,000 student loan

Courtesy of subject

“The 10% payment plan is a lot of money,” he says — more than he thought when he was 18 and taking out these loans. He wondered, “What am I going to do now to pay off my student loan? Should I sell my car or move in with my family? I was already in the smallest apartment I could have in Kansas City.

Then Covid hit and Short was fired from his job. He has since found a new job as an assistant property manager, earning less than he used to, and taking advantage of the student loan moratorium. But the idea of ​​resuming payments at 10% of its income by January 2023 was a burden.

Under the new income-focused plan, Short says the 5% income cap will be “life-changing” and notes that he will benefit from the increased non-discretionary income threshold.

For existing plans, the threshold that is protected from being used for loan repayments is 150% of the poverty line, or $20,385 for a single person in 2022. Under the new plan, the Department of Education would increase the amount of money borrowers can keep to 225% of the poverty line, or $30,577 a year for a single person.

It also ensures that any borrower earning the equivalent of an hourly minimum wage of $15 or less will not have to make payments on their loans under the plan.

Raising the non-discretionary income threshold is “a big recognition that people have a lot of other things on their plate,” says Peller, such as rising costs for food, housing, child care and other basic needs.

Under the new payment plan, Short expects to pay about $200 a month on his federal loans, a “much more manageable amount, not an ‘I’m going back to my parents’ situation,” he says.

“It’s a good step to recognize that borrowers over the past decade needed help, and getting that help will have a positive impact on people’s financial future for decades to come,” he adds. -he.

Unpaid interest will no longer lead to debt inflation

Another major impact of the proposed payment plan is that borrowers will no longer accrue interest on their loan as long as they make their qualified monthly payment, which could be $0 for low-income earners.

This is “a very big problem” for low-income borrowers, says Peller: Currently, if a borrower’s income is low enough, their payment may not cover the monthly interest on their loan. If so, the remaining unpaid interest is capitalized and added to the principle of the loan. This “essentially inflates payments and puts people in a cycle where they can never make progress on their student loans,” Peller said.

[A 5% income cap is] a much more manageable amount, not a “going back to live with my parents” situation.

justin runs

student borrower in Kansas City, Missouri

Getting rid of accumulated unpaid interest means that “unlike other existing income-based repayment plans, no borrower’s loan balance will increase as long as they make their monthly payments,” the White House said.

Eliminating unpaid interest could help Christian Blair, 29, a Houston attorney. He graduated from the University of Kansas Law School in 2018 with about $170,000 in federal student loans, though some of that also came from his undergraduate years.

Since taking out those loans, however, the unpaid interest has added another $30,000 to his capital.

Christian Blair, 29, left his undergraduate and law school with about $170,000 in student loans. Since then, unpaid interest has added another $30,000 to his debt.

Courtesy of subject

Under the new proposal, payments for undergraduate loans will be capped at 5% of discretionary income, graduate loans will be capped at 10%and borrowers who combine the two will pay a weighted average rate.

Blair took advantage of the student loan moratorium during Covid, otherwise payments on his current plan would be nearly $2,500 a month. With a new cap and higher threshold for non-discretionary income, he expects payouts under the new income-tested regime to be much lower.

“If I make qualifying payments and my balance doesn’t continue to grow, and those payments are less than 10% of my Discretionary Income, it’s a better deal than most private offers, especially because interest that would accrue,” Blair said. .

“I was going to refinance, but not anymore,” he adds. “And I think it should be. I shouldn’t have to go through a private solution to get a better loan than I can get through the government.”

What happens next

The draft rule for the income-contingent refund proposal will be published in the Federal Register in the coming days and open for public comment for 30 days. A Department of Education spokesman said he could not comment on when the plan will be available, although experts like Peller say it could open by summer 2023.

A few big questions remain: Who will be eligible for the program, what types of loans are eligible, and how will people enroll?

“In the past, income-based repayment options were really good, but required a lot of care and attention from the borrower, with the requirement to recertify their income every year and ensure that ‘he gets his information to the services in time,’ says Peller.

“It’s going to take a good amount of clear communication with people so they don’t feel like they’re expecting something they’re not eligible for, and more importantly, so they don’t miss something. which they are eligible,” she added. .

I shouldn’t have to go through a private solution to get a better loan than I can get through the government.

Christian Blair

student borrower in houston

Although Blair will have to wait to see how the income-based reimbursement proposal pans out, he says Biden’s pardon plan has already had an impact on his family.

After discussing the news with her parents last week, Blair learned that her 55-year-old father had student debt from earning an associate’s degree and was making minimum payments of $60. $ per month for almost 20 years.

His remaining balance is less than $10,000 and he will be eligible to have it wiped out under the new plan, Blair says.

“He’s the target audience for a lot of this stuff,” adds Blair: a black man “who got an associate’s degree, couldn’t afford to pay out of pocket and paid for it all my life, in big, and helped put me through school all the time. For the first time since he can remember, as an adult he won’t have student loans.


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Rings of Power debut watched by 25 million viewers – an Amazon Prime Video record

Amazon.com Inc. said on Saturday it was expensive the Lord of the Rings The prequel series was watched by more than 25 million viewers worldwide on its first day, a first record for a Prime Video series.

The company released the first two episodes of The Lord of the Rings: The Rings of Power on its streaming service in more than 240 countries and territories on Friday.

Amazon did not specify whether the viewers listed had watched all or part of the first and second episodes.

Coming rings of power installments will launch weekly until the season finale on October 14.

The series is set in JRR Tolkien’s fictional Middle-earth during a time known as the Second Age, a period 4,000 years before the events of the the Lord of the Rings and The Hobbit novels and movies.

A scene from the first episode of The Lord of the Rings: The Rings of Power is shown. (Amazon Prime Video via AP)

Amazon plans to let the whole story unfold in 50 hours over five seasons.

The online retailer spent over US$465 million to produce the show’s first season, which was filmed in New Zealand, making it one of the most expensive television series ever produced and the most ambitious since Amazon started original programming in 2013.

The company has won acclaim for shows such as Transparent and The Marvelous Mrs. Maiselbut the audience for these series has not been disclosed.

Larned Historic Sites Hosting Free Space-Themed Event


Big bend pole

A space-themed weekend will take place on September 10 in Larned. That Saturday, the Santa Fe Trail Center and Fort Larned National Historic Site will host free hands-on and educational events for the public. The events are a celebration of the scientific achievements of the James Webb Telescope. Fort Larned Park Ranger Celeste Dixon offers a clue about the telescope.

“He takes pictures with infrared, which actually allows him to see past the clouds of dust that get in the way,” she said. “These clouds of dust in space block visible light, but infrared light passes through, allowing pictures to be taken much farther out in space and much clearer images than the ones that Hubble can get.”

The fun starts Saturday morning at 9 a.m. at the Santa Fe Trail Center. A “Walking the Galaxy” event outside will provide a scale demonstration of the size of the solar system. Kids can build a bead bracelet and learn about the life cycles of massive stars, and a “Meeting the Neighbors” program will discuss nearby planets and galaxies. A discussion on telescopes follows at 11 a.m.

“We’re going to be giving a lecture on, basically, the history of telescopes, starting with Clyde Tombaugh’s homemade telescope, who grew up near Burdett, and going all the way to James Webb,” said the director of the Santa Fe Trail Museum. . Seth McFarland.

After a brief hiatus, events resume at Fort Larned National Historic Site from 1 to 3:30 p.m. Programming will include rotating images of the Webb Telescope with a discussion of how it works. Hands-on activities include “packing a telescope” to show how Webb was launched into space and spinning a nebula using a salad spinner.

Admission is free for both events, but standard admission prices will apply for visits to the Santa Fe Trail Museum.

Fort Larned will also host free living history before Labor Day on Saturday, September 3. A blacksmith demonstration begins at 10 a.m., followed by a firearms demonstration with small arms and a howitzer at 11 a.m. Programs on Buffalo Soldiers, Drum Calls of the Civil War Era and Life in the officer rank follow in the afternoon. Admission is free for all events.

POAC Announces 2022-23 Performing Arts Season

SANDPOINT – Pend Oreille Arts Council’s 2022-2023 lineup features eclectic performances ranging from Hawaiian slack and legendary jazz to indie-pop and live theater.

The season begins this fall and continues until spring. Ticket prices range from $5 to $27, with a limited number of POAC season passes available at $145 for discounted entry to all seven shows. Individual tickets and season passes went on sale Thursday, September 1.

Friday, September 16 – Maiah Wynne

Award-winning indie-folk singer, songwriter and multi-instrumentalist hailed as “the next Brandi Carlile.” Playing with his full band. Performance and educational outreach underwritten by Underground Kindness. All tickets $25

Wednesday, October 5 — Masters of Hawaiian Music

Enjoy an evening in the islands with Hawaiian musicians George Kahumoku Jr., Daniel Ho and Tia Carrere. All tickets $28.

Thursday November 17: An evening with Lena Haug and “All The Wild Horses”

A screening of the award-winning film “All the Wild Horses” documenting the incredible Mongol Derby, the world’s longest endurance horse race, followed by a conversation with local equestrian Lena Haug about her personal experience racing through Mongolian dessert this summer. Tickets are $20.

Friday, January 13: Living Voices

POAC’s popular theatrical partnership with Living Voices returns with a production of “Within the Silence,” sharing the story of thousands of innocent Japanese Americans during World War II, told from the perspective of Emiko, a as a teenager in 1941. All tickets are $18.

Thursday, February 17: Diane Schuur

Legendary jazz singer and pianist, Grammy Award winner. She has released 23 albums, performed at Carnegie Hall, the Kennedy Center and the White House, and is a recipient of the Helen Keller Achievement Award. All tickets are $35.

Saturday, March 25: Missoula Children’s Theatre: “Red Riding Hood”

The ever-popular community theater event, featuring a crowd of local children of all ages for a local production of the fairy tale classic. Tickets $5-15.

Thursday, April 21: The Black Market Trust

A five-member Los Angeles-based gypsy jazz band, inspired by Django Reinhardt and the Great American Songbook, with virtuoso playing, beautiful harmonies, and fun audience interaction. All tickets are $28.

Guest artists also participate in POAC’s Ovations program, a free K-12 outreach program that provides quality educational experiences in the performing arts to students who would otherwise not have these opportunities. In addition to all public performances at the historic Panida Theater, workshops, performances and outreach programs are scheduled throughout the year in the Lake Pend Oreille School District.

“From classical to contemporary musicians, dancers, actors and spoken word artists, POAC has a long tradition of presenting culturally diverse performances for audiences of all ages at affordable prices,” said the POAC Executive Director, Tone Stolz. “We are thrilled to present a new season of exceptional artistry, theatrical excitement and inspiration to the Sandpoint community through the performing arts!”

A limited number of 100 POAC season passes will be available, providing discounted entry to all seven shows. Season passes cost $145 (plus tax) and are fully transferable. Tickets for all performances are available for purchase online at ArtinSandpoint.org, by phone at 208-263-6139, or at the POAC office, 110 Main St., Suite 101 in downtown Sandpoint. Sponsorship opportunities are also available for POAC’s performing arts season and for individual shows. Call the POAC office for details.

SNL Departures: Melissa Villasenor, Alex Moffat, Aristotle Athari Out


Three more comedians are leaving Emmy-winning Saturday Night Live as part of a cast shakeup ahead of the show’s 48th season this fall.

Melissa Villaseñor, Alex Moffat and Aristotle Athari are leaving the show, according to a person familiar with the exits who was not authorized to speak on the record.

Villaseñor, who was a semi-finalist on the NBC reality show “America’s Got Talent,” made history as the show’s first Latin actress when she joined in 2016. She is best known for her celebrity impressions, including portrayals of Kristen Wiig and Lady Gaga.

Moffat was also cast in 2016 and is known for his parodies of Eric Trump and Anderson Cooper. He has several films in production, including the comedy thriller “Susie Searches” and the holiday comedy “Christmas with the Campbells.”

Last season was the first and only for Athari, SNL’s first male lead from the Middle East. He made his mark as Laughtertosh 3000a standing robot character who appeared in SNL’s satirical skit, “Weekend Update”.

Villaseñor, Moffat and Athari join four former teammates – Kate McKinnon, Aidy Bryant, Kyle Mooney and Pete Davidson – who said goodbye in May at last season’s finale.

Departures come after SNL creator and executive producer Lorne Michaels said a “year of change” was possible for the series. Longtime SNL producer Lindsay Shookus, who was instrumental in booking the comedy show, revealed in a Instagram post in August that she was also leaving after 20 seasons.

Since SNL’s debut in 1975, the show has broken Emmy Awards records for nominations and wins. Its 2020-2021 season was the most-watched entertainment program on television for adults 18-49, according to the hollywood journalist.

Former Atlanta Falcons LB Brandon Copeland’s next venture is a real estate reality show

Brandon Copeland sat in the corner chair as the salesman came to the middle of the open stage. Almost immediately, it felt like the linebacker-slash NFL real estate investor was the ringleader, trying to keep the conversation going.

In Netflix’s new reality series Copeland is part of ‘Buy My House’, the 31-year-old’s personality is on full display.

The show, which debuted on Friday, looks a bit like “Shark Tank”, the whole thing even looks somewhat similar with the show’s four investors, Copeland, CEO of Redfin, Glenn Kelman, CEO of Corcoran, Pam Liebman, and real estate mogul, Danisha Wrightster, in a semicircle. around a carpet sitting in comfortable chairs — but instead of venture capital, the focus is on real estate.

Of the four, Copeland has the most bite — and perhaps the best comedic timing of the bunch with a knack for one-liners between his serious offers for homes bought by potential sellers.

“If the apocalypse happened,” Copeland asked a salesman in the first episode. “Do you think we could take shelter in this house?” »

In the second episode, there are jokes about the Atlanta Falcons — who Copeland was playing for at the time of filming — with a salesman in Gainesville, Georgia, located a few miles from the Falcons’ training facility.

Homes are located across the country, ranging from one-off properties, the ones you’d expect to see on a typical real estate site, to million dollar properties, and homes that cost a lot less.

It was an experience Copeland had never been part of before on many levels. It was also the one he couldn’t pass up.

“I understand the potential that a show like this has to not only change my life forever, but Shark Tank has changed the lives of a lot of people,” Copeland said. “I look at business differently because of Shark Tank. I understand valuations a little differently because of Shark Tank.”

He hopes this show will help people better understand real estate and real estate investing – something he thinks most people can relate to – as well.

It was two weeks before training camp in 2021 with the Atlanta Falcons, and here he was, on set, working on his other job. Copeland was in a Hollywood-style trailer — own trailer — in Albuquerque, New Mexico. He brought in coaches for two-day workouts before and after 12-hour shooting days.

“Day one,” Copeland said. “I had extreme impostor syndrome.”

Copeland reached out to friends while he was on set and they offered positive encouragement. So did the producers, who noticed that Copeland was not bidding on the properties as they initially thought. Copeland himself, to remember how he got where he is, created his own wallet. The houses he had knocked down. The commercial real estate transactions he entered into and the leases he signed for his properties with multinational corporations.

The fact that Copeland was here was still a little surreal. He was initially skeptical of the idea when producers first contacted him two years ago. He had heard offers before. He even has his own production company – one of the many ventures he pursues.

But they continued to contact him. Tom Forman, the executive producer of “Buy My House” and CEO of Critical Content, had Copeland on his short list of people to work with for years. Forman knew Copeland’s story — graduating from the University of Pennsylvania, working at a hedge fund in the offseason, flipping houses in Detroit, teaching a financial literacy course at Penn while playing nearly a decade in the NFL – and thought he might be an intriguing option for one of his shows.

Copeland and his brother, Chad, analyzed the potential opportunity. Intrigued by the concept, which would have him buying properties without visiting, the difference between this deal and other deals he had in the past was that this show already had a deal – committed to Netflix. This made it a palatable option.

“I liked his resume. I liked the interesting way he came to real estate investing,” Forman said. “I liked his spirit and reached out to him while we were casting the show and told him we have our eye on you and think we have the perfect vehicle.”

Forman said no one they reached out to bought into the show right away — it was different from typical real estate investing, instead bringing hundreds of people in front of them to consider investments.

Copeland would be different from other show moguls. Kelman, Liebman and Wrightster work in real estate full time. Copeland no.

To prepare for the show, Copeland watched more “Shark Tank” than he had in the past. If he browsed the television and saw it, he studied the episode. As filming got closer, he stopped watching because he didn’t want to be a Mark Cuban or Daymond John impersonation. He wanted to be himself.

As well as Copeland did financially in his career, both on and off the field, it was a different kind of game. He was in competition with CEOs and financial experts. Usually, if he was in the room with these people, the talkative Copeland would shut up and ask as many questions as he could trying to learn. Now he would be on the same stage trying to beat them up for business.

Copeland’s strategy at the start of the show was no different than it is in real-life investing: be disciplined. Be smart. Be decisive. That’s why when Forman worried that Copeland was bidding on houses, he needn’t have worried.

When Copeland saw a property that intrigued him, he competed for it. Hard. As several episodes show, he was strict not to go over a certain price – slipping deep into his chair during a contentious negotiation in the third episode.

“If he’s not interested, he’s just not interested,” Wrightster said. “What you’ll see is when he’s interested he’ll jump completely, completely into it. He certainly wasn’t intimidated at all.”

The process was unusual in many ways. First, the panel was given general information about a property beforehand to do basic research – the neighborhood it might be in in a city or town, the type of property. This allowed them to have some experience to ask intelligent questions, but not enough to understand the details.

Then they are shown the houses together on a video before meeting the potential sellers. This is where things differed for Copeland from anything he had been involved in before. Wrightster said it’s clear Copeland has a strategy, focused on certain cities and cash flow, for development opportunities.

Usually, Copeland does not have much interaction with sellers of a property or land. He knows the information. Try to find out more about the seller, but not to meet him. This allows him to evacuate the emotion. He couldn’t do that here. Sellers stood a few feet away from him trying to convince someone on the sign to buy their home. Here he had the story behind the house and the owners themselves – some with incredibly emotional stories – were wide open for investors. Negotiations, often non-public, are open and transparent.

“You get to meet everyone and you hear their stories and what they’ve been through in some of these places and what they mean to them and you can’t hide from that,” Copeland said. “It’s, I won’t say a challenge, well, part challenge, but a different dynamic than any of us or most of us have ever been into.”

The group of four connected throughout the week-long shoot. They have been in constant group text for a year. Having bigwigs in the real estate space now in Copeland’s circle offered him something else.


While Copeland thought he was busy, seeing how they managed their time gave him another perspective on how he can better manage his growing businesses with family time.

The week of shooting actually changed some of his investment strategy. While he had already moved from the single-family home to bigger residential and commercial real estate projects, it taught him the loans he should and shouldn’t take.

Previously, he was comfortable with recourse loans, which allowed assets to be seized if there was no repayment on the loan. Now – “you won’t catch me in hell signing a recourse loan.” While he understands his fellow competitors’ businesses are different from his own — his decisions and experiences on the show have taught him different ways to catch potential red flags in deals.

It has accelerated his already savvy business acumen as he pushes his real estate holdings into what Copeland hopes will be an empire. A potential TV deal or a deal made on TV at a time.

“I totally understood the show and I hope people are a part of it,” Copeland said. “But I also thought it was one of those things that if I said no to it, I might regret it for the rest of my life.”


Stocks trade lower ahead of US jobs report

An employee works at the Tokyo Stock Exchange (TSE), operated by Japan Exchange Group Inc. (JPX), in Tokyo, Japan, Thursday, Jan. 13, 2022.

Toru Hanai | Bloomberg via Getty Images

Asia-Pacific stocks were mixed on Friday as investors anticipate the U.S. jobs report for August, a key indicator ahead of the Federal Reserve’s next interest rate decision later this month. -this.

South Korea’s consumer price index rose slower than expected 5.7% in August compared to the same period a year ago, less than the 6.1% forecast by analysts in a Reuters poll.

The Nikkei 225 in Japan was nearly flat at 27,650.84, while the Topix index was down 0.27% at 1,930.17. Hong Kong’s Hang Seng Index fell 0.66% in the last hour of trading and the Hang Seng Tech Index fell 1.28%.

In Australia, the S&P/ASX 200 closed down 0.25% at 6,828.70. South Korea’s Kospi fell 0.26% to 2,409.41 and the Kosdaq fell 0.31% to 785.88.

The Mainland China Shanghai Composite edged up to 3,186.48 and the Shenzhen Component edged down to 11,702.39.

MSCI’s broadest Asia Pacific ex-Japan equity index was down 0.52%.

US crude and Brent crude extended their gains in afternoon trading, rising more than 2% each.

Economists predict 318,000 jobs were added in August, down from the 528,000 jobs added in July, according to Dow Jones. Unemployment is expected to remain unchanged at 3.5%.

“All the focus today is on payroll later tonight, where the [whisper] figure is for stronger than expected printing, which would add to the argument for a 75 basis point hike in September,” Tapas Strickland, an economist at National Australia Bank, wrote on Friday.

Overnight in the United States, the Dow Jones Industrial Average rose 145.99 points, or about 0.5%, to 31,656.42. The S&P 500 added 0.3% to 3,966.85, and the Nasdaq Composite slipped about 0.3%, to 11,785.13.

– CNBC’s Patti Domm, Sarah Min and Tanaya Macheel contributed to this report.

US Space & Rocket Center welcome party for NASA’s second Artemis I launch attempt


HUNTSVILLE, Ala. (WHNT) – Are you excited about the next attempt to launch the Artemis I mission? The US Space & Rocket Center is throwing a party to watch all the action as NASA attempts to return to the Moon once again.

The first launch attempt was canceled on Monday due to engine problems. The next attempt is currently set for Saturday, September 3 with doors opening at Rocket Center at noon.

The USSRC will broadcast NASA’s official live broadcast on its giant 34.5-foot screen at the Davidson Center beneath the original moon rocket, the Saturn V.

The launch window is set for 1:17 p.m. to 3:17 p.m. The party will end at 3:30 p.m.

The event is free, but you may want to reserve a spot in advance as space is limited and the first event is sold out. Click here for more details.

The Rocket Center team says on-site parking will be filled on a first-come, first-served basis. Calhoun Community College has offered the use of its parking lot for additional parking. The campus is located across I-565 from the Rocket Center.

People are encouraged to carpool to maximize available parking. The Rocket Center will have shuttle services from the additional parking lot to and from the Davidson Center during the event.

NASA says the primary goals of this unmanned flight are to test the Orion heat shield and fly the SLS for the first time as a fully integrated rocket.

True story of ‘Woman King’: ‘Black Panther’ meets African history

One of the most pronounced effects of Marvel’s “Black Panther” was that it empowered a race of people who have long been underserved by Hollywood to consider an alternate history not rooted in victimhood.

In Wakanda, black audiences were able to imagine an African nation that had triumphed over colonialism. And through the Dora Milaje – the elite team of female warriors who defended the fictional kingdom – moviegoers encountered an army of powerful women who defended themselves against the men.

In fact, the Dora Milaje were modeled after the Agojie female warriors (also known as Dahomey Amazons), who defended the West African kingdom of Dahomey (now Benin) in the 1800s and were the force society’s dominant military. Now the Agojie are the subject of a new film, “The Woman King,” directed by Gina Prince-Bythewood from a story by actress Maria Bello and screenwriter Dana Stevens.

In 1823, the kingdom of Dahomey was under the control of the Oyo empire, richer and influenced by the West. He was forced to pay tribute in the form of virgins, guns and captives to be sold into slavery to European colonizers.

Viola Davis is the leader Agojie Nanisca in “The Woman King”.

(Ilze Kitshoff/Sony Pictures)

“You had this kind of David and Goliath situation where the slightly smaller nation decided to push that back,” said Cathy Schulman, the film’s producer. “And of course it was the Agojie who led the fight.”

The idea of ​​making a film about the Agojie was born during a trip to Benin in 2016 where Bello discovered the warriors for the first time during a visit to the Palais des Rois d’Abomey, the royal palaces of the kingdom of Dahomey in the city of Abomey.

“She said, ‘Can you imagine if one day we made a movie about this incredible group of female soldiers who caused such an act of resistance that slavery stopped for a while? “, recalled Schulman, who was then an executive at STX Entertainment.

Schulman pitched it to the top brass at STX who agreed it sounded like a good idea, but were unwilling to offer more than $5 million to fund it, doubting it would have much box office reach. .

Nonetheless, they came up with an initial concept and crafted a pitch that “went through many different stages in many different places”, before they were finally able to sell it to Sony Tristar. “It was a constant push and fight to convince people that we deserved a big budget, that we deserved to tell a story like this,” Bythewood said.

In many ways, the movie can only exist now thanks to the massive success of the Marvel movie. “‘Black Panther’ was absolutely a game-changer,” Bythewood said. “It changed the culture and proved something that I think we all knew but the industry didn’t understand, which is our power as an audience.”

Thuso Mbedu in

Thuso Mbedu in “The Woman King”.

(Sony pictures)

“For me, ‘Black Panther’ was all this exploration of, ‘Can you imagine an African nation with an agency to become prodigious?'” Schulman said. “And I thought, ‘But wait, there’s an African nation that had its own agency that became prodigious. We don’t have to pretend.


After the May 2022 acquisition of Splash News, a leading global entertainment news network, Shutterstock announces renaming of The Newsroom to Splash at Visa Pour L’Image

PERPIGNAN, France, August 30, 2022 /PRNewswire/ — Shutterstock, Inc. (NYSE: SSTK), a leading global creative platform for brands and transformative media companies, announced today at the Visa Pour L’Image Festival in Perpignan, France which he renamed The Newsroom to Splash. Since its creation in May 2021, The Newsroom has been established as the go-to destination for unparalleled access to premium, exclusive editorial content. The Newsroom’s unrivaled offering was bolstered by the acquisition of Splash in May 2022an industry leading source for celebrity, red carpet and live event image and video content for over three decades.

With the rebranding to Splash, Shutterstock’s global customers will still have access to the same breaking news, as well as an archive of over 30 million images, with a live feed of 40,000 images downloaded daily from of a network of more than 4,000 photographers. This is combined with The Vault, Shutterstock’s archive of over 60 million photo and video assets from AP, ITV, The Condé Nast Collection, The A+E Networks® Archive and more, making it the one of the largest archive collections in the world, as well as the premium service of a team of market experts to bring together top trending stories, archives and UGC content to help our global customers tell the story behind the story.

“Over the past 30 years, Splash has built a strong legacy based on brand recognition and a commitment to quality within the entertainment industry, and we are thrilled to announce that legacy in a new era” , said Candice Murray, vice president of editorial at Shutterstock. “This rebrand confirms Shutterstock’s positioning as best-in-class for premium celebrity and entertainment content, and we’re excited to leverage Splash’s brand affinity, elevating the visual storytelling capabilities of Splash to our customers around the world.”

If you’re traveling to Visa Pour L’Image, join us in celebrating the addition of Splash News to the Shutterstock Editorial family in Perpignan, France on August 31 and September 1, 2022. To RSVP, visit perpignan.splashthat.com.

About Shutterstock, Inc.
Shutterstock, Inc. (NYSE: SSTK), is a leading global creative platform for transformative brands and media companies. Directly and through its group subsidiaries, Shutterstock’s comprehensive collection includes high quality licensed photographs, vectors, illustrations, 3D models, videos and music. Working with its growing community of over 2 million contributors, Shutterstock adds hundreds of thousands of images each week and currently has over 415 million images and over 26 million video clips available.

Based at New York City, Shutterstock has offices worldwide and customers in more than 150 countries. The company also owns Splash News, the world’s leading entertainment news agency for newsrooms and media companies worldwide, Pond5, the world’s largest video marketplace, TurboSquid, the largest 3D content market in the world; PicMonkey, a leading online graphic design and image editing platform; Offset, one premium image collection; Shutterstock Studios, an end-to-end personalized creative store; PremiumBeat, an organization Royalty Free Music library; Shutterstock Editorial, one of the main sources of editorial images and videos for the world’s media; Ampere Musica AI-based music platform; and Bigstocka stock market media offering focused on value.

For more information, please visit www.shutterstock.com and follow Shutterstock on Twitter and on Facebook.

SOURCEShutterstock, Inc.

Despite fire and evacuation, North Jersey wedding venue finds a way to hold couple’s special day

ROCKLEIGH, NJ — Imagine the day before your wedding, a fire ravages your room. It could have been many brides’ nightmare when it happened in northern New Jersey this past weekend.

But as CBS2’s Jenna DeAngelis discovered on Monday, some couples were still able to have their “happily ever after.”

When the fire broke out at the Rockleigh on Thursday evening, smoke and flames were billowing from the building, which was evacuated just before a wedding.

Seeing this, Danica DeVito had to brace herself.

“I was just in shock, like blown away, like very, very upset,” DeVito said.

Her wedding took place two days later and the establishment was the location of her dreams.

“Thursday they pretty much told us there was a fraction of a chance of a wedding happening, then on Friday, a little after noon, it turned into 50%, and I was super hopeful. But I didn’t want to have hope too much,” DeVito said.

The Northvale Police Department said in a statement: “Firefighters from Rockleigh, Northvale, Norwood, Closter, Harrington Park, Old Tappan, Demarest, Emerson, Tappan, NY, Piermont, NY and Sparkill, NY responded. The fire was knocked down and under control in approximately 30 to 40 minutes.EMS units from Northvale, Closter, Norwood, South Orangetown and several other towns also responded.

Soon after, crews from The Rockleigh began working around the clock carrying out repairs. Most of the damage occurred in the boiler area and on the upper floor.

“Within hours, literally hours, there were 50 people in that building and a plan was in place of exactly what to do,” said Michael Subarsky, the site’s business development manager.

The workers rebuilt, repainted, cleaned and aired the space.

The venue had to close on Friday, but helped move events to other venues. DeVito didn’t want to move and held out hope for Saturday.

“The owner contacted us and said, ‘We’re having the wedding tomorrow.’ It was like the best feeling ever,” DeVito said. “It was amazing that we came in on Saturday. If you had never told me there was a fire, I would have no idea.”

When asked how the wedding went, DeVito replied, “It was awesome. It was like the best night of our lives.”

“It’s an example of what could be done, of what’s possible when it seems impossible,” Subarsky said.

“It was totally worth it, and now it’s a great story now, and so happy to add that ending that we wanted,” DeVito added.

The venue has booked weddings all week and says they will go ahead as planned.

The fire broke out just before another wedding, which could not take place as the building was evacuated. The venue says it works with these newlyweds and that pleasing them is a priority.

Huntsville Festival of the Arts Teen Performing Arts Nights

This program is aimed at young people between the ages of 12 and 18.

Teens will develop an appreciation for the arts and identify potential career paths.

Hosted by Alberta Robinet, Tim Lucier and Sarah Vanesse (see their bios below) – all artists and educators who strive to create a fun and safe space for young people to share their passions and interests in the arts.

The group meets monthly at Huntsville Arts Festival Studio at 58 Main Street East (entrance across from River Mill Park). The first meeting of the group is scheduled for October 24 at 6:00 p.m., see other dates below:

October 24, 2022 6:00 p.m.
November 28, 2022 6:00 p.m.
December 12, 2022 6:00 p.m.
January 30, 2023 6:00 p.m.
February 27, 2023 6:00 p.m.
March 27, 2023 6:00 p.m.

Registration fee $30

For more information, email [email protected] or call 705-788-2787.


Alberta Faucet has always had a fondness for the dramatic arts. She loves being on stage. While living in Toronto, she fell in love with improv and sketch comedy. Since moving to Huntsville, Alberta has performed numerous times with the HfA. Alberta is also a playwright and has directed plays featuring youth from the Muskoka community while working in Tawingo. She teaches outdoor kindergarten and art at Muskoka Highlands Academy. This will be Alberta’s fourth year hosting T-PAN and they can’t wait to do it again!

by Tim Lucier his roots in the performing arts began in the TOROS and Arts Nipissing programs in North Bay, where he developed a strong appreciation for youth arts programs (and a lifelong passion for music, theater and dance) . Tim now plans and leads transformational leadership retreats in Algonquin Park. He is also a yoga teacher, decluttering coach, and has coordinated and led many student experiential trips to Cuba and the Dominican Republic. Tim aims to “live simply and explore with curiosity”. You may have seen him as “Sky” in HfA’s 2019 production of Mamma Mia.

Sarah Vanasse returned to Huntsville this year after living and teaching in Halifax, Nova Scotia. Sarah is an educator, artist, photographer, actress and musician. She has directed and performed in numerous amateur and professional theater productions across Canada, including 5 HfA musicals. Sarah is thrilled to be back and involved again in the Huntsville community! She works in Tawingo and runs camp and outdoor education programs. We are delighted to see her back at T-PAN!

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Editorial: Japan must not ignore gender inequality and low representation of women in film

Female representation among those involved in Japanese cinema is still low, as the industry has neglected to address the issue of the gender gap.

According to the Japanese Film Project (JFP), an organization that strives to solve problems in the film industry, of the 16 live-action films last year that exceeded box office revenue by 1 billion yen (about 7.2 million dollars), none of them had female directors. The percentage of female directors of these films was also nil in 2020.

Moreover, of the 42 films slated for production and distribution this year by Japan’s four major film companies Toho Co., Shochiku Co., Toei Co. and Kadokawa Corp., only four are directed by women. This highlights the fact that there are few opportunities for female directors to supervise works with high production costs. The JFP pointed out that no change is being made even though the issue has been acknowledged.

Why isn’t the situation improving?

The first reason is that the world of cinema has long been dominated by men. The JFP survey found that in May 2022, less than 10% of the leaders of the big four film companies were women. Poor working conditions seem to be another factor that hinders women’s representation. Many self-employed staff are forced to work long hours for low pay. An enabling environment for women to continue working has not been established.

While the term “glass ceiling” is used to describe the invisible barriers that prevent the advancement of women in the workplace, the film industry calls it the “celluloid ceiling”, referring to the material used to make the film. .

Initiatives to improve gender inequalities have emerged abroad. In 2017, the #MeToo movement spread to Hollywood after female victims of sexual abuse filed a lawsuit against a former film producer. This led to an increased awareness that structural reform was necessary for an industry whose key positions were dominated by men.

From 2024, the Oscars will have new criteria for Best Picture nominees, requiring them to have a cast and staff that includes a certain percentage of women, those from non-white underrepresented races, sexual minorities and others. groups of people.

Progress is also apparently underway in South Korea, where women working in the film industry have taken the initiative to raise their voices since around 2016. Four of the 11 Korean films with the highest box office earnings in 2019 were directed by women.

Japanese director Hirokazu Kore-eda expressed alarm at the reality of Japanese cinema, saying that “if things stay as they are now, it will be too late”. He proposed the establishment of an aid system similar to that of France, which reserves part of the box office receipts and other receipts for aid for production and the improvement of conditions of work.

As entertainment options have multiplied and global competition has intensified, diversity is key to the survival of Japanese films. The first step to achieving this is to work to close the gender gap.

Rushing: Why I Needed Student Loans to Go to School

Ty Rushing and his late mother at his eighth grade graduation ceremony.

According to your top sources, I’m either an ‘elitist’ or one of 429,000 Iowans struggling with a collective debt of $13.3 billion in student loans that will see some of it forgiven. by an executive order of President Joe Biden.

Biden announced Wednesday that up to $20,000 in federal student loan debt would be forgiven for Pell grant recipients — you must “display exceptional financial need” to receive one — and up to $10,000 for those in between us who weren’t so tough.

The social media outrage over this was something, especially considering most most harsh reviews received forgivable Paycheck Protection Program loans in increments greater than Biden forgives and, in some cases, hundreds of thousands in federal farm subsidies.

But rather than rehash all of that, I’ll tell you why I needed student loans and why it was so difficult for me to pay off that debt.

I am the product of a single mother. My late mother raised me, for the most part, by herself. I say mostly because my grandparents and maternal aunts and uncles also played a big role in my upbringing. I also kind of have three fathers, which I’ve never written about before.

Ty Rushing and his late mother at St. Stephen’s Baptist Church in Kansas City, Missouri.

My first stepfather, who I grew up thinking was my biological father, spent most of my childhood in prison and battling various addictions.

My second stepfather, whom my mother met at work during one of my first stepfather’s stints in prison, already had three sons of his own. I was also not very receptive to this guy who I thought was trying to replace my “father”, although I rarely saw him outside of a visiting room. Also, don’t worry, my second stepdad and I are super cool now!

My last father figure is my biological father whom I met during my last year of high school. We are also super nice and it is thanks to him that I went from being an “only child” for 17 years to two little sisters whom I love and cherish.

Ty and his sisters and brother-in-law.

Obviously, my story is complicated, and trying to explain how I related to someone through one of these three men requires a flowchart.

So what does this have to do with student loans? Well, I’m getting there but first I had to show you where I came from.

Growing up, my mother usually had a full-time job, a part-time job, and side businesses, including making and selling personalized gift baskets. Yet for years we barely kept our heads above water, especially during his rare spells of unemployment.

There were times when we had to fill the tub with water before they cut it off due to a missed bill. Sometimes in the winter we had to sleep in the same bed under many quilts because she couldn’t risk driving up the gas bill since we had no money to pay.

When she didn’t have a car running, we would walk to and from the grocery store a mile from our duplex to get what we needed – that’s probably why I’m still so dedicated to the “one trip or die mantra” of bringing groceries. We also walked to the payphone whenever our house phone was turned off.

Even with all of our financial struggles, not going to college was never an option for me and the value of an education was something my mother instilled in me. She was the only one of her five maternal and paternal siblings to graduate from high school. She also earned some college credits while raising me, working multiple jobs, and supporting an incarcerated spouse.

By the time I was ready to go to college, things were much better. She and my second stepdad bought a house together, he got a good job after their old place of work laid them both off, and my mom worked full-time and part-time several times in a big store.

Also, because I was/am a giant nerd, I was offered a scholarship that covered tuition for our local community college. I stayed home and my (biological) dad bought me my books during my first semester at Kansas City Kansas Community College (KCKCC).

By the time of the second semester, I was writing for the school newspaper and working night shifts in an office supply warehouse. I still have the boxcutter scars and the steel-toed boots to prove it.

Ty Rushing at 19

When I transferred to the University of Missouri-Kansas City (UMKC), I was free of college debt because I stayed home while at KCKCC and my scholarship covered tuition. I also paid for my books out of pocket after my first semester since I was working full time.

Then the shit got real.

UMKC wouldn’t accept all of my credits from KCKCC, so I was going to have to take a number of courses, which also meant paying for those courses. I had also moved out and gotten my own place, so paying school and rent out of pocket even with a full-time job wasn’t really feasible.

I took out a federal student loan of $2,000 in the fall of 2008. I repaid that loan in May 2022 and was able to do so for two reasons: I maintained my automatic payment during the federal break on student loan repayment that began under President Donald Trump. and continued under Biden, and those payments went straight to my loan rather than strictly interest.

I repaid a second of my four loans in June because of the same situation. In total, I borrowed $9,250 and still owe $7,000. I only started repaying my loans in 2016, when I was working my second full-time job as a journalist, because I simply had no money to spare.

I earned less money at my first job as a journalist than at the warehouse where I worked between the ages of 19 and 26. It was also after paying the bill for breaking the lease on my apartment in suburban Kansas City and paying for a move to Newton, Iowa.

In Newton, Dustin Turner, a friend and a former colleague, had access to a parent’s Costco account. We did the occasional Costco ride from Newton to West Des Moines and I remember my jaw dropping when I found out that the Costco free samples earned more hours than us.

By the time I got my third job as a reporter in Sioux City, my cost of living was so much higher than in Sheldon, where my second and fourth reporter jobs were and where I started paying off my loans. after years of ignoring calls and emails. from Nelnet – that I had to find a second job.

Somewhat ironically, I became a free sampler—retail merchandiser was the official title—at Sioux City Sam’s Club, Costco’s main rival. I also did some freelance writing assignments.

I remember one terrible day when I had a freelance assignment coming up and had to work both jobs. I did but it sucks.

I’m not writing this to seek sympathy – I’m fine these days and it’s the internet and we’re all freaks here – but to give a face and a voice to the student debt crisis, which is not is not unique to me or my particular situation. Even the Obamas only repaid their loans just before entering the White House.

There are millions of people like me who couldn’t afford to go to school without going into debt and, strange as it may seem, I tried to put myself in a situation of manageable debt.

I went to KCKCC instead of the University of Kansas (KU) because I couldn’t afford to go to my dream school. I transferred to UMKC because it made more sense financially and made it easier to travel between home, my warehouse job, and campus, which were in three different counties in two states. To put it in mascot terms, it was cheaper to be a Kangaroo than a Jayhawk.

Biden’s announcement was a game-changer for many people I know. My younger sister will be free of college debt at age 40, which is remarkable considering her undergraduate debt was “enough to buy a nice house,” according to my (biological) dad. A friend who racked up nearly $80,000 in debt over several attempts at college to find her as a nurse is going to be able to see a significant portion of that burden removed.

I can direct my payments to my marriage and maybe even have a house after nearly 15 years of apartment living. Obviously, these are things I was going to have to do eventually, but having more financial flexibility to do so is more than a relief.

So yeah, I’m pretty happy with the Biden executive’s decision, but I’m also just a Kansas City elitist with three dads who can’t afford college and whose experience professional as a journalist– working primarily in rural Iowa – only recently outgrew his career experience as a warehouse worker; a senior distribution specialist if you want to get technical.

by Ty Rushing

To contact editor Ty Rushing for advice or story ideas, email him at [email protected] or find him on Twitter @Rushthewriter

​​Iowa Starting Line is part of an independent news network and focuses on the impact of state and national decisions on the daily lives of Iowans. We rely on your financial support to keep our stories free for all to read. You can contribute to us here. Also follow us on Facebook and Twitter.

Entertainment News Roundup: From Fashion to Movies – Ex-Zara boss Isla launches production company; Britney Spears Makes Musical Return With Elton John’s Duo & More

Below is a summary of the entertainment news briefs.

From fashion to films – Isla, the ex-boss of Zara, launches a production company

The former chief executive of textile giant Inditex, Pablo Isla, has launched his own film production company, saying in a statement on Friday that he hopes to use his “deep passion for cinema” and business experience to advance the Spanish film industry.

Isla left the owner of global fashion brand Zara in April after more than a decade at the helm of the company’s global expansion, passing the torch to Marta Ortega, daughter of Inditex owner Amancio Ortega, who took the non-executive presidency.

Britney Spears returns to music with Elton John’s duo

American singer Britney Spears made her musical comeback on Friday, releasing a duet with Elton John, in her first new material in six years and after her 13-year conservatorship ended last year. The 40-year-old ‘Toxic’ and ‘Womanizer’ hitmaker teases ‘Hold Me Closer’, a club-dance remake of John’s 1971 song ‘Tiny Dancer’, posting his artwork as the release nears .

Turkish pop star’s arrest over religious schools joke draws heavy criticism

The arrest of a Turkish pop star for a quip she made about religious schools has drawn a fierce response from critics of the government, who see it as determined to punish those who oppose its conservative views . Pop singer Gulsen was jailed on Thursday awaiting trial on charges of inciting hatred after a video of a remark she made on stage in April was released by a pro-government outlet.

Ashes of ‘Star Trek’ actress Nichelle Nichols head for solar orbit

The late actress Nichelle Nichols, better known as Lt. Uhura on ‘Star Trek,’ will become the latest member of the 1960s TV series to be commemorated by having some of her Earthly remains flown into space. Nichols, who died July 30 at the age of 89, is credited with helping to break down racial stereotypes and redefine Hollywood roles for black actors during the height of the American civil rights movement, as one of the first black women to portray a stand-alone character on network television. .

“The House of the Dragon” has been renewed for a second season after the success of the first episode

‘House of the Dragon’, the highly anticipated prequel to ‘Game of Thrones’, has been renewed for a second season after the success of its first episode. Based on George RR Martin’s “Fire & Blood,” the drama is set 200 years before the events that unfolded in “Game of Thrones” and focuses on how House Targaryen falls into civil war.

(With agency contributions.)

Texas high school hazing incident with hot sauce, lap dances send student to ER

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An alleged hazing incident at a Texas high school that sent a football player to the hospital with burns has resulted in the suspension of 21 students.

The Alamo Heights Police Department is investigating after 21 students were suspended from Alamo Heights High School in San Antonio, Texas, following a hazing incident that sent a student to the emergency room with skin burns to the bottom of the body, KENS-TV reported this week.

Football players are said to have initiated new players into the varsity team as part of a school tradition that involved hot sauce, cookies and lap dances.

“The senior boys did an initiation, where they went to the baseball diamonds and had the younger players put cookies dipped in hot sauce between their butts,” a source told KENS-TV. “Then they had to race against each other, and if one of the cookies fell, the person had to eat it. They had them do this in an open space completely naked.”


Alamo Heights High School in San Antonio, Texas
(Google Maps)

The source added that some players had hot sauce thrown at them and some of the freshmen were forced to strip down to their boxers and give cheerleaders dances at the party.

“Over the past week, the District has received several messages through our anonymous tip line regarding safety concerns and allegations of misconduct by certain players on the football team,” said the director of communications for Alamo Heights ISD, Julie Ann Matonis, in a statement. “The alleged incident did not take place on AHISD property or during school hours. District administrators and coaches were not aware of any allegations prior to receiving the reports. The District immediately thoroughly investigated the matter and took appropriate action. Due to student confidentiality laws, the District is prohibited from sharing any additional information.”


Local sports radio host Mike Taylor said on Wednesday that “almost the entire” team had been disciplined for the incident, resulting in two game suspensions, internal suspensions and community service.

According to KENS-TV, some victims of the hazing incident will also be suspended.

“Nobody would ever want that to happen to their child,” Kara Van De Kieft, a parent of junior high school students in the district, told the outlet. “That’s something that concerns me as a parent of someone going to high school next year.”

The Alamo Heights Independent School District did not immediately respond to a Fox News Digital request for comment.

Alamo Heights High School

Alamo Heights High School
(Google Maps)


The Alamo Heights football team opened its season Friday night with a 42-39 loss to Seguin High School in San Antonio.

Raleigh Arts Preview: 4 Best Things To Do This Fall

The International Bluegrass Music Association festival returns to downtown Raleigh September 30-October 1. Photo courtesy of Rob Laughter/Visit Raleigh

Autumn is near, which also means the return of outdoor festivals that won’t leave you sunburned and sweaty (hopefully).

Here’s our fall arts preview guide.

1. Discover a festival

The International Bluegrass Music Association festival returns to downtown Raleigh September 30-October 1.

  • For two days, the bluegrass festival takes over several parts of downtown, with free shows on several blocks, a music retailer showroom and food vendor blocks.
  • The festival includes performances at the Red Hat Amphitheater, headlined by The Jerry Douglas Band and The Infamous Stringdusters.

Zoom out: If blue grass isn’t your thing, there are plenty of other festivals and events going on.

2. Go classic

The North Carolina Symphony Orchestra, one of our state’s great artistic treasures, heads into 2022-23 with Carlos Miguel Prieto in his first year as full-time music director.

  • The symphony opens with three performances of “Pictures at an Exhibition”, from September 22 to 24. The first night is at Memorial Hall in Chapel Hill, followed by two nights at the Meymandi Concert Hall in Raleigh. Tickets.

A few highlights the rest of the season, all at Meymandi.

  • Oct. 14-15: Heroic Beethoven
  • Oct. 21-22: Rachmaninoff Piano Concerto No. 2
  • October 28-29: The Music of Harry Potter
  • November 4-5: Barber Violin Concerto, with conductor Grant Llewellyn and violinist Geneva Lewis
  • Nov. 18-19: Kongold Violin Concerto, with conductor Johannes Debus and violinist Blake Pouliot
  • November 23: The Polar Express
violin performance
Photo: Courtesy of the North Carolina Symphony Orchestra.
3. Listen to live music

Here are 10 concerts worth seeing this fall.

  • Nas and Wu-Tang Clan at Coastal Credit Union Music Park in Raleigh on September 17.
  • Raleigh Indie Legends The Connells at the Cat’s Cradle in Carrboro on September 17.
  • Farm Aid Festival – featuring Willie Nelson, John Mellencamp, Dave Matthews and Chris Stapleton, among others – at Coastal Credit Union Music Park in Raleigh on September 24.
  • Raleigh hip-hop group Kooley High performs at the Pour House in Raleigh on October 1.
  • The North Carolina folk group Watchouse at the NC Museum of Art on October 1.
  • Father John Misty at the Durham Performing Arts Center on October 8.
  • Pusha T at the Ritz in Raleigh on October 19.
  • Turnpike Troubadours at the Red Hat Amphitheater in Raleigh on Oct. 28.
  • Plains, the duo of Katie Crutchfield and Jess Williamson of Waxahatchee, at the Haw River Ballroom in Saxapahaw on November 7.
musicians perform on stage in front of yellow light beams
Wu-Tang Clan’s Raekwon, Ghostface Killah and Method Man perform during the 2022 Essence Culture Festival. Photo: Erika Goldring/Getty Images.
4. Relax with yoga at the NC Museum of Art

Remember to take time to slow down this season.

Details: Head to the NC Museum of Art’s Lotus Pond on October 20 for “Mindful Museum: Outdoor Yoga.”

  • NCMA hosts events throughout the fall designed to encourage mindfulness and engage in art using all of our senses. Other events include sensory journeys, slow art exhibits, and tai chi.
sculptures in a park
Photo: Courtesy of the NC Museum of Art.


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Hatfield Hall offers a 2022-23 entertainment season

From eclectic magicians to country music superstars to a Charles Dickens classic, the 2022-23 season of the Rose-Hulman Performing Arts Series and student band shows provide entertainment for the whole family. Here’s a look at what’s coming to the Hatfield Hall Theater stage this school year:

Carbonaro: Lies on Stage
September 30, 2022, 7:30 p.m.

The performing arts series kicks off with the new inaugural show and theatrical tour by magician Michael Carbonaro. From his hit TV series “The Carbonaro Effect” on truTV, Carbonaro conjures up an evening of incredible magic, offbeat hysterical shenanigans and wonder for audiences of all ages.

Postmodern Jukebox: Life in the Past
October 11, 2022, 7:30 p.m.

Postmodern Jukebox is a rotating musical collective founded by arranger and pianist Scott Bradlee in 2011. The group is known for reworking popular modern music into various vintage genres, particularly early 20th century forms such as swing and jazz. . Postmodern Jukebox shows offer an unforgettable journey through time.

Rose Drama Club Fall Drama: “Clue”

October 21 and 22, 7:30 p.m.
October 23, 1:30 p.m.

Was it Miss Scarlett in the ballroom with the gun? Or Mr. Green in the kitchen with the knife? Based on the iconic 1985 Paramount film inspired by the classic Hasbro board game, “Clue” is a hilarious prank and murder mystery.

modern gentlemen
November 4, 2022, 7:30 p.m.

For over a decade, The Modern Gentlemen wowed audiences around the world while touring with iconic band The Four Seasons. This debut quartet of singers is a perfect blend of silky harmonies blended with retro nostalgia and modern flair.

Autumn Concert of the Rose-Hulman Music Ensembles
November 9, 2022, 7:30 p.m.

Rose-Hulman Music Ensembles Celebrate the 20the anniversary of their home at Hatfield Hall. This performance features a variety of musical genres and styles. It is free and open to the public (no tickets required; first come, first served).

The Swingles: together for the holidays
December 7, 2022, 7:30 p.m.

With a natural flair as entertainers, the Swingles have taken their stylish shows to venues and festival stages around the world. Their signature vocal dexterity allowed the Swingles to leap from genre to genre, reinventing jazz, classical, folk, pop and world music from their ever-growing repertoire of arrangements alongside a rich vein of new original materials.

Rose-Hulman Music Ensembles Holiday Pop Concert
December 11, 2022, 1:30 p.m.

It’s the most wonderful time of the year with the Rose Holiday Pops concert. The concert band, choir, symphony orchestra and jazz ensemble will perform holiday classics to kick off the season. This event is free and open to the public (no tickets required; first come, first served).

Rose Drama Club Winter Show: “A Christmas Carol”
December 16 and 17, 2022, 7:30 p.m.
December 18, 1:30 p.m.

Charles Dickens’ holiday classic tells the story of Ebenezer Scrooge, an old miser who is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas past, present and future. The Rose Drama Club production will bring a modern twist to this popular production.

The Mavericks
January 26, 2023, 7:30 p.m.

Eclectic rock and country band The Mavericks are known for crossing musical boundaries with abandon. The band takes the stage on the heels of their No. 1 Billboard debut of their all-Spanish debut album, “En Español.” While all 12 tracks are in Spanish, as the title suggests, the collection represents a diversity of musical styles and cultural traditions, from tender boleros to brassy mariachi to reimagined Afro-Cuban classics.

The world of musicals
February 5, 2023, 7:30 p.m.

This concert graced stages around the world and features a world-class ensemble of multi-talented artists who exquisitely perform classic hits, fused with soulful ballads, big-screen anthems and iconic show tunes. . From the best of ‘The Phantom of the Opera’ and ‘Les Miserables’ to ‘We Will Rock You’, ‘Sister Act’ and many more, the World of Musicals offers a moving musical concert experience that will leave audiences breath.

Engineers in concert
February 10, 2023, 7:30 p.m.

The entire Rose-Hulman community comes together to celebrate art, music and dance in this showcase of campus talent. Help celebrate the grand return of this campus-wide celebration of the arts. This event is free and open to the public (no tickets required; first come, first served).

Irish Dancing Dublin — Wings: A Celebration of Celtic Dancing
March 22, 2023, 7:30 p.m.

‘Wings’ is a new Irish dance production created in Ireland by a critically acclaimed artistic team. Like no other show in its genre, the show features exquisite Irish dancers and world champions along with Ireland’s finest musical and vocal virtuosos. Accompanied by original music and choreography, this groundbreaking production will delight audiences with its transformative emotional energy and imaginative design.

Rose Drama Club Spring Musical: “Frankenstein: A New Musical”
April 21 and 22, 7:30 p.m.
April 23, 1:30 p.m.

In his quest to uncover the secret of life, brilliant young scientist Victor Frankenstein creates a human of his own design who turns out to be a horrifying beast instead. He is not a “Hollywood monster”, but a man of flesh and blood who, while terrifying in appearance, becomes eloquent, cunning and thirsty for revenge against the creator who abandoned him.

Michael Cleveland and the Guardian of Flames
April 28, 2023, 7:30 p.m.

Michael Cleveland’s musical momentum began when he learned to play the violin at the age of four. When he was nine years old, Cleveland was invited to sit with the legendary Bill Monroe at the Bean Blossom Bluegrass Festival. Soon after, he brought his virtuoso style to the Grand Ole Opry as a guest of Alison Kraus and was selected for the International Bluegrass Music Association’s Bluegrass Youth Allstars.

Rose Concert Band Spring Concert
May 7, 2022, 1:30 p.m.

Join the Rose-Hulman Concert Band for their spring concert with heart-pounding marches and upbeat tunes. This event is free and open to the public (no tickets required; first come, first served).

Spring Symphony of Roses Concert
May 14, 2022, 1:30 p.m.

Composed of students, teachers and members of the Rose-Hulman community, this talented group of musicians presents its annual spring concert. This event is free and open to the public (no tickets required; first come, first served).

Spring Concert of the Pink Jazz Ensemble and Choir
May 14, 2022, 5:30 p.m.

Join the Rose Jazz Ensemble and Choir as they perform rousing hits from various styles of jazz music and popular songs from music past and present. This event is free and open to the public (no tickets required; first come, first served).

Learn more about the upcoming season here.

Prices vary for each performance and concert in the Performing Arts Series and Drama Club. Tickets can be purchased at Hatfieldhall.comby calling 812-877-8544 or visiting the Hatfield Hall box office Tuesday through Friday 9 a.m. to 2 p.m. If still available, tickets can also be purchased at the box office one hour before each show.

Ohio’s Ryan breaks with Biden, casts his own votes on student debt aid

COLUMBUS, Ohio (AP) — When Democratic U.S. Representative Tim Ryan spoke out against President Joe Biden’s student loan forgiveness plan this week, it marked a break from his past statements on the issue and some of his votes.

The move to go against a same-party chairman comes as Ryan tries to turn his credentials in Ohio’s working-class Mahoning Valley into the support he needs from Republicans and independents. to defeat Republican JD Vance this fall. closely watched race for the US Senate.

Ryan joined Republicans and a handful of fellow Democrats on Wednesday in criticizing the president executive order to erase federal student loan debt for some borrowers as unnecessary for some people and unfair for others. The plan cancels $10,000 of federal student loan debt for those with incomes below $125,000 a year, or households earning less than $250,000, and cancels an additional $10,000 for those who received grants federal Pell to attend college.

“As someone who is paying off my own family’s student loans, I know the costs of higher education are too high,” Ryan said in a statement released by his campaign. “And while there’s no question that a college education should be about opening up opportunity, debt forgiveness for those already on the path to financial security sends the wrong message to the millions of college-educated Ohioans. who work just as hard to make ends meet.”

Instead of foregoing loans “for six-figure earners,” Ryan said, the government should pursue more broadly beneficial policies, including widespread tax cuts for working-class and middle-class families, l cancellation of medical debt and a targeted rebate for essential workers. For student borrowers, he said he supports additional loan refinancing opportunities, investments in learning and development, and universal community college and workforce training “so that all Americans – not just university graduates – have a chance to succeed”.

But only a few years ago, Ryan came out in favor of reducing his student debt.

“Student debt is out of control,” he tweeted in October 2018. “If we can bail out the banks that did everything wrong, we can help the students that did everything right.”

Earlier that year, Ryan called on Congress to “do more to help reduce this debt and make college more affordable,” lamenting that “44 million Americans owe a total of $1.5 trillion in student debt, which prevents them from investing in their communities, our economy and their future.

And Ryan supported those positions with votes.

He voted yes to the HEROES Act in May 2020, which planned to forgive up to $10,000 in student loan debt for some 20 million “economically distressed” borrowers. In July, Ryan also supported an amendment to the National Defense Authorization Act that required the federal government to provide $10,000 in immediate relief to about 4.5 million private student loan holders.

Ryan’s campaign spokesperson Izzi Levy said his stance on the Biden loan cancellation plan was not a flip-flop.

“Tim thinks using executive action to wipe out six-figure wage earner debt is going too far without actually addressing the skyrocketing higher education costs that have caused this crisis,” he said. she said in a statement. “Meanwhile, inflation remains high for all Ohioans, regardless of education. Tim supports more targeted aid, as well as a host of proposals to contain education costs initial, and believes the administration would have been better served by prioritizing comprehensive economic relief that benefits all working- and middle-class Ohios, whether or not they attended college.

The Vance backed by Donald Trumpan author and venture capitalist, is also reaching out for Democratic and independent votes in a contest meant to test the the recent right shift of the state of the old indicator.

Vance described Biden’s plan as “a $300 billion gift to college graduates — paid for by single mothers in the form of higher food prices, by commercial workers in the form of higher taxes, and by the next generation of students in the form of higher tuition fees.”

He, too, noted that some recipients of loan forgiveness under Biden’s plan have “six-figure incomes.” He said forcing universities like Harvard and Yale to liquidate their multibillion-dollar endowments would be a better way to reduce student debt without “accelerating inflation.” Vance graduated from Yale Law School.

“Instead of holding administrators accountable for skyrocketing tuition fees, bloated bureaucratic budgets and growing armies of ‘diversity’ consultants, Joe Biden decided to bail out the group of people least in need – people with six-figure incomes and the couples earning nearly a quarter of a million dollars a year,” its statement read.


Follow AP for full midterm coverage on https://apnews.com/hub/2022-midterm-elections and on Twitter, https://twitter.com/ap_politics.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

From fashion to films – Isla, the ex-boss of Zara, launches a production company

The former chief executive of textile giant Inditex, Pablo Isla, has launched his own film production company, saying in a statement on Friday that he hopes to use his “deep passion for cinema” and business experience to advance the Spanish film industry. Isla left the owner of global fashion brand Zara in April after more than a decade at the helm of the company’s global expansion, passing the torch to Marta Ortega, daughter of Inditex owner Amancio Ortega, who took the non-executive presidency.

“I intend to bring my business experience to the audiovisual world and, based on my deep passion for cinema, to help develop the thriving Spanish audiovisual industry,” Isla wrote in the press release issued by the new company, Fonte Films. Founded by Isla alongside Goya Award-winning producer Carla Perez de Albeniz and lawyer Maria Jesus Roman, it aims to “develop projects of high technical quality for a global audience and promote new forms of audiovisual expression.

After leaving Inditex in April, Isla remained on the board of Nestlé, joined US private equity firm General Atlantic as a global senior adviser and became chairman of the Spanish university advisory board. IE.

(This story has not been edited by the Devdiscourse team and is auto-generated from a syndicated feed.)

Wood County Prevention Coalition Hosts Event at City Hall | News, Sports, Jobs

Left to right, Greg Puckett of the Community Anti-Drug Coalitions of America National Board of Directors, Cathy Grewe, School Counselor and Student Services Coordinator for Wood County Schools, Andrew Walker, Associate Professor of Criminal Justice at West Virginia University in Parkersburg, and Nancy Creighton, director of youth services at Westbrook Health Services, made presentations at Thursday’s town hall meeting by the Wood County Prevention Coalition. (Photo by Douglas Huxley)

PARKERSBURG — The Wood County Prevention Coalition held a town hall meeting Thursday at West Virginia University’s multipurpose hall in Parkersburg.

Presentations were given by Greg Puckett of the National Board of Directors of Community Anti-Drug Coalitions of America, Cathy Grewe, School Counselor and Student Services Coordinator for Wood County Schools, Andrew Walker, Associate Professor of criminal justice at WVU-P, and Nancy Creighton, director of youth services at Westbrook Health Services.

The focus was on drug use and mental health issues involving school-aged children in Wood County, from elementary through middle school and high school.

“So when you’re talking about prevention, that’s the groundwork to make sure you have healthy families, healthy students, healthy adults, throughout their lives,” said Creighton. “We recognize that with adequate prevention processes in place in our service area, it will reduce the need for mental health services, it will reduce the need for addiction services, but we have to look at it as a layered approach. “

Walker spoke about statistics collected from 2019. In his data, 30% of West Virginia college students had tried alcohol in the past 30 days, with 20.6% of Wood County students reporting having done so. .

Fifty percent of students said they had used steam electronics at least once, including 62% in West Virginia. He also talked about the stigma that students face when seeing a counsellor.

“When we look at Wood County students, 60%, so three out of five, said they would feel embarrassed if someone knew they were seeing a counselor,” says Walker.

Grewe spoke about the issues Wood County schools are having with electronic steam products and the programs in place to counter this.

“So I think one of the things that is working, and certainly helping turn the tide with drug use and vaping, is our prevention programs,” said Grewe. “Which we have increased significantly over the past few years.”

Puckett spoke about what a coalition can do for a community and how it can help bring about change.

“They advocate, educate, equip and empower. This is what we do with the communities. Pucket said. “You are going to plan these activities, you are going to implement them and you are going to evaluate them. I hope you will do this in a sustainable and culturally competent way. Because I guarantee you that if you do it in this format, and you do it in succession, and then bounce back as needed after the succession, then you’re going to change the hearts and minds of everyone in the community.

The Wood County Prevention Coalition hosts a bowling event “to get rid of drugs” Sept. 18 at Pike Street Lanes in South Parkersburg from 1 p.m. to 3 p.m. It is free and open to parents and students. For more information, call Mike Pifer at 304-295-8563 or email [email protected]

Puckett concluded his presentation by saying, “Wood County is one of the best coalitions I’ve seen in all of West Virginia, because of the people you have in the community. So keep up the good work.

Douglass Huxley can be contacted at [email protected]

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5 takeaways from “Mean Girls,” the musical at Appleton’s Fox Cities PAC

APPLETON — A funny, fast-paced, heartfelt story about navigating high school and the things that make you unique, “Mean Girls” plays at Fox Cities Performing Arts Center through Sunday.

The musical, based on the 2004 film, was originally scheduled to come to Appleton in January, but was postponed after several company members tested positive for COVID-19. The seven-month wait didn’t seem to dampen the excitement of the audience, which was filled with several people dressed in pink, a nod to the show’s iconic outfits and the line “on Wednesdays we wear pink”.

“Mean Girls” tells the story of Cady Heron (English Bernhardt), a 16-year-old girl who recently moved from Kenya to the suburbs of Chicago. Previously homeschooled, where she learned by observing African wildlife in its natural habitat, Cady finds herself thrown into the middle of high school culture, ruled by cliques and a social hierarchy led by the apex predator Regina George (Nadina Hassan ).

Here are some takeaways from Wednesday night’s show:

The musical is different from the movie, but still features many iconic moments

From “Stop Trying to Make Fetch” to “You Go, Glen Coco,” the musical version of “Mean Girls” incorporates lines and references throughout the show that movie and pop culture fans will recognize. definitely.

“Mean Girls,” the musical premiered in 2017, more than a decade after the 2004 film. To fit modern high school life, the script features lines referencing social media, hashtags, and to emojis, while the actors carry smartphones and take selfies. But the story of teenagers judging each other while desperately trying to fit in translates easily to today’s world. And although they weren’t set in the early 2000s, most of the classic lines still work.

Although the plot is essentially the same, the stage adaptation incorporates songs that give audiences a deeper insight into the minds of the characters than the film offers. A good example of this Gretchen (Jasmine Rogers) Act 1 solo “What’s Wrong With Me?” which offers insight into his fragile and insecure psyche, allowing audiences to feel more deeply about a character initially portrayed as more one-dimensional in the film.

Lindsay Heather Pearce stars as Janis Sarkisian alongside ensemble members of the national touring company

It’s a very dancing show

“Mean Girls” is powered by a very talented ensemble, jumping, locking, jumping, sliding and smashing their way through the stages. Dressed in bright colors and unique outfits, the North Shore High students were quite captivating in large numbers like “Where Do You Belong?”, “Fearless” and “Whose House Is This?”. It’s even more impressive when you consider the quick costume changes and vigorous choreography some actors perform in skinny jeans.

Transitions during and between scenes involved choreographed movements with desks, dining tables, and benches, carried and pushed by ensemble members in dynamic movements that kept the audience engaged. Audience members may be surprised at the aerobics involved in a show that takes place largely inside a high school.

The musical cast is much more diverse than the film

In “Mean Girls,” the musical, the three “Plastics” — the nickname for the popular girl trio who run the school, Regina George, Gretchen Wieners and Karen Smith — are people of color. It’s a notable difference from the film, whose three mean girls (played by Rachel McAdams, Amanda Seyfried and Lacey Chabert) are white, as well as the majority of the students at North Shore High. The set also depicts a student body made up of people of all different races, backgrounds, and identities.

LED screens take scenography to the next level

The scenography of “Mean Girls” is striking. The show is presented in front of a backdrop of LED tiles that serve various purposes. The screens depict fixed backdrops for different scene locations, such as school, mall, sky in Kenya, and interior of houses. They also post collages of images from Regina’s “burn book” and screenshots of student gossip from Twitter, Snapchat and Instagram. And LED tiles are also used in more abstract ways — like an all-pink background during “Meet the Plastics” and animated balloons and piñatas with Regina’s face on them during “Revenge Party.”

Coupled with a variety of sets creatively brought on and off the stages by the ensemble members, the effect fully transports the audience into the world of “Mean Girls” for two and a half hours.

Adante Carter (Aaron Samuels) and English Bernhardt (Cady Heron) perform in

The songs will get stuck in your head

The music of “Mean Girls” is extremely catchy. From the slow ballad “More is Better” between Cady and her lover Aaron Samuels (Adante Carter) to upbeat anthems like “Revenge Party” and “I’d Rather Be Me”, the songs are a good mix of goofy and heartfelt. .

Many of the tracks each have their own unique sound – Regina’s songs are sultry and confident, which Hassan exemplified with a powerful vocal, while Bernhardt’s Cady exhibited a more serious and naive tone. Damian Hubbard (Eric Huffman) and Janis Sarkisian (Lindsay Heather Pierce), Cady’s friends who act as the series’ narrators, have a classic Broadway tone and a rebellious, powerful belt, respectively.

Some other notable performances:

  • There was no weak vocalist in the cast, but particularly notable vocals came from Janis de Pearce in “I’d Rather Be Me.”
  • Karen Smith (Morgan Ashley Bryant) was perfectly silly, but extremely wise at times, and had some of the best lines on the show.
  • Although it was a smaller role, Mr. Duvall (Lawrence E. Street) had impeccably delivered stunt doubles that left the audience roaring with laughter.
  • An actress, April Josephine, played the show’s three adult women: Mrs. George, Mrs. Heron, and Mrs. Norbury. She brought such a different performance to each that without reading the poster, you probably wouldn’t know. Josephine played Mrs. George, Regina’s “cool mom,” with hilarious mannerisms, and Mrs. Norbury, the math teacher, with a very Tina Fey-esque presence.

Tickets for “Mean Girls” can be purchased online through Ticketmaster, by phone at 800-982-2787 or through the Fox Cities PAC box office in person or by phone at 920-730-3760. The PAC ticket office is open from 10 a.m. to 6 p.m. Monday to Friday and from 9 a.m. to 12:30 p.m. on Saturday.

RELATED:Here are 5 things to know about the musical “Mean Girls” written by Tina Fey coming to the Fox Cities Performing Arts Center

Contact Kelli Arseneau at (920) 213-3721 or [email protected] Follow her on Twitter at @ArseneauKelli.

Olivia Wilde wants to “protect” her romance with Harry Styles | Entertainment

Olivia Wilde is determined to “protect” her romance with Harry Styles.

The 38-year-old actress and Harry, 28, started dating last year – but the celebrity couple are keen to keep their relationship out of the spotlight.

Olivia – who has Otis, eight, and Daisy, five, with her former fiancé Jason Sudeikis – explained: “I’m not going to say anything about it because I’ve never seen a relationship benefit from being dragged into the public arena.

“We both strive to protect our relationship; I think it’s out of experience, but also out of deep love.”

Olivia directed Harry in his new psychological thriller, ‘Don’t Worry Darling,’ and the pop star relished the experience of working with her.

Harry shared: “As a director, Olivia is incredibly focused. She communicated what she was looking for from the cast with clarity and respect.

“I think the transition from acting to directing has made her a director who knows how to bring out the best in everyone.”

Harry stars in the film alongside Florence Pugh and Chris Pine.

Olivia insists she relished the experience of working with Florence, despite rumors of tension between the two.

She told Variety, “We’ve all been so close to the production bubble.

“She was really a huge supporter of [Harry] like someone who was new to a film set. And he was such a huge supporter of her, like someone who understood it was her movie.”

Olivia’s personal life has been in the spotlight since she split from Jason and started dating Harry. And the actress admits it hasn’t been easy coping with the extra attention.

She said: “Over the past two years, my family has been going through this kind of restructuring and a revolution that should be a totally personal experience. And it’s not. The most painful part has been that women m ‘have been shamed for making a decision that was for my health and happiness.”

Ballard’s Beach Resort on Block Island appeals liquor and entertainment license suspension

Filippi did not attend the virtual hearing. Brian LaPlante of LaPlante Sowa Goldman in Cranston, who said he has represented Ballard’s for the past decade, told state officials on Tuesday that the two-week suspension was “a death sentence” that would cause irreparable harm to Ballard.

LaPlante noted that most of Ballard’s more than 100 employees hold H-2B visas, which allows US employers to bring in non-nationals for temporary work.

“This two-week penalty after more than a decade of no violations would force these employees to scramble and find work during this difficult time because it’s the end of the season,” LaPlante said. “They will be locked out of making money forever. It will be lost forever.”

Nicholas A. Solitro of Robert E. Craven & Associates of North Kingstown, which represents New Shoreham, said there were ‘masses’ of people jumping over fences and entering Ballard’s property on August 8 without have their identity checked or their bags searched. Ballard’s ended the music festival an hour earlier, at 6 p.m., by cutting the music and closing the bars, which Solitro said caused a “mass exodus” of attendees from the venue to the ferry docks in proximity. The situation at the docks that night was described by the city’s former police captain as “chaotic”.

LaPlante said council members Monday night were “misguided” in suggesting Filippi was responsible for the lines his customers formed at the ferry after leaving Ballard’s property. He said there was a misdemeanor arrest on Ballard’s property, but said other issues arose on the ferry, which is owned by Interstate Navigation.

Solitro acknowledged that although it was Ballard’s first official offense in more than 15 years, he said the event had gotten “out of control” and dangerous for police, ferry workers and attendees.

“It was a very dangerous situation. We just can’t have it again,” Solitro said. “As far as safety versus economy is concerned [issues]I’m always on the side of public safety.

For six hours on Monday evening, the five members of the New Shoreham City Council, who also act as licensing board commissioners, heard statements from attorneys, testified and cross-examined, and watched video footage before unanimously approving a motion to suspend Ballard’s liquor and entertainment licenses for 14 days beginning at midnight Tuesday. The suspension would prohibit Ballard’s from hosting entertainment or serving alcohol over Labor Day weekend, one of the busiest times of the year.

“We expected the City Council’s obviously preordained decision to be read aloud, and not even discussed by the Board of Licensing Commissioners, after nearly five hours of live testimony at [Monday night’s] show cause hearing,” Ballard spokeswoman Kimberly Poland told The Globe in a statement on Tuesday. “Ballard’s will immediately appeal the baseless decision to the Department of Business Regulation and the Superior Court of Rhode Island.” She added that Filippi and company had no further comment at this time.

In the appeal filed with the state, Filippi’s attorneys called the city’s case a “witch hunt.”

It’s not the first time Ballard’s has been the subject of rowdy and drunkenness complaints at the venue this year: there have been 49 calls to the police or fire department over disorderly conduct, noise and other problems on the site since May 1st.

Board members did not go to an executive session during the show cause hearing, and there was little discussion among them before voting unanimously to suspend Ballard’s licenses. LaPlante alleged council members had a predetermined decision ahead of Monday’s hearing. After Monday evening’s hearing, Filippi and his lawyers declined to comment to The Globe, although James Callaghan of Callaghan & Callaghan in North Kingstown, who also represents New Shoreham, said he expected Filippi and his team “do something very soon”.

Filippi’s lawyers are expected to file a lawsuit in Superior Court, but had not done so as of 3 p.m.

Although the license violations discussed at Monday’s show cause hearing are considered the entertainment venue‘s first violation, city records show that Ballard’s has already had a show cause hearing that resulted in an action against their licenses in 2004. Ballard’s had 29 noise complaints. from May 15, 2004 to July 19, 2004, including 10 complaints on July 19, 2004 alone, according to municipal records. City Council approved penalties against Ballard’s at a show cause hearing on July 28, 2004, including suspending their liquor license for 24 hours in early August 2004 and their Midnight Outdoor Entertainment License August 6 to midnight August 12. But the day before the suspensions began, Ballard’s filed a lawsuit in Washington County Superior Court, seeking a temporary restraining order from the decision.

The city and Ballard reached a settlement agreement at the time, records show, which dismissed the complaints and legally expunged any record of Ballard’s action on their licenses by the city.

Read the appellant’s urgent stay motion and Ballard’s objection to the stay motion below:

This article has been updated with reports from the Rhode Island Department of Business Regulation emergency meeting.

Alexa Gagosz can be contacted at [email protected] Follow her on Twitter @alexagagosz and on Instagram @AlexaGagosz. Carlos Muñoz can be contacted at [email protected] Follow him on Twitter @ReadCarlos and on Instagram @Carlosbrknews.

More Midwestern banks see opportunity to fund solar, energy efficiency projects • Missouri Independent

This article was originally published by Energy News Network.

Smaller regional banks and credit unions are increasingly looking to help homeowners finance solar installations, a sign of growing recognition of clean energy financing opportunities.

In the Midwest, Iowa-based Decorah Bank & Trust is among the latest to begin marketing loans for solar and other clean energy projects. The community bank recently relaunched a digital subsidiary called Greenpenny to serve residential and business customers in Iowa, Illinois, Missouri, Minnesota and Wisconsin.

It joins the Twin Cities’ longtime clean energy lender, the Center for Energy and the Environment, and a handful of credit unions and other community banks offering products in a space traditionally dominated by more large national companies.

Clean energy advocates hope the availability of local lenders will increase options for borrowers and provide a greater level of comfort for those who might be less inclined to trust online lenders or large national banks.

Jeremy Kalin, an Avisen Legal partner who helped the Minnesota Credit Union Network create its CU Green solar loan program, said typical residential borrowers are sensitive to “long-term value and trust” when they are looking for lenders. A personal connection with a bank or credit “makes a difference”.

The process often starts with referrals from solar installers. St. Paul-based All Energy Solar offers Greenpenny and Center for Energy and Environment loans to customers, as well as domestic lenders.

“Historically, we see national players pushing the boundaries here very consistently with innovations and competing to provide a diverse range of financing options that will help each client get the most out of their project,” said Ryan Buege, All Vice President of Sales and Marketing of Energy Solar. Still, he said, if more banks developed clean energy loans, more consumers would likely become more comfortable installing systems.

Jessica Reis, vice president of communications and marketing for Greenpenny, said the bank creates a transparent lending process with no hidden fees or upfront fees, unlike some national lenders who use these fees to lower interest rates. The bank calls each client who requests it and the communication continues by telephone or e-mail.

Building on local knowledge

Greenpenny was revived last year after struggling with an earlier deployment during the pandemic. Now, the Iowa credit union has added staff to manage a growing portfolio. CEO and chairman of Decorah Bank & Trust, Ben Grimstad, said his father, Larry, started lending to organizations with renewable energy projects decades ago because of his concern for the environment.

Decorah, home to Luther College, has a strong green ethic that has seen the bank gain experience financing more than 100 local, mostly solar, projects. Grimstad wanted to expand the bank beyond Decorah and decided to create a digital offering to leverage the bank’s experience in clean energy.

“It’s been about a year and a half and it’s been going pretty well,” he said.

Greenpenny offers solar loans and a green mortgage product for efficiency, geothermal, battery storage and other carbon reduction projects. The digital bank serves residential customers as well as small and medium-sized commercial and industrial projects, but not large-scale wind or solar farms.

Loans are secured by the value of equipment, from panels to storage devices. Greenpenny chairman Jason MacDuff said the bank is trying to set up loans to match the amount customers save on their utility bills on a monthly basis from a new solar or HVAC system. The loans require no down payment.

“These borrowers, by definition, are all homeowners who tend to be quite sophisticated and because they’re making a pretty large investment in their home, they tend to have the means to be able to do that,” MacDuff said.

A single short-term solar loan offered by Greenpenny matches the tax credit a customer receives. The customer pays a small interest and then repays the loan when the federal government allocates the 26% tax credit. A second loan covers the remaining 74% of the project cost.

The average residential loan size is $40,000, with commercial projects ranging from hundreds of thousands to millions of dollars. He noted that the bank could soon fund up to seven community solar projects in Minnesota. But many deals fail due to low energy reimbursements from utilities or other issues.

When he joined the company in 2021, he was surprised to find so few banks offering clean energy loans. “For us to accomplish the renewable energy transition that this country needs, we need more banks to help fund these projects,” MacDuff said.

Growing solar portfolios

In Minnesota, the biggest local option remains the Center for Energy and Environment, which has partnered with several cities and neighborhoods and funded $22.7 million worth of projects last year. Of these, 145 loans totaling $3.5 million were for residential solar power, up from 89 loans in 2019. Director of Loan Services Jim Hasnik said the organization had been lending for years for efficiency improvements before developing a solar loan in 2014.

Loans vary in term and loan-to-value ratio, with interest rates increasing as loan terms increase. Project sizes have increased and business has been brisk this year as the popularity of solar energy has increased. The center requires installers to hold a building contractor’s license following a recent series of solar company bankruptcies in the state.

Solar loans remain a niche product. The Minnesota Credit Union Network’s CU Green program launched with two credit unions — Affinity Plus Federal Credit Union and Hiway Credit Union — and saw no one else join the effort. Mara Humphrey, head of advocacy and engagement for the network, said some credit unions have started discussing whether to add solar loans to their portfolios, but she thinks many still lack understanding of the clean energy projects and will need to see demand increase before creating products for customers.

Affinity Plus had a rocky start before dropping the requirement that homeowners first hire someone to do a home appraisal. Members can now apply for loans digitally and receive the money the same day.

Retail manager Corey Rupp said the new solar loan program generated more volume in six months than the home equity-based one in four years.

“I think the owners are a little more comfortable with that,” Rupp said. The credit union is currently exploring loans for electric vehicles, business efficiency and solar projects.

The Energy News Network is a nonprofit news site dedicated to keeping influencers, decision makers, and citizens informed about the important changes taking place in the transition to a clean energy system.

Battle Creek couple hope to ‘tie up’ community with new event center

BATTLE CREEK – Walking through the building at 311 W. Michigan Ave. On Friday, Tonesha and Marcelle Heath could see the potential.

With a little love and attention, they said, community gatherings, farmers’ markets, educational programs, birthday parties and wedding receptions could be possible in the space of nearly 6 000 square feet of Washington Heights neighborhood in Battle Creek.

It is a space that could bring people together, build and strengthen community. Tonesha Heath’s father and former owner of the building, Anthony Elmore, had wanted to see the building brought back to life before his death in 2020.

In his honor, the married couple is doing just that, converting the space into The Link Community Event Center.

The couple officially opened the renovations on August 5.

Marcelle and Tonesha Heath break ground renovations at the Link Community Event Center on Friday, August 5, 2022 in Battle Creek, Michigan.

“I feel like it’s important because there’s a lack of venues in the Washington Heights area, this side of downtown,” Tonesha Heath said Friday. “There’s just a lack of opportunities for any type of event or entertainment and opportunities for kids.

“We feel like it was God’s plan for us,” she continued. “This building, it was designed for us to give back to the community.”

The building previously housed Elmore’s clothing store, Stream 1, but became a storage site in later years as he focused on his legal work with the Anthony L. Elmore law firm.

The Washington Heights Entrepreneurial Fund is helping make the renovations possible with a $300,000 grant. The $2 million program, funded by the WK Kellogg Foundation, was created in 2021 by Battle Creek Unlimited and New Level Sports Ministries; it prioritizes low-to-middle-income Black, Hispanic and Burmese people who have traditionally had limited access to capital.

“A local economy needs the participation of all members of the community,” Battle Creek Unlimited President and CEO Joe Sobieralski previously said. “Members of the community (Black, Indigenous, of color) have always been excluded from opportunities, which is why we actually created the parameters to try to address some of these inequalities that have occurred over the decades. ”

The Heaths plan to complete the renovations, which include plumbing, electrical and HVAC upgrades, in phases. Phase 1 will focus on the front of the building, with plans to have the approximately 1,000 square foot space available to host public and private events of around 50 people by the end of the year.

Phase 2 work is expected to begin next year and when completed will allow the building to accommodate 250 to 300 people. The Heaths also plan to host food trucks, farmers’ markets and other outdoor festivities with the space offered by the 1.4-acre property.

The Battle Creek natives, and parents of three, simply want to cultivate a safe space for everyone in the community to enjoy.

A proposed rendition for the Link Community Event Center is displayed.

“We understand the importance of family, we understand the importance of experience and opportunity and a safe place to bring your family to enjoy as a family,” Tonesha Heath said. “We just want to create this safe environment here in our neighborhood.”

While offering a tour of the property on Friday, the Heaths received a surprise visit from Battle Creek Vice Mayor Carla Reynolds.

“(Tonesha and Marcelle are) from the community,” Reynolds said moments after exchanging hugs and congratulating the couple. “They’re part of this community and then building in the town where they live, giving back and having something to offer the community, this event center, it’s going to be a blessing.”

Marcelle Heath hopes The Link will help spur development and further strengthen the community, in Washington Heights and throughout Battle Creek as a whole.

“We want to make sure it’s done right, (that) it’s done at a level where our community receives it so others can relate to it or the idea or the concept of running a business” , did he declare.

Taking a last look around the space on Friday, Tonesha Heath smiled.

“It’s his legacy,” she said of her father. “We owe all of this first to God, then to him.”

Contact reporter Greyson Steele at [email protected] or 269-501-5661. Follow him on Twitter: G_SteeleBC

Broadway star Jelani Remy to perform at a free pop-up concert at Diversity Plaza in Jackson Heights – QNS.com

NY Forever and City National Bank, in partnership with the NYC Department of Transportation (DOT), are hosting a free pop-up concert at Diversity Plaza in Jackson Heights on Wednesday, August 24, featuring Broadway star Jelani Remy, who performed the role of Simba in Disney’s The Lion King.

The concert will take place from 3:30 p.m. to 5 p.m. at Diversity Plaza, located on 37th Road between Broadway and 74th Street and between Broadway and Roosevelt Avenue.

The concert in Queens is part of broadway forevera four-day series of free, citywide pop-up concerts and inspirational mini-documentaries to celebrate New York’s arts workers and their dedication to the industry.

The event will provide free access to Broadway shows in all boroughs at DOT pedestrian plazas from Tuesday, August 23 through Friday, August 26 at 3:30 p.m. each day. Each performance will also feature a surprise opening act from the local community.

“NY Forever celebrates the contributions of all New Yorkers who make this the most vibrant, diverse and fun city in the world. Performers work tirelessly to perfect and share their art,” said NY Forever Founding Board Member Richard Mumby. “We salute them and invite all New Yorkers to honor these artists by seeing their shows, concerts and acts. We are grateful for City National’s partnership as we bring Broadway to public spaces in all boroughs.

A series of mini-documentaries featuring members of the Broadway community, including ‘A strange loop’ actress and 2022 Tony Award nominee, L. Morgan Lee, and more, will premiere on NY Forever’s Instagram (@nyforever) on Monday, August 22. to showcase the talents of these workers, their contribution to New York City’s recovery, and inspiring personal stories about their careers in the arts.

NYC’s artistic workers are the cultural soul of the city.

New York’s arts and culture sector generates $120 billion and half a million jobs for the state – Broadway alone contributes $14.7 billion to New York’s economy and supports more of 96,000 jobs. The city has lost 50% of its performing arts jobs during COVID-19, more than any other industry. broadway forever aims to shine a light on artists whose work contributes vitally to the soul and economy of the city.

“City National has been a partner of the entertainment industry for seven decades, and we’re thrilled to support NY Forever’s free pop-up concerts on Broadway in New York City,” said Linda Duncombe, executive vice president and director marketing, products and digital. at the City National Bank. “As the industry gets back on its feet, these concerts will help inspire the next generation of New York artists and bring world-class Broadway talent to Brooklyn, Manhattan and Queens.”

Erich Bergen, producer and director of the Broadway Forever campaign, said he was proud to shine a light on those who have dedicated their lives and careers to bringing the arts to life day in and day out.

“Broadway shows don’t magically start at 8 p.m.—it takes a whole day of work to get there. Thanks to New York Forever and the City National Bank, I’m proud to give viewers a glimpse behind the curtain to show you what a life in the performing arts in New York is really like. It’s quite inspiring,” said Bergen, who currently stars as Billy Flynn in the long-running musical CHICAGO on Broadway through 9/11.

‘The Challenge: USA’: Leo Temory’s girlfriend clarifies phone call: ‘We were both overwhelmed’

Fantastic race Star Leo Temory left his businesses to compete in The challenge: United States. One episode featured a heated phone call with his girlfriend, who wanted to come home because business was not going well. After the episode, she clarified the call and accused the production of editing things.

Leo Temory’s girlfriend called him about his business during episode 7 of “The Challenge: USA”

On the August 18 episode of The Challenge: United States, Leo Temory had a heated phone call with his girlfriend. Apparently, she was minding her own business while he competed, but problems were causing them to lose money every day, totaling over $40,000 at the time.

His girlfriend was upset as she felt he should be home handling day-to-day operations and apparently wanted him to quit to come back and take care of things. Therefore, Leo packed his bags and prepared to leave until his teammate Alyssa Lopez convinced him to stay as his exit might affect his place in the game.

RELATED: ‘The Challenge USA’: Xavier Prather experienced 2 family deaths before the show: ‘I was struggling mentally’

Following the episode, his girlfriend, Alia, posted a screenshot from a message written in his Notes app to his Instagram story. She claimed viewers didn’t know what happened “behind the scenes”, noting that “uncommon issues” with the companies were happening at the time.

Moreover, she accused the production of preventing Leo from having “professional calls that they already agreed on”. His girlfriend admitted, “we were both overwhelmed” because she also had a full-time job. Alia claimed the show cut and edited the scenes, pointing out that their phone call and her attempt to leave happened on different days. “He wasn’t even wearing the same outfit,” she noted.

Leo earned two eliminations during ‘The Challenge: USA’

The 36-year-old Los Angeles native entered The Challenge: United States alongside only three other representatives Fantastic race franchise, including runner-up Cayla Lee and winner James Wallington.

They were immediate targets, but Leo stayed safe. He used to not want to team up with him due to his lack of focus, and Sarah Lacina was no different.

However, the two had to work together during Episode 5 when they were blindsided by elimination as winning couple Tyson Apostol and Cashay Proudfoot wanted to try their luck. Survivor champion. They emerged victorious, eliminating Azah Awasum and Cinco Holland Jr.

He stayed safe until a few episodes later when he and Alyssa finished bottom, earning a spot in the elimination round. The team sent Kyland Young and Kyra Green home and stole the money from their bank account, bringing Leo to $9,000, the fourth most remaining contender.

Leo first appeared in ‘The Amazing Race’

In 2013, Leo and his cousin Jamal Zadran, the “Afghanimals”, competed on The Incredible Race 23where they immediately made their mark with their loud personalities.

The team turned around twice but survived, the first team to do so, eventually placing fourth. They returned for the following season, all starswhere they focused more on their social game.

Although it worked out as they avoided turning around, the duo again placed fourth. The Cousins ​​returned for a third and likely last time in 2019 to The Amazing Race 31where they implemented their initial strategy.

Even though they struggled throughout the season, the duo finished with their ranking in third. Leo’s appearance on the CBS reality show is his first since his time on Fantastic race.

RELATED: ‘The Challenge USA’: Derek Xiao Addresses Cookout Backlash; Said it was never about “revenge”

Is your money in the right savings account? Here’s how to know

Image source: Getty Images

Finding the best home for your money is important.

Key points

  • Savings accounts protect your main deposits and give you easy access to your money.
  • If you’ve had the same account for a long time, it might be worth seeing what other options are available.

Savings accounts are a great place to store money you’ve set aside for emergencies. Why is it? The deposits you make to your account cannot lose value, whereas when you invest in a brokerage account you run the risk of your account balance decreasing by a day, a week or a month to month.

Not only are your main deposits guaranteed in a savings account (up to $250,000 per depositor), but you can also access this money at any time. Want to withdraw $1,000 to go on vacation? It’s up to you. Need $2,000 to pay an in-home repair technician? This money could be in your hands the same day.

But if you’ve had the same savings account for a while, it might be a good idea to explore other options. You never know if there’s a better place to put your money.

Is your savings account the most generous on the market?

For many years, savings accounts paid such low interest that it was almost irrelevant whether or not you were getting the best rate. But these days, savings accounts are starting to pay a lot more interest than before.

If you’ve been following the news, you may have read that the Federal Reserve has been aggressively raising interest rates in an effort to slow the pace of inflation and provide consumers with relief they need. much needed. The downside is that borrowing is already getting more expensive. Consumers looking to take out car loans, mortgages or personal loans in the coming months could easily find themselves with higher borrowing rates due to the actions of the Fed.

But the benefit of the Fed’s rate hike is that savings accounts and certificates of deposit now pay more interest. It is therefore important to take advantage of higher rates by finding a savings account that will pay you more generously.

In fact, it is simple to determine if it is profitable to move your money. If your bank is paying 1.1% interest on your savings, but another bank is paying 1.6%, it may be a good idea to switch. After all, if you want to keep money in savings, you might as well earn as much interest as possible.

These days, it is particularly advantageous to look at the interest rates that online banks pay. Since online banks do not have the same operating costs and overheads as physical banks, they are often able to offer consumers higher interest rates on their savings.

Don’t be afraid to change

Change can be difficult. If you have been with the same bank for a long time, you may be hesitant to transfer your money. But if you’re looking at a much higher interest rate elsewhere, it’s worth making this switch.

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Oak Cliff leaders discuss violence at youth sporting events

Panelists discussed how coaches and organizations can get along better with conflict resolution alternatives.

DALLAS — Local leaders, coaches and parents gathered in Oak Cliff on Saturday to talk about the issues plaguing youth sports in North Texas and how to prevent violence from happening on and off the field.

The rally comes a week after a shooting at a Lancaster youth football game left coach Mike Hickmon dead.

According to the arrest affidavit, police say it started with an argument over the score of the game.

Saturday’s town hall was called “Call to Action” and had a panel made up of local leaders from many different fields and organizations. The panel discussed how coaches and organizations can get along better with conflict resolution alternatives. Parents also had time to ask questions to the panel.

Panelist Karen Reese created a sports talk show called “Can We Talk” which is hosted by mothers of athletes. She said the first type of action that should be taken is more involved parenting at home.

“Parents choose which team, which sport, which coach teaches our children,” Reese said. “I think as parents we need to take a more active role in who we allow to mentor and teach our children.”

RELATED: Arrest warrant reveals what allegedly led to fatal shooting of North Texas youth soccer coach

Panelist Kevin Bennett has been a registered football referee for nine years. He said there needs to be more respect for each other at all levels. Panelist Tony X, who said he was a former inmate, echoed Bennet’s message.

“Love is a verb that shows action,” said Tony X. “When we love our children and when we love our community, then we can do better for ourselves, our people and our community. Look at the beyond yourself and think of your brother and sister.”

Community leader and panelist Terrence Randolph said there should be no tobacco or alcohol at any of these games. He also said there needed to be more police presence and more protective measures taken.

“We need more security,” Randolph said. “Metal detectors. Of course we need police officers to patrol the matches and not just to attend the matches.”

Panelist Gary Cochran leads a ministry called “Cover Dallas with Love.” He focused more on the need for different groups and organizations to build better relationships with each other before tragedies occur.

“Show up and be present,” Cochran said. “It’s so that we can build relationships and learn and grow together. We can do that. But also when bad things happen or tragedy happens, we don’t show up as strangers. We show up like friends, sisters and brothers, people who already know each other, and connect together.

RELATED: Referee Attacked at Youth Basketball Game Says He Heard Coach Telling Players ‘We’re Gonna Get It’

Panelist Raymond Alford is the owner of the Big 12 Youth Sports League, which the organization says provides a college-like experience for teams, coaches and players. He said he had spoken with league officials and that the rules and laws on school grounds and on football pitches needed to be better understood and enforced.

“So if I know you’re not allowed to have your gun on school property, I don’t care if you have a permit or not — you have to go,” Alford said, as a ‘example. “I’m going to find an officer. We want to give our kids a safe place. We want to give them a safe environment. When people bring street environments into what’s supposed to be a safe place for kids, they don’t have no need to be part of what we do.”

Many panelists brought up the idea of ​​creating a coalition of local youth leaders from different sports and organizations.

Panelist Tabitha Wheeler-Reagan, who runs the nonprofit Village Bridge Center, said once parents and local leaders can work out the details of what it would look like and who would be involved, she wants to submit it. to the Dallas City Council and formally endorse the coalition.

“We can’t wait any longer for something tragic to happen,” Wheeler-Reagan said. “The tragedy is every time there is something impure around our children. Our children lead by example. We are responsible for every child we come into contact with.”

After further questions from parents, panelist Terry Mayo X, who is a former professional baseball and football player, said he would like this potential coalition to start organizing events and gatherings for young athletes in the city are spending more time together off the pitch. so that they bond beyond the teammates of each player’s respective team.

“What if we were to come together and collaborate with different events and different organizations in the different leagues?” said Terry Mayo X. “With different organizations that are not like you so that we can do more things together. It’s because unity is more powerful than anything in this world. It’s more powerful than the atomic bomb itself. So if we were to come together and unify more knowing just because your logo or your name is different, we are still playing on the same team. We are playing on the same team of life.

MSG Entertainment considering spinoff of Madison Square Garden and Radio City Music Hall

Madison Square Garden Entertainment said Thursday it would explore the possibility of spinning live entertainment venues and a slew of other assets into a separate company.

As part of a potential spinoff, MSG Entertainment would retain its “immersive” MSG Sphere sites and majority stake in dining and nightlife company TAO Group Hospitality, according to a company press release.

The potential separate company, meanwhile, would get the sports and entertainment bookings, as well as the Radio City Rockettes, famed Christmas holiday production and arena licensing deals with the New York Knicks and New York Rangers. , according to the press release. MSG Entertainment’s signature entertainment venues in New York – Madison Square Garden, Radio City Music Hall, the Beacon Theater and the Hulu Theater at Madison Square Garden – would also transfer to the new company.

MSG Networks, which MSG Entertainment finished acquiring in July 2021, would also fall under the potential separate company if the spin-off goes ahead, the statement said. It consists of the regional networks MSG Network and MSG+ and the MSG GO streaming app.

Radio City Music Hall
The new company would own the live performance venues, as well as the Rockettes and other properties.
Getty Images

“This potential transaction would create two companies, each with a distinct value proposition for investors,” MSG Entertainment CEO James Dolan said in the statement.

More ‘Have a Disgrace’, Havre de Grace transforms into regional arts hub – Baltimore Sun

Concert by concert, ticket by ticket and tram by tram, Havre de Grace is transforming from a quiet community on the Susquehanna River into a regional arts hub for northern Maryland.

Since 2017, three new live performance venues have been established in the city or are under construction:

The historic 201-seat 1870 opera house began welcoming audiences again in 2017 after a $4.2 million renovation. The public facility provides a stage for touring artists as well as local bands.

The 299-seat private state theater in Havre de Grace reopened in early 2020 as a venue for alternative events ranging from wrestling to rock concerts.

And last summer, the city acquired a former high school auditorium and gym and began work to turn it into an 800-seat theater. Once construction is complete, the renowned STAR Center in Le Havre de Grâce will host larger-scale events. Programmers have already started booking concerts in the new venue; Tribute band EagleMania took the stage in July, while performer David Clark will bring his tribute band Billy Joel to the auditorium in August.

“After the Opera House reopened in 2017, Havre de Grace began to become an arts hub and tourist destination,” said Rebecca Jessop, Le Havre’s general manager of Grace Arts Collective, which programs events at the Opera House. “You could feel the energy rising.”

“Then the pandemic hit. All that energy never went away, but COVID-19 kind of put it on hold. Now it’s starting to come back. »

Jessop is excited about a recently unveiled restoration plan for downtown. It will mean short-term disruption, she knows: streets torn up and rerouted, favorite conveniences temporarily banned.

“But in the long run it will be worth it,” Jessop said. “It’s an incredible vision of what Havre de Grace could be.

It was clear to the planners that Havre de Grace had tons of potential. But for decades, that potential was buried.

“Until about five years ago, I would never have set foot here.” said Jared Noe, owner of the State Theater, the renovated venue that began life as an early 20th-century movie palace.

“There was definitely a stigma. We called it “Have a Disgrace”. It had a reputation as a town full of good old boys, a town where if the music wasn’t country, it wasn’t music.

Jessop traces the first steps toward change to 2008, when Havre de Grace became Harford County’s first arts and entertainment district, a status that offered tax incentives to artists and arts-related business owners in the neighborhood. (Bel Air was designated the county’s second arts district in 2011.)

In some ways, the city’s development as a cultural hub was a no-brainer.

Havre de Grace is about halfway between two major East Coast art centers: Wilmington, Delaware to the north, and Baltimore to the south. Touring artists traveling from destination to destination often welcome the opportunity to put on an extra show, Jessop said.

And from its beginnings, Havre de Grace has been a microcosm of key tensions shaping American society:

During the first Congress in 1789, Havre de Grace was under consideration to be the nation’s capital, according to historical records, losing to Washington, DC, by a single vote. Before the Civil War, he played an important role in the Underground Railroad that helped slaves escape to freedom. And in the 1930s, Havre de Grace was a smuggler’s paradise. The illegal liquor trade was so notorious that a fourth season episode of HBO’s prohibition-era drama “Boardwalk Empire” was set in the city.

Additionally, some of America’s most famous citizens have spent key times in their lives at Havre de Grace.

Orator and writer Frederick Douglass escaped to freedom across the city in 1838. Presidential assassin John Wilkes Booth grew up near Bel Air.

Jessop noted that the Booths belonged to one of America’s most renowned theater families in the 19th century: patriarch and actor Junius Brutus Booth (who excelled in portraying Shakespearean villains) and his gifted actor son, Edwin Booth. .

“Long before President Lincoln was killed, the Booths were an internationally renowned acting family,” she said. “The arts have always been part of Harford County.”

But it’s not just the city’s history that makes it a potential cultural hub. Jessop said Havre de Grace also has a lot of natural charm.

“Havre de Grace is really in a great location on the waterfront,” she said. “It’s an old town and there are plenty of walking opportunities. There are antique shops here and bed and breakfasts. It presents many opportunities for tourism.

Noe said the 2015 election of Mayor William T. Martin was a key force in the city’s cultural revival because it placed a prominent supporter of the arts at the top of the city’s political hierarchy.

“It was the start of a new era in Havre de Grace,” Noe said. “We finally have a city administration that understands that promoting the city is good, that development is good, and that events and tourism are good.”

Noe said Martin’s administration coincided with two new waves of cosmopolitan county residents.

Following the Army Bases Realignment and Closure Act 2005, he said, nearby Aberdeen Proving Ground was transformed into a “megabase”. As the first science and technology research center, it brought in workers from diverse cultures.

Additionally, the county has recently seen an influx of new LBGTQ residents, Noe said, many of whom are heading to Washington. He pointed to the success of the first Upper Chesapeake Bay Pride festival in Havre de Grace, which organizers said drew around 5,000 visitors to the city in 2019.

“We’re seeing this huge migration of a young, sophisticated population moving into Harford County,” he said. “They often come from other parts of the world and they have seen things there that they would like to see here.”

The restoration plan, which was released in April, outlined a vision for the city to include many of these in-demand amenities.

Among other things, Pennington Avenue, where the Opera House and the STAR Center are located, would become what the report describes as the city’s “civic backbone.” The report says the avenue would include a linear park with “art and storytelling opportunities woven into the space to reflect the history of the street and Havre de Grace.”

The Susquehanna River would be more closely connected to downtown with pedestrian and bike access points off Saint John Street, while a new pier off Green Street would allow boaters to moor their boats , disembark and visit downtown businesses.

Finally, Washington Street, which the report describes as “the beating heart of Havre de Grace” would continue to feature a mix of restaurants, beer gardens and boutiques, while also serving as the site for city festivals and parties. special events.

A new feature of city life – an electric streetcar service known as “The Tide” – was introduced in mid-May. Four carts traverse a 3.5 mile wide loop between Millard Tydings Memorial Park and the Susquehanna Museum at the Lock House during weekends and for special events. The service will be free for at least the first year, although officials say a small fee may be imposed later to help cover maintenance costs.

Rob Tucker, actor, director and drama teacher at Edgewood High School, believes Havre de Grace’s renewed investment in the arts has the potential to attract tourists and boost the town’s economy. But more importantly, he thinks it will encourage performers and viewers to stretch their imaginations and think outside the box.

“For a municipality, providing performance spaces like the Opera and the STAR Center is a real service,” he said.

“It’s a vehicle for creating art and ingenuity, and it helps move our community forward.”

Alec Baldwin Says He Still Thinks About Filming ‘Rust’ Every Day

Prosecutors awaiting the investigation report from the Santa Fe Sheriff’s Office will assess evidence during the Oct. 21, 2021, shooting of the Old West movie set outside Santa Fe, New Mexico, to determine whether charges should be pursued. Baldwin and crew members were rehearsing a scene in a rustic church when a prop gun in the actor’s hand discharged, killing cinematographer Halyna Hutchins and injuring director Joel Souza.

Investigations into the tragedy have focused on how a live bullet ended up on a film set.

In his interview with CNN, Baldwin blamed the tragedy on Hannah Gutierrez Reed, who served as gunsmith and props assistant on the film, and assistant director Dave Halls, who gave him the gun. Through their respective attorneys, Gutierrez Reed and Halls accused Baldwin of shifting blame onto others.

“Someone put a live bullet in the gun who should have known better,” Baldwin said. “It was [Gutierrez Reed’s] work. His job was to look at the ammo and put the dummy bullet or the blank bullet, and there weren’t supposed to be any live ammunition on the board.

“There are two people who didn’t do what they were supposed to do,” he added. “I’m not sitting here saying I want them, you know, to go to jail, or I want their life to be hell. I don’t want that, but I want everyone to know that these are the two people who are responsible for what happened.”

According to an administrative complaint filed this month by the New Mexico Department of the Environment’s Office of Occupational Health and Safety against the production company, Gutierrez Reed told Halls to alert him to the Baldwin’s arrival, so she can perform a security check on his firearm. The complaint goes on to say that the armourer left the church ‘expecting Mr. Halls to inform him of Mr. Baldwin’s arrival’. Instead, according to the complaint, Halls gave the revolver directly to Baldwin.

“Why didn’t he [Gutierrez Reed] check this ball? Why didn’t Halls obey him?” Baldwin continued. “Why did he give me the gun? Why didn’t he check? Why did he tell the crew [it was a cold gun]?”

Baldwin also wondered aloud if Seth Kenney, the film’s props supplier, had accidentally supplied live ammunition to the “Rust” set. An FBI report released last week said dozens of cartridges compatible with live ammunition were found on the set.

In January, Gutierrez Reed sued the film’s weapons and ammunition supplier, accusing PDQ Arm and Prop, LLC. and its founder Seth Kenney of violating trade practices, false and misleading product labels, and false and material statements. In the lawsuit, Gutierrez Reed alleges that Kenney sold him a cache of fake ammunition with live ammunition mixed in.

Kenney’s attorneys filed a response last month, denying any allegations and asking the court to dismiss the case.

“We agree with Mr. Baldwin and believe that Seth Kenney, as the primary ammunition supplier, mixed live rounds with blank rounds in the ammunition supplied to Rust,” said Jason Bowles, attorney for Gutierrez. Reed in a statement to CNN. “We again requested that the Santa Fe County Sheriff’s Office and the FBI test the live bullets for fingerprints and DNA to confirm where the live bullets came from. did not on this vital question, which must be answered to uncover the full truth of what happened.”

CNN has reached out to the Santa Fe County Sheriff’s Office for comment.

“We disagree with Mr. Baldwin’s attempts to shift blame to others. It’s not up to him to decide or assign blame,” Bowles added.

In a statement, Halls’ attorney said Baldwin was trying to pin the blame on himself.

“Baldwin points fingers at others because the evidence points to him,” Lisa Torraco said. “Halls is not responsible. Everyone needs to stop. People just point the finger at Halls because they don’t want to take responsibility for being wrong. Halls is a scapegoat. People need to examine the evidence.”

Baldwin repeatedly said that he pulled the hammer of the gun as far as he could without cocking the gun and released the hammer – but did not pull the trigger. A recently released FBI forensic report indicates that the gun could not be fired during FBI testing of normal operation without pulling the trigger while the gun was cocked. The report noted that the gun ultimately malfunctioned during FBI testing after internal parts fractured causing the gun to fire in the cocked position without pulling the trigger.

Luke Nikas, an attorney for the actor, told CNN on Sunday that the FBI report “was misinterpreted.”

“When Alec Baldwin showed up on that tragic day for filming, he had no reason in the world to think there was a live bullet in that gun, in that church, or even on that property,” Nikas said. to CNN in a later article. interview Thursday. “It would be a huge miscarriage of justice [to charge Baldwin].”

“I don’t want to see anyone suffer”

Over the past 10 months, Baldwin says he has re-enacted the events leading up to the fatal shooting. While waiting for Santa Fe County prosecutors to announce the results of their investigation, Baldwin says he’s taken matters into his own hands.

“I hired a private detective,” he said.

Based on what his private investigator told him, Baldwin said he did not believe he would face criminal charges.


Baldwin said he believed Gutierrez Reed and Halls would also not face criminal charges.

“I’m pretty confident that neither of them should ever work on a film set again,” he said. “I sincerely believe… [investigators are] say it was an accident. It’s tragic.”

Baldwin added that he didn’t want to “condemn” Gutierrez Reed.

“I mean, maybe it’s the Catholic in me,” Baldwin said. “I feel like saying, I don’t want to see anyone suffer. I don’t want to sit here and say you know, go get her and condemn her.”

“That she is dead is the worst thing”

The filming of “Rust” stopped after filming. Baldwin says he went to great lengths to try to finish shooting the film in an effort to provide potential product for Hutchins’ husband, Matthew Hutchins, and their son.
The cinematographer’s widower is suing the film’s production company and Baldwin is named as one of the respondents.

“People are talking about finishing the movie to honor Halyna and I totally agree, that’s great. But more importantly, we wanted to put the money in the kid’s pocket,” Baldwin told CNN, referring to Hutchins’ son.

Baldwin says he’s lost five jobs since filming “Rust” and would have quit acting if it hadn’t been for the support of his wife, Hilaria Baldwin, who is expecting their seventh child this fall.

“I was fired from another job yesterday,” he said. “There I was ready to go to the movies, jump on a plane… I’ve been talking to these guys for months and they told me yesterday that we didn’t want to do the movie with you because of that .”

Baldwin also says he fears for his safety since the old President Donald Trump has publicly stated that he believed the actor killed Hutchins on purpose.

Baldwin says it’s this kind of stress that “took years off my life.”

“There’s just this torrent of people attacking me who don’t know the facts,” he said, crediting his family’s support for keeping him there.

“If I hadn’t had my wife, I don’t know where I would be right now… If I hadn’t had her, I probably would have quit, retired, disappeared, you know sold everything I owned, I got a house in the middle of nowhere and you just know you found something else to do, selling real estate.”

If and when he returns to film or television, Baldwin says he won’t work with real guns again. Filmmakers these days can use digital effects to create realistic weapons on screen, he says.

Halyna Hutchins in 2019.

Baldwin also says that not a day goes by that he doesn’t think about Hutchins and what happened that day.

“Everyone adored him as a person,” Baldwin said, praising Hutchins’ talent and character.

“That she died is the worst thing. Someone died, and it was preventable. It was so unnecessary,” he said. “Every day of my life I think about this.”

Correction: This story has been corrected to accurately reflect Seth Kenney’s response to the allegations in the Hannah Gutierrez Reed lawsuit.

CNN’s Brandon Griggs, Julia Jones, Josh Campbell and Kevin Flower contributed to this report.

Federal student loan payments: Nelnet email sent in error

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Federal student loan borrowers were panicked after receiving an email Thursday saying loan repayments are resuming and will soon be deducted from their bank accounts.

It turns out that the message was “sent by mistake”.

Nelnet is the leading student loan servicer that mistakenly emailed borrowers. The message added to widespread confusion over whether the student loan forbearance period, which began at the start of the COVID-19 pandemic and lasted more than two years, will indeed end on August 31 as currently planned. . The erroneous alert told an unknown number of federal borrowers that Nelnet would automatically debit their bank accounts on September 1.

“All communications from service agents to federal student loan borrowers regarding the restart of student loan payments were sent in error,” the Department of Education said in a statement to Money. The agency said so ordered the services to notify federal student loan borrowers who received the message that payments remain suspended.

Shortly after the first email, Nelnet sent another message, apologizing for the error.

“You have no payment due on September 1 and no payment will be taken from your account,” the email reads. “We will send a billing statement 21 days before a payment is due.”

As of December 31, 2021, Nelnet was servicing at least 6.4 million federal student loans. (Nelnet oversees more borrower accounts through Great Lakes, another service company it owns, but the two operate separately.) It’s unclear how many of those borrowers got the message from Nelnet. The company did not respond to Money’s request for comment.

The Department of Education says less than 0.1% of all federal student loan borrowers got the message. Still, it would suggest that at least tens of thousands of borrowers received incorrect information about their federal student loans – despite the Department of Education saying no payments were collected.

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When will federal student loan repayments start again?

Nelnet’s erroneous alerts only add to the confusion and frustration student borrowers are currently feeling.

The pause in federal student loan repayments is officially supposed to end on August 31. Time is running out and neither the Department of Education nor the White House has made an official announcement on another expansion.

“The Department of Education will continue to assess the impacts of the COVID-19 pandemic and the economy on student borrowers,” the department said in its statement to Money. “We will communicate directly with borrowers on the end of the payment pause when a decision is made.”

Experts point to the lack of communication from officials thus far as a strong indicator that the Biden administration will again extend student loan forbearance, for the seventh time overall. The announcement could possibly be made in tandem with a student loan forgiveness plan.

“The lack of communication with the borrower to date makes an extension of the payment pause very likely,” Robert Farrington, founder and CEO of The College Investor, told Money recently.

For now, the only answer – however unsatisfactory – is to wait for news from those responsible. It should arrive any day now. President Biden has said he will make a decision on both forbearance and pardon”end of August.”

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Houston-area firm plans Wonderland entertainment development

SAN ANTONIO – A Houston-area company plans to redevelop retail space inside Wonderland of the Americas into a new entertainment venue.

The new tenant “takes up a large amount of space,” said Balcones Heights Mayor Suzanne de Leon.

Archie Wright, owner of AR’s Entertainment Hub, said the company plans to convert approximately 58,000 square feet on Wonderland’s upper floor which housed a retail store. Work should start soon and construction could be completed before the end of the year.

A similar location in Baytown features a restaurant, bar, and several games and attractions, including bowling, skating rink, miniature golf, bumper cars, and laser tag. It caters to families and business groups.

Wright did not disclose the cost to develop the Wonderland project, but said it was a multi-million dollar investment.

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The owners of Wonderland, which now includes the city of Balcones Heights, are working to breathe new life into the 60+ year old mall.

AR’s entertainment center was exploring a potential expansion when representatives from Wonderland contacted the Balcones Heights property.

“We looked around the area and really liked the city,” Wright said. “We can definitely bring additional entertainment value to this city.”

The latest tenant hire follows the Woodlawn Theater’s decision to move its operations to Wonderland, taking over two auditoriums and concessions previously occupied by Santikos Entertainment.

Late last year, Balcones Heights invested $5 million to secure a nearly 46% stake in Wonderland.

In July, the Balcones Heights Economic Development Corp. recommended that the city move its municipal operations to Wonderland.

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Balcones Heights officials worked for more than a year with the private investor group that now owns an approximately 54% stake in Wonderland to reposition the property as an entertainment destination.

“Wonderland’s success has always been tied to the economic success of the city because it’s the largest property in Balcones Heights,” de Leon said.

Editor’s Note: This story was published through a Partnership between KSAT and the San Antonio Business Journal.

Click here to read the full story in the San Antonio Business Journal.

Also on KSAT:

Copyright 2022 by KSAT – All rights reserved.

Colorado Buffaloes basketball unveils new CU Events Center court

Since the opening of the CU Events Center, it has undergone a multitude of upgrades.

BOULDER, Colo. — The CU Events Center has its first new basketball court since 2016.

The Colorado Buffaloes athletic department unveiled a new field at the start of the fall semester.

The court design ditches the iron design that has graced the court since fall 2016. The new design has “Colorado” and “Buffaloes” on separate ends of the basketball court instead of full wording on either side.

CU called the new basketball court “a clean, updated look.”

The CU Events Center has been home to the University of Colorado men’s and women’s basketball teams since 1979 and the volleyball program since 1988. The building also received a new basketball court in 2008 during a series of renovations.

The CU men’s basketball team will play its first home game of the season on Monday, November 7 against UC Riverside.

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WATCH NOW: Runaway Kenosha Artists Perform ‘Romeo and Juliet’ | Local News

If you are going to

What: Fleeing Artists Production of Shakespeare’s “Romeo and Juliet”

When: Performances take place on two weekends: Friday to Sunday, August 19 to 21 and August 26 to 28. Shows are at 7:30 p.m. on Friday and Saturday and 2 p.m. on Sunday.

Where: Rhode Center for the Arts, 514 56th St. in downtown Kenosha

Tickets: $15 general admission or $13 for seniors, students, educators, and military. (Please bring ID to the box office for discounted tickets.) Tickets can be purchased at the door or online at fleeingartists.org.

About this show: This version of “Romeo and Juliet” was shortened to be “two quick hours,” said Alex Metalsky, one of the founders of Fleeing Artists. “Those are all Shakespeare’s words, just less.”

People also read…

Another twist, Metalsky said, involves staging. “The cast of the show play actors from the fictional Runaway Artists Squad, who are doing a production of ‘Romeo and Juliet.’ So it’s a show within a show,” he said. “There will also be interactions with the public.”

This production, he added, “is pretty traditional. It’s a beautiful love story, and it’s definitely a time when we need more stories about such things.”


Meet the cast

Kenosha’s Fleeing Artists Theater was founded in 2018 by Kenneth Montley, Kevin Duffy and Alex Metalsky, three alumni of the University of Wisconsin-Parkside theater program.

Metalsky explained that the name “Fleeing Artists” came “from an article we read that said people in the arts are fleeing small towns for bigger cities”. Instead of leaving Kenosha, he said, “we want it to become a place where the arts flourish.”

Since its inception, the non-profit Fleeing Artists troupe has performed indoor and outdoor performances in Kenosha’s Lincoln Park and the historic theater at the Rhode Center for the Arts.

Their productions are wide ranging, including Shakespeare classics, Neil Simon comedies (“The Odd Couple”), modern dramas and Dickens’ “A Christmas Carol”.

The troupe’s fifth season opens with “Romeo and Juliet” and also includes the comedy “Boeing, Boeing” and the historical drama “A Raisin in the Sun.”

To learn more about Fleeing Artists, visit fleeingartists.org and check out their Facebook page.


A family project

This production of “Romeo & Juliet” is a family project for the Churchills.

Ralph Churchill works with his daughter, Annika, who directs the play with him, and his wife, Jaime, plays Lady Capulet.

Ralph Churchill has decades of experience in community theatre, having directed over 20 shows and performed on stage as an actor.

He has also done technical work for professional theater groups, including sound and set design.

But this is the first time he has worked with his daughter to direct a show.

“It’s been a lot of fun working together,” said the Round Lake Beach, Illinois resident. “Annika started coming to the cinema with us at the age of 4, and it is a family passion.”

Annika Churchill is making her directorial debut “and doing that with my dad is great,” she said. “We basically have the same brain, so we work very well together.”

When not working in community theater, Annika — who graduated with a degree in musical theater from Long Island University in May 2021 — works as a singer and dancer at Six Flags Great America.

This production, she said, “has a great cast and is so much fun. We tried to keep the truth of the show intact but with a 21st century mindset.”


Here’s the thing about William Shakespeare: everyone thinks they know his plays – at least his most famous ones – but it’s always possible to be surprised by a production.

The Fleeing Artists theater group kicks off its fifth season with one of the bard’s most popular shows: “Romeo and Juliet.”

What? A drama during the summer season? And a romance written in 1595 – centuries before texting, Tinder and even the telephone?

“It’s a very well-known story, but we approach it a little differently,” said co-director Ralph Churchill, during a break in rehearsal Monday night at the Rhode Center for the Arts, where the show opens. . Friday night.

Audiences will notice this “different take” as soon as Romeo – half of the romantic couple at the center of the tale – appears on stage.

This Romeo is played by Chloé Attalla, and she doesn’t play Romeo as a male character.

This Romeo is a woman, and she is in love with Juliet, played by Emily Keiner.

The heads of the story’s central families, the Capulets and the Montagues, are also all female characters.

In other words, Romeo has two moms. Just like Juliet.

“Our focus is how you don’t control who you love,” Churchill said, “and the people in this room love themselves for who they are.”

The cursed lovers

Attalla, who just graduated with an acting degree from UW-Milwaukee, makes his debut with Fleeing Artists.

It is also his first time in “Romeo and Juliet”.

“I appreciate this character,” she said of her Romeo. “It’s fun to play a more aggressive role than usual.”

Shakespeare’s Tragic Romance, she said, “is a dream show for me. I love how there’s a bit of comedy throughout the show, even though it’s a tragedy.”

She cites Baz Luhrmann’s 1996 film “Romeo + Juliet” – starring Leonardo DiCaprio and Claire Danes in the title roles of two teenagers who fall in love, despite being members of feuding modern crime families – as one of his inspiration.

When Keiner isn’t playing Juliet on stage, she’s a music teacher, graduating from Augustana College in May 2021.

It’s her very first role in a Shakespeare play, and she enjoys “really digging into the character of Juliet. I didn’t realize how much of a part her family was in this show.”

The fact that Romeo and Juliet are female characters “gives a different perspective to the show,” she said. “We play two women in love at a time when that wasn’t common. When they kill each other, maybe they thought they had no other choice.”

fight club

For Talia Last — a theater arts major at UW-Parkside — playing the role of Tybalt, Juliet’s cousin, is a chance to mix it up on stage.

“This character is a full Capulet and loves to fight,” Last said.

Luckily, she has plenty of onstage combat experience over her decade in acting (which began with a 2012 Lakeside Players production of the musical “Annie”).

Stage sparring, she said, “is a fun way to train. You feel powerful and confident while exercising.”

She likes “every time I’m on stage with a sword in my hand”.

Feed some laughs

The gender bending in this production extends to the role of Juliet’s nurse/nanny, played here by Cory Fitzsimmons.

The role is quite a change for Fitzsimmons, who made his Fleeing Artists debut in July 2021 as the title character in the Greek tragedy “Oedipus Rex.”

“Nurse is a really fun role,” Fitzsimmons said. “That’s the comedic role on the show, and I have a lot of fun with it. I also have fun portraying a woman in an authentic way.”

He “watched ‘I Love Lucy’ a lot, so Lucille Ball is my inspiration for that role, along with my high school lunch lady,” Fitzsimmons said. “I find the humor in this piece.”

Monkeypox cancels free concert at Southern Decadence

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NEW ORLEANS — The Bourbon Street Extravaganza, a free concert held in New Orleans amid Southern Decadence — one of the nation’s biggest LGBTQ events — has been canceled due to monkeypox concerns, the bands announced Wednesday. organizers.

The concert was scheduled to return on September 3 for the first time since the coronavirus pandemic ended Decadence in 2020. It normally draws up to 20,000 people to the corner of Bourbon and St. Ann streets in the French quarter of New -Orleans outside Napoleon’s bar Itch.

Concert producer Chuck Robinson canceled the concert in light of the rapidly spreading monkeypox virus, media reported. The virus, which appears to disproportionately affect gay and bisexual men, is transmitted through prolonged skin-to-skin contact.

“I wish we could do the show, but monkey pox came out of nowhere and quickly,” Robinson told The Associated Press in a phone interview. “My concerns must be the safety of the artists and the production team.”

He added that there were plans to bring in stars from Australia and England and yet the virus has “statistics that scare me”.

“It spreads by touch and proximity, not by droplets like COVID and I did not feel, in good conscience, that I could be responsible for an event that could become a mass broadcaster,” he said. -he declares.

The Washington Post first reported on the canceled Bourbon Street Extravaganza as part of an article about the growing threat of monkeypox. There have been concerns about the lack of availability of the monkeypox vaccine in Louisiana, which has 120 confirmed cases, state health officials said.

Earlier this month, the Louisiana Department of Health said it was in touch with Southern Decadence organizers to get people vaccinated ahead of the event scheduled for Sept. 1-5 over the long weekend. of Labor Day.

Since 1972, Southern Decadence has grown from an informal gathering to an annual eruption that draws thousands of revelers to New Orleans over the holiday long weekend. In 2019, around 225,000 people attended various events and the big street party. An even larger crowd was expected this year.

The Bourbon Street Extravaganza has been part of Southern Decadence since 2004, the year Robinson and co-founder Ron Julian opened Napoleon’s Itch at 734 Bourbon. Robinson and Julian kicked off the concert on an outdoor stage in part to promote their new bar, The Times-Picayune/The New Orleans Advocate reported. Over the years, Jeanie Tracy has become a frequent and favorite concert performer.

“It became Southern Decadence’s biggest event,” Robinson said. “It’s our gift to the city.”

Robinson said the gig would return in 2023.

“I pray for everyone’s safety, but this is what I had to do,” he said of the decision to call off.

Other Southern Decadence events and promotions are still going ahead as planned.

Opening of a long-awaited event space above the Smoketown brewing station | Economy & business

After years of planning and hard work, David Blackmon, 58, is opening an event space above Smoketown Brewing Station in Brunswick.

The space, dubbed Cannon’s Events, will open on September 10.

Follow Clara Niel on Twitter: @clarasniel

GRAMMY Artists in Residence

Gabriela Montero at the Prager Family Center for the Arts brings Yuja Wang,

Paquito D’Rivera, Joshua Bell for an exclusive musical series in Easton, MD.

Addition of a music education program for underserved youth

EASTON, MD., August 16, 2022 /PRNewswire/ — Pianist-Composer, Gabriela Monterobegan his studies earlier than most – at just four years old – making his solo debut with an orchestra in his home country Venezuela at seven years old. She then received a scholarship to go to school in the United States, then became a graduate and a member of the Royal Academy of Music in London. Montero has showcased his phenomenal musicianship and rare improvisational ability internationally – from Carnegie Hall to the 2008 presidential inauguration barack obama. Come this fall, Montero will perform, featuring a lineup of GRAMMY-winning musical artists, like Yuja Wangas a member of Gabriela Montero in Prague series in the new restoration Ebenezer Theater at Prager Family Center for the Arts, Easton, Md.. Consisting of eight concerts, beginning September 2022, and continue through the summer 2023Montero and some of the most influential musicians of modern times – representing China, Venezuela, Porto Rico, Ireland, Cubaand United States – will bring sounds from around the world to Easton.

The series’ first season will feature Montero and seven of the music world’s brightest stars, including esteemed talents like Joshua Bell, the GRAMMY-winning and Emmy-nominated violinist. Bell was selected to perform in the first musical mission to Cuba commissioned by President Obama to celebrate the renewal of cultural diplomacy between the United States and Cuba; he was named “Instrumentalist of the Year” by musical americaand his cross-genre collaborations – with musicians like Sting and Chick Corea – as well as his contributions to the Oscar-winning film, Red Violin, made the hit Indiana native a musical legend. Yuja Wangthe beijing pianist and the youngest of the guest artists, is known for her charismatic stage presence and her fashionable and daring outfit that reflects the energy of her performances. In addition to his four GRAMMY nominations, Wang received the prestigious “young artist award of the year” and the musical america “Artist of the Year” award; it’s a fresh and youthful voice in the classical world. Paquito D’Riverawith 14 Grammy Awards to his name, discovered his love for the saxophone and clarinet early in his home country of Cubaperforming at the age of 10 with the Orchester du Théâtre National de Havana. Known for his ability to blend Latin jazz and classical music, he was honored with the National Medal of Arts by the President George W. Bush. Larisa Martinezborn and raised in Porto Ricojoined the previously mentioned artist Joshua Bell in Cuba as part of the delegation sent by President Obama. The soprano singer toured with the tenor Andrea Bocelli; she won the Metropolitan Opera national board audition in Porto Rico; and his talents were featured in the Emmy-nominated PBS special “Live from Lincoln Center, Seasons of Cuba.” Considered as ireland best tenor, Anthony Kearns tour with acclaimed band The Irish Tenors. Kearns has performed at several of President Obama’s inauguration events and regularly takes time out to sing in support of important causes such as music education and autism awareness. vanessa perez is a pianist; at age 11, she was invited to make her concert debut at Caracas, Venezuela. Today, Perez is the actor’s performance partner Bill Murrayand recently played a major role alongside Murray in the concert documentary, “New Worlds: Cradle of Civilization.” His presentation at the Acropolis in Athens, Greecewas filmed by the director Andre Muscat and became an official selection of the 2021 Cannes Film Festival. She was interviewed by Jane Pauley on CBS Sunday morning and played on the Stephen Colbert Show. The latest artist to join Montero is Marc-Andre Hamelin, a Canadian musician who started playing the piano at the age of five. Hamelin is a recording artist for Hyperion Records; with a discography that spans over 70 albums, he has nearly 30 compositions to his credit. Hamelin has received seven Juno Awards and 11 GRAMMY nominations.

To ensure inclusiveness, up to 20 seats at each performance will be allocated free of charge to underserved communities through the Access to excellence ticketing program. In addition to performance, Montero presents three new programs for eston. Back to school with Gabriella brings world-renowned artists to young people in the community, with showcases at Talbot County Public Schools the day before each of their performances at the Prager Family Auditorium. The Gabriela Montero Piano Lab provides year-round mentorship to the next generation of concert pianists around the world. She will lead the live digital instruction of nine piano mates, each of impeccable talent and skill. The 90 minutes Open Door Piano Lab Sessions offered throughout the year will allow eston exclusive access to the community to observe Montero’s mentoring work.

Given by Paul Prager propensity to restore historic buildings in Easton, Marylandit is not surprising that he is behind the ambitious revival of the Ebenezer Theaterwithin the Prager Family Center for the Arts. The historic 1856 building was built to house the Ebenezer Methodist Episcopal Church. Sold in the middle of the 20th century, it was the seat of the Historical Society of Talbot County, which began the transition from a place of worship to an auditorium. When Prager, as director of Bluepoint Hospitality, acquired the property in 2014, he created something almost as spiritual as the original building – a performance hall. At the Ebenezer Theatre, Bluepoint Hospitality has created a rich atmosphere of Gothic movement design and Victorian aesthetics, drawing inspiration from original features such as stained glass windows and Gothic arches. Bradbury & Bradbury’s period wallpapers embody the great ideals of mid-19th century interior design. The pressed pewter ceiling has been transformed by 24 carat gold leaf, applied by hand by Maryland artist Kelly Walker, which also created a dramatic celestial vault above the stage. Thanks to the latest technologies of the 21st century, the acoustics of the auditorium now pave the way for memorable performances. The completion of the Prager Family Center for the Arts is Zachary Hall, adjacent to the theater, adding space for programs that feature literary, visual and performing arts for the enrichment of the community. Bluepoint Hospitality is excited to “share the stage” with Gabriela Montero in Prague.

For more details and the lineup for the eight selected concerts at the Ebenezer Theater, please visit the website at www.bluepointhospitality.com.

For more information:
Simone Rathlé | Misi Coney
Simoneink, LLC
[email protected] | [email protected]

SOURCE Prager Family Center for the Arts

Caruso’s company fights studio expansion near The Grove

As a mayoral candidate, real estate developer Rick Caruso spoke about the need to keep entertainment productions in the city of Los Angeles.

But as a businessman, Caruso is embroiled in a fight over plans to modernize and expand LA’s famed CBS. tv city studios, located next to The Grove, the flagship retail complex that Caruso developed two decades ago.

In a letter to neighbors sent earlier this month, the Grove and adjacent Original Farmers Market expressed “deep concern” about the plan to overhaul Television City, calling it “a large-scale speculative development which, if it were endorsed, would overwhelm, disrupt and forever transform the community.” Both entities urged recipients to visit a website and social media accounts for the Beverly Fairfax Community Alliancea group that opposes the studio project – and counts the Grove among its members.

The development battle could complicate Caruso’s message as a businessman focused on bolstering the region’s economy. And it raises questions about how Caruso, if elected, would react to companies whose activities are potentially at odds with his company’s interests.

A campaign spokesperson declined to answer questions about whether Caruso’s namesake company had formed the Beverly Fairfax Community Alliance, referring questions to that organization. But Ilysha Buss, marketing director of AF Gilmore Co., owner of the Original Farmers Market, said her company and Caruso’s created the alliance and are funding it.

Buss, speaking on behalf of the alliance, said the group opposes the development plan in its current form because it would designate the Television City site as a “regional center”, which she called ” very out of scale and inappropriate for this area”. .”

An executive at Hackman Capital Partners, which bought the Television City site from CBS Corp. in 2018 and is looking to redevelop it, told The Times that his company had met several times with representatives of Caruso’s company to discuss the project. During these meetings, Caruso executives focused on the effect the project would have on Grove Drive, which serves as the entrance to the mall’s parking structure. and valet parking, according to Zach Sokoloff, senior vice president at Hackman Capital Partners.

Sokoloff said representatives of Caruso’s company had threatened to stoke community opposition to the proposal if Hackman Capital “did not capitulate to the demands they had for our proposed use of Grove Drive.”

“More recently,” he added, “their legal counsel made this threat directly to our legal counsel, suggesting that if we did not significantly limit our proposed use of Grove Drive, they would launch an aggressive public community campaign, activating hundreds of community members and sowing opposition to our studio modernization proposal.

Television City’s proposal, known as the TVC Specific Plan 2050, would see a major expansion of the site’s sound stages and production offices.

The site, located at Beverly Boulevard and Fairfax Avenue, would be licensed to have nearly 1.9 million square feet of studio, office and retail space, about 2½ times what currently exists, according to a draft report from ‘environmental impact. job by the city last month. The increase would allow the property to accommodate an additional 5,700 jobs, according to the report.

Sokoloff said the latest round of meetings between Hackman and the Caruso team began in April and included Caruso’s director of development, Corinne Verdery, who is expected to become her company’s chief executive on September 1. Caruso previously said Verdery would take over as CEO if elected mayor of Los Angeles; the new plan was relayed in an internal announcement on Friday, according to Jessica Wong, Caruso’s senior vice president for public relations and marketing.

Wong, in an email, denied allegations that Caruso’s team threatened to conduct a community campaign against Television City’s proposal. But she confirmed that the company is concerned about the project’s impacts – and has entered into “confidential settlement talks” with Hackman.

“We have not resolved the traffic, parking and construction impact issues, and to our knowledge, no other party issues have been resolved,” she said. “Part of the problem is that we really don’t know what the real project is because the [environmental impact report] does not have a detailed description of the project.

Last month, another Caruso executive appeared before a Mid City West Neighborhood Council panel and said the Television City project would create “complex” issues for the neighborhood, including traffic, parking and construction.

The Beverly Fairfax Community Alliance was more outspoken, warning that the expanded site would be twice the height of the Beverly Center and clog Fairfax, Beverly, La Brea Avenue and 3rd Street with traffic.

“Even those used to living with LA traffic and parking nightmares will be shocked at how much worse it can get,” the band said on its website.

The Beverly Fairfax alliance released last week a job offer on ZipRecruiter saying he hired organizers for “community outreach efforts,” with pay starting at $25 an hour. In a statement, the group said it was formed to “publicly raise and address significant concerns” about the impacts of Television City’s proposal.

When complete, the studio expansion is expected to generate an additional 787 vehicle trips during the morning rush hour and an additional 855 during the afternoon rush hour, according to project environmental documents. The property would offer up to 5,300 parking spaces.

Diana Plotkin, president of the Beverly Wilshire Homes Assn., said she fears traffic could increase significantly, harming local businesses and residents, if the project proceeds as proposed. Plotkin said his group joined the alliance but did not contribute financially.

The Southern California film industry has faced a shortage of studio space in the face of growing demand. The shortage, among other factors, prompted some growers to look out of town, The Times reported.

Caruso was outspoken during his mayoral campaign about wanting to keep productions in Los Angeles.

“Instead of shipping the biggest industry we have in this town out of this town, I want to bring it back to this town,” Caruso said last week. in a podcast interview with Hollywood business newsletter The Ankler.

Asked about the Television City project, Caruso campaign spokesman Peter Ragone said the candidate supports building more studios in Los Angeles.

“However, we all need to be good neighbours. Both can happen,” Ragone said. “Rick believes that local businesses, including the production facilities, should address community concerns regarding the creation of additional traffic, pollution and other harmful impacts.

If elected mayor, Caruso would have the power to hire and fire the City Planning Department’s top executive. He would also have the power to replace the nine members of the city’s planning commission, a volunteer panel that reviews large-scale development projects.

Television City’s proposal may not go to the commission until next year, after the new mayor takes office.

Rep. Karen Bass, Caruso’s opponent in the Nov. 8 election, declined to take a position on the Television City project, saying through a spokeswoman that she was reviewing environmental documents. Bass spokeswoman Sarah Leonard Sheahan criticized Caruso for his past political donations to city officials.

“He made billions by influencing city hall decisions about his business. Now he’s trying to put himself in charge of those decisions as mayor,” Leonard said in a statement.

Caruso has made ending city hall corruption a key part of his civic platform. Asked how Caruso would avoid conflicts of interest as mayor, Ragone referred The Times to the candidate’s earlier comments about placing his business in a blind trust.

Times writer Seema Mehta contributed to this report.

What’s the best place in America to have a backyard pool party?

Sin City has a lot to offer as a great pool party destination, but how does it compare to iconic cities like Washington?

AUSTIN, TX, August 15, 2022 /PRNewswire/ — Upgraded Points recently presented the results of its latest data study that reveals the best and worst US cities for hosting a poolside gathering. The study includes major deciding factors such as real estate, cost, and weather, but also broke down other mitigating factors, including cities with the most pools, sunscreen needs, as well as the average cost of beer, snacks and more. Upgraded Points is a trusted travel agency that often provides surveys of seasonal and special interest to its clients and travelers in general.

“Pool parties are one of our favorite summer activities and a great reason to invite friends and family over for some fun in the sun,” said Alex Miller, Founder of Upgraded Points. “But some places are just plain better for this kind of event than others, so we dug into the facts and created a list of great places to cook on the grill, drink some strawberry daiquiris and go swimming. If you live here, you did. And while we expected some cities to easily make it to this best/worst list, a few entries were a bit surprising.

Analysis methodology

Upgraded Points ranked the 100 most populous U.S. cities based on factors that would be important for a successful pool party — location of real estate, cost of the party, and good weather — while taking into account the number of homes for sale with swimming pools (per 100,000 people), average lawn size, community wellness ratings, percentage of people who use sunscreen, costs of typical food and beverages consumed at these parties, as well that average temperatures, etc. Based on these factors and more, the study determined an individual score for each city then added the totals to give each city a score from 0 to 100. A higher score indicates a city is better suited to throw a pool party.

The worst places for poolside fun

Ranking third on the list of worst places to host a pool party is washington d.c., with a score of 40.7 out of 100. There are few houses with pools in the nation’s capital, as there are only 0.016 houses for sale with pools per 100,000 people. And surprisingly, Birmingham, Alabama ranks 5e worst town for a pool party. Despite its excellent pool party temperatures, high average levels of humidity (59.8%) and precipitation (4.2 inches), as well as low levels of residents who report wearing sunscreen (21.1 %), guarantee that these parties will not be very fun.

The best places to swim

By far the best place to enjoy the pool is Vegas. With an overall score of 71.5 out of 100, Sin City averaged 0.2 inches of precipitation and an average of 13.60 percent humidity from April through August, making the heat dry and clear skies optimal for stays in the backyard. Wichita, Kansas came in fourth with a score of 70.8 out of 100, with a large average lawn size (0.23 acres) and low costs for pool party essentials like beer, water and fruit costs. Its low 80°F spread from April through August also makes it a top destination for pool parties. Not to be outdone, Bakersfield, Californiais number 5. Known as the “Country Music Capital of the West Coast”, Bakersfield ranks high thanks in part to its low average rainfall (0.3 inches) and humidity (25.2%) from April to August.

To see the full results, as well as a city-by-city breakdown of percentages and pool-party factors, please visit the full study HERE.

About Upgraded Points LLC

Based at Austin, TX, Upgraded Points is a travel agency that offers insider strategies for maximizing travel points and rewards. Launched in 2016 by Alex Miller, Upgraded Points uses focused research efforts and in-depth study to give travelers, and those looking to travel, a real understanding of how to maximize their points and miles. Learn more at: www.UpgradedPoints.com.

Media Contact:

Alex MillerFounder
[email protected]

SOURCE Upgraded Points LLC

BUSINESS MONDAY: Community Access to the Arts (CATA)

“This is an important time for us as an organization to build infrastructure and invest in our people. There are so many changes going on in our community and in the world, it is our job to always listen and reassess what needs to happen next to enable us to move forward. — Margaret Keller, Executive Director of Community Access to the Arts (CATA)

“I’m known as Teresa’s mother to everyone at Community Access to the Arts,” smiles June Thomas. “CATA is Teresa’s lifeline!” You should see the album she has, dating all the way back to 1993, when Sandy Newman offered the very first dance class.

Executive Director Margaret Keller agrees. “Teresa has a really special relationship with CATA.”

June Thomas with her daughter and CATA artist Teresa Thomas, who has recorded nearly every performance since 1993 in one album. Photo by Robbi Hartt

By the time Teresa Thomas was graduating from high school, her older siblings had all gone to college. “CATA College,” as she called it, was a similar move for Teresa as she entered adulthood, giving her the opportunity to help her discover new skills and develop new talents.

June Thomas has been instrumental in promoting the environment. In 1996, while volunteering with Shakespeare & Company, June asked founding director Tina Packer if she could “borrow” some of her actors to work with Teresa and her friends – the start of a partnership that has changed the lives of CATA and its participants. Since then, Teresa has participated in all the programs offered by CATA. “She doesn’t dance anymore,” June explains, “but at nearly 50, she still does everything else.”

A page from Teresa Thomas’ scrapbook commemorating the Shakespeare’s Players performance at the 2012 CATA gala. Photo by Robbi Hartt

Over the past two decades, CATA has changed countless other lives, partnering with 50 community organizations to provide visual and performing arts programs to 800 people with disabilities in Berkshire and Columbia counties, New York. This first dance workshop has grown to more than 1,800 artistic workshops per year.

Bringing in new talent to promote programming

Shakespeare’s Players is one of many workshops offered in a variety of genres and art forms at CATA – and an important tie in bringing Kelly Galvin as a faculty member in August 2021.

Having “cut her teeth” at Shakespeare & Company (where she has been a company member since 2008), Galvin is an accomplished director, producer and teacher at such notable venues as the WAM Theater and the Boston Playwrights’ Theatre. She also founded the Platform, an organization that works to create connections through the arts to redistribute cultural resources to a larger portion of the Western Massachusetts community.

Galvin and her husband had lived in Boston and the Berkshires for a decade before moving to Lee in 2020. After years of traveling for work, landing a full-time job at CATA felt like a really aligned fit, spiritually and emotionally – a place where she could have a lasting impact.

For Galvin, the pandemic reality marked a pivotal moment that led her to ask herself, “How am I showing up and using my skills to serve the community in a meaningful way? She saw in CATA an organization on the verge of tremendous growth before the pandemic that was even more needed during the pandemic. “So many artists and CATA partner organizations reached out to us because of the isolation that many people with disabilities have experienced,” she recalls.

Galvin, who sees Shakespeare’s work as a powerful vehicle for self-expression and dealing with the most difficult human emotions, is continually “blown away by the ideas and talents of the artists at CATA and by the way the plays speak of their lives and of the world. “Performing Shakespeare’s work also stretches some people’s assumptions about what artists with disabilities can achieve.

Kelly Galvin joins the artists of CATA on stage during the May 2022 gala. Photo courtesy of CATA

His first big staff event was co-hosting CATA’s annual gala and show in May. “I was immediately struck by the work CATA does,” she says, “the way the faculty cares about, connects and collaborates with CATA artists and how that feeling is shared with the community at wider. »

Galvin describes the moment she and her co-teacher Greg Boover joined the Shakespeare Players on stage as particularly gratifying. “It was the first time they had performed live since pre-Covid, and they returned to a tidal wave of applause, love, support and energy. I understood how they were empowered, uplifted, made stronger. Even after so many years of working in theatre, Galvin described the palpable energy exchange as “breathtaking – there’s nothing quite like it”.

Evolve staff structure for strategic growth

Margaret Keller.  Executive Director of CATA
Margaret Keller, Managing Director of Cata. Photo courtesy of Mass Cultural Council

According to Keller, the recent retirement of longtime Artistic Director Dawn Lane has created an opportunity to form a new model of collaboration that recognizes the explosive growth of CATA’s programs. “This new structure is rooted in our relationships with our 50 community partners – residences, day programs, schools and retirement homes.

Smith, a visual artist, oversees partnerships for studio programs in CATA’s new Arts Center (at Jennifer Commons), with two large studios and a smaller studio space. Gagnon, a visual artist who began working with CATA as a college intern, leads school programs, which have nearly doubled in recent years. Galvin’s role is to lead CATA’s programs in partnership with day programs and community organizations; she will also lead performances showcasing the talents of CATA artists, including the annual gala.

“This is an important time for us as an organization to develop infrastructure and invest in our people,” Keller says. “There are so many changes going on in our community and in the world, it’s our job to always listen and reassess what needs to happen next to allow us to move forward.”

As such, CATA plans to offer new workshops, new art forms and new pilot projects as well as adding three new staff positions.

“The countless workshops we offer are all designed to be supported rather than one-off opportunities for our CATA artists, helping them to dig deeper, experiment with new techniques and discover talent in many different genres and art forms. “, emphasizes Keller.

Program partners typically contribute 25% of program costs; the remaining 75% comes from donations.

Scale up – and expand – during a pandemic

“Covid has turned everyone’s life upside down, but I don’t think people have given enough time and attention to how isolated people with disabilities are,” Keller says. Close conversation with CATA’s partners, artists and families during these early days and months of the pandemic was an important call to action, further underscoring the need for new programs and triggering much of the growth. recent from CATA.

CATA partners have responded heroically, Keller says, with direct care staff in particular stepping up to keep people safe. “We needed a lot of technology to deliver services, but we trained, learned and experimented and were quickly able to run virtual classes on Zoom and other platforms.” While many nonprofits furloughed staff and cut programs during the peak period of March to August 2020, CATA has grown, offering 450 completely free programs.

How the nonprofit was able to do this and build a beautiful, fully accessible arts center in Great Barrington is a tribute to the supportive community here in the Berkshires, which generously stepped up in response to an urgent request in May 2020 “It was a powerful and defining moment for all of our careers,” Keller says. “We believe in the power of the arts, but realized the importance of everyday human connection in a new way. It was so vital for our artists to be creative and keep discovering, especially in such a dark time.

CATA artist Pat Butler (of the BCArc Nu-Opps Brain Injury Program) in CATA’s new visual art studio in Great Barrington with the papier-mache mask she created at a recent workshop. Photo courtesy of CATA

[photo/CATA artist with artwork: CATA artist Pat Butler (from BCArc Nu-Opps Brain Injury Program) in CATA’s new visual art studio in Great Barrington with the paper mache mask she created in a recent workshop. Photo courtesy of CATA]

Keller credits their resilience and resurgence to CATA’s dedicated staff, board, partner organizations and donors. “This kind of community support makes us unique – they are all financially invested in our work, which is ultimately an investment in inclusion.”

Before the pandemic, about 75-85% of CATA’s revenue came from donations and grants. This support has now increased to 90%.

Facing critical challenges in planning for the future

For Keller, addressing equity and inclusion is the top priority – and she points to CATA’s partnership with Multicultural BRIDGE (Berkshire Resources for Integration of Diverse Groups through Education) as a way to learn what inclusion looks like and inclusive leadership.

Quoting original CATA founder Sandy Newman, Keller admits, “We’ve worked hard to make everyone feel welcome and included, but there’s still work to be done to create a truly inclusive and equitable community. This development is essential to our growth and our strategic planning for the future.

For more information, visit https://cataarts.org.

‘Rent’ and ‘Spamalot’ slated for Stratford’s 2023 season

“Rent,” the Pulitzer Prize-winning rock musical that changed the face of Broadway when it premiered more than a quarter century ago, will be part of the 2023 Stratford Festival season, the Star has learned.

The new production of Jonathan Larson’s magnum opus, set to play at the 1,800-seat Festival Theatre, will arguably be one of the biggest since the musical closed on Broadway in 2008 after a 12-year run.

“Spamalot” is set to be the second musical of the 2023 season. The musical adaptation of the 1975 film “Monty Python and the Holy Grail” is a holdover from the Festival’s 2020 season, which was canceled due to the pandemic.

“We plan to produce “Rent” and “Spamalot”. However, we are still in negotiations with the rights holders and the creative teams,” confirmed Ann Swerdfager, the festival’s publicity director, in a statement to the Star.

“Rent,” loosely based on Giacomo Puccini’s 1896 opera “La Bohème,” follows a group of young bohemians as they navigate New York’s East Village during the AIDS crisis.

The musical’s 1996 off-Broadway premiere was overshadowed by Larson’s sudden death at the age of 35. audiences and paving the way for daring works like “Next to Normal” and “Hamilton” by Lin-Manuel Miranda.

The Stratford Festival production will be directed by Broadway veteran Thom Allison, a source close to the production told The Star. The 2023 production is something of a homecoming for Allison, who was a member of the original Canadian company of “Rent” which started in Toronto in 1997, before touring Ottawa and Vancouver. He also performed in a regional production of the musical in 2010 in Winnipeg.

“I’m thrilled to hear that Stratford will produce ‘Rent’ in 2023,” said Jeffrey Seller, the Broadway musical’s original producer. (The seller is not involved in this production.)

“When I was a drama teacher at Camp Tamarack in Michigan in the early 80’s, I took my campers to Stratford every summer to see their ingenious productions of Gilbert & Sullivan’s operettas – ‘The Gondoliers’, ‘The Mikado ‘and’ HMS Pinafore.’ I remember each of them very well.

‘Spamalot’, which tells the story of King Arthur’s journey to find the Holy Grail, premiered on Broadway in 2005 and won the Tony Award for Best Musical.

Award-winning director, writer, lyricist and actor Lezlie Wade was due to direct the 2020 Stratford Festival production at the Avon Theatre.

“Spamalot” is the second musical of the canceled pandemic season that has since been picked up in a later season. “Chicago,” also announced for 2020, is currently running at the festival. The third musical, “Here’s What It Takes”, with music by former Barenaked Ladies frontman Steven Page, has yet to be produced.

Donna Feore, the festival’s star director and choreographer of musicals, who has overseen a string of hits including ‘Guys and Dolls’, ‘The Rocky Horror Show’ and ‘Chicago’ this season, will not be returning to the Festival next year for pursuing big projects in the United States, as the Star reports. Next year will mark the first season since 2011 – not counting the pandemic – Feore has not led a show at the festival.

The festival is expected to officially announce the full lineup of productions for its 71st season in the coming weeks. The current season runs until October.

With files by Karen Fricker


Conversations are opinions of our readers and are subject to the Code of conduct. The Star does not share these opinions.

Worldwide Express Expands Its Presence in NASCAR and Becomes an Official Logistics Partner

Launch of Worldwide Express 250 for Carrier Appreciation Race Day with announcement

DAYTONA BEACH, Florida., August 13, 2022 /PRNewswire/ — NASCAR today announced a new multi-year partnership with leading full-service logistics partner Worldwide Express, naming the company the “Official Logistics Partner of NASCAR.” The news comes on the morning of Worldwide Express’s qualifying race, the Worldwide Express 250 for Carrier Appreciation at Richmond Raceway.

Since becoming a major team sponsor earlier this year, Worldwide Express has expanded its presence in NASCAR, becoming the authorized sponsor of this weekend’s announced NASCAR Camping World Truck Series race. earlier this summer. In addition to the official NASCAR partnership, Worldwide Express has also been named the “Official Logistics Partner of Richmond Raceway.”

“As a full-service logistics provider, Worldwide Express knows the amount of hard work and dedication that our teams, circuits and employees put into every race weekend,” said Daryl Wolfe, executive vice president and chief revenue officer at NASCAR. “Our sport is always on the move, so we’re thrilled to welcome a company like Worldwide Express who knows what it takes to deliver a winning race weekend for our fans.”

Worldwide Express and its sister brands, GlobalTranz and Unishippers, began partnerships earlier this year with NASCAR Trackhouse Racing and Niece Motorsports, with the company serving as title sponsor for both teams.

“We are extremely excited to build on our successful involvement with NASCAR at the team and race level to now serve as the official logistics partner for NASCAR as well as Richmond Raceway,” said Worldwide Express President. Rob Rose. “We are uniquely positioned to help manage the logistical complexity that NASCAR and its teams must navigate each week to stage and compete in world-class racing. We look forward to partnering with NASCAR to deliver exhilarating race weekends. over the next few years.”

Founded in 1992, the Worldwide Express family of brands has grown into a leading full-service logistics provider and the second largest private freight broker in North America, with customers ranging from SMBs to the Fortune 100. More than 115,000 shippers benefit from increased visibility and efficiency for their supply chains thanks to the company’s market-leading solutions for parcel shipping, less than full truck loads (LTL) and managed transport. services, which rely on proprietary technology, unique data assets and business intelligence capabilities. To learn more about Worldwide Express, visit wwex.com and for more information about Worldwide Express Racing, visit www.wwexracing.com.

The National Association for Stock Car Auto Racing, LLC (NASCAR) is the sanctioning body for the #1 form of motorsport in United States and owner of 16 of the nation’s leading motorsports entertainment facilities. NASCAR includes three national series (NASCAR Cup Series™, NASCAR Xfinity Series™ and NASCAR Camping World Truck Series™), four regional series (ARCA Menards Series™, ARCA Menards Series East & West and NASCAR Whelen Modified Tour™), a popular series local (NASCAR Advance Auto Parts Weekly Series™) and three international series (NASCAR Pinty’s Series™, NASCAR Mexico Series™, NASCAR Whelen Euro Series™). The International Motor Sports Association™ (IMSA®) governs the IMSA WeatherTech SportsCar Championship™, the premier sports car series in the United States. NASCAR also owns Motor Racing Network, Racing Electronics and ONE DAYTONA. Situated at Daytona Beach, Floridawith offices in eight cities across North AmericaNASCAR sanctions over 1,200 races in more than 30 US states, Canada, Mexico and Europe. For more information, visit www.NASCAR.com and www.imsa.comand follow NASCAR on Facebook, Twitter, Instagram and Snapchat (“NASCAR”).

About Worldwide Express
Worldwide Express, LLC is a full-service, non-asset-based logistics provider providing more than 115,000 customers with access to industry-leading small parcel, truckload and LTL shipping solutions. ‘industry. With a system-wide annual income approaching $5 billion Through a network of company-owned locations, franchises and agents, Worldwide Express, combined with its sister brands GlobalTranz and Unishippers, is the second largest private freight broker in the country. As the largest non-commercial inverter® An authorized reseller in the United States, the company is a local partner in global supply chains for shippers of all sizes, from small and medium-sized businesses to large enterprises. This, coupled with a selective portfolio of over 65 LTL and tens of thousands of truckload carriers, offers customers an unparalleled range of options and flexibility to meet their shipping needs. To learn more, visit www.wwex.com.

SOURCE Worldwide Express

Documents show how Trump landed at Lincoln Memorial for Fox News event

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In the spring of 2020, National Park Service staff prepared for an event President Donald Trump was hosting with Fox News to address the incipient covid-19 pandemic from the steps of the Lincoln Memorial, site of historic protests and inaugural concerts. .

But, first, they had to inform Trump of the plans.

“As of now, we are looking at an event at Lincoln Base approximately 6:00-8:00 p.m. Sunday evening. No in-room event. Will see if this holds up once POTUS is notified later today,” Jeff wrote. Reinbold, park service superintendent for the National Mall and Memorial Parks, in an April 28, 2020 email to other agency officials.

From the next morning, the virtual “town hall” was no longer to be held at the base, the documents show. Trump’s two-hour encounter with Fox News anchors would take place inside the main chamber of the memorial, on the landing in the shade of the marble statue of a seated Lincoln. With the exception of an annual Lincoln anniversary tribute, federal regulations prohibit events from being held in this area.

The email is among hundreds of pages of recently released government documents that help shed light on how officials from multiple government agencies worked to stage the event at the Lincoln, one of many norm-defying moments of the presidency. Trump. They show that the Park Service provided security personnel at a cost of nearly $150,000 and that a US Secret Service official apologized to his colleagues for the planning process, calling it “$# !t show”.

After the event, officials noted that the memorial itself – then 98 years old – suffered scratches and nicks in its pink marble floor, according to a final memorandum.

Ultimately, Trump-appointed Interior Secretary David Bernhardt relaxed the rules, saying the venue was appropriate, given the president’s need to communicate with the American people during a “serious time of national crisis.” “. This discovery has already been reported.

Mara Verheyden-Hilliard, executive director of the Partnership for Civil Justice, a progressive group that acquired the documents through a public records request, said she believed Bernhardt exceeded her authority and allowed Trump to use “the Lincoln Memorial as a backdrop. ”

“They’re trying to find a way, it seems, to give him the room when there’s no legal way to give him the room,” she said.

Verheyden-Hilliard’s group often advocates on behalf of those seeking access to public spaces, urging the government to properly license free speech activities and demonstrations along Pennsylvania Avenue and elsewhere.

Mike Litterst, a Park Service spokesman, did not respond to specific questions from The Washington Post. He said in a statement that the agency monitors activity associated with the town hall, as it does for any event not sponsored by the Park Service.

A Secret Service spokesman declined to comment. A Trump spokesperson did not respond to requests for comment.

Bernhardt said in an interview that he stood by the decision and that government lawyers had approved it. At the time, federal officials and the nation were in the early stages of learning just how deadly and transmissible the novel coronavirus was. Mass business closures enacted weeks earlier had forced layoffs. The unemployment rate had quadrupled.

“I felt it was an important moment for the country,” Bernhardt told the Post.

On May 3, 2020, at the opening of City Hall, Trump saluted Fox anchors Bret Baier and Martha MacCallum, saying, “We’ve never had a better set than this, isn’t it? right?” according to a transcript.

The hosts asked about the criticisms that had already surfaced regarding the use of the memorial as the site of the event.

“What can you criticize? It’s – I don’t think it’s ever been done, what we’re doing tonight here,” Trump said. “And I think that’s great for the American people to see.”

All presidents use national parks as backdrops for photo ops and promotional events, said Kristen Brengel of the National Parks Conservation Association, a nonprofit that works to protect the national park system. For his inauguration in 2009, President Barack Obama held a concert on the steps of the memorial and was photographed in the chamber. Four years later, he gave a speech on the steps as part of a celebration of the 50th anniversary of Reverend Martin Luther King Jr.’s “I have a dream” speech.

But, by locating City Hall inside the memorial, along with Fox News, Brengel said, the Trump administration staged an event in defiance of federal regulations in a space held sacred by many. Americans.

“It was not a national emergency to hold an event inside the Lincoln Memorial,” she said. “It was about commercial use of a park site in the midst of a pandemic.”

On April 28, the day before the event was announced, officials began sharing the first information about it, according to the documents. Reinbold told colleagues it was planned for the memorial front porch and asked a Fox News staffer to apply for the necessary permit.

Reinbold mentioned plans could change after being presented to Trump that day.

United States Park Police and Secret Service security personnel began thinking about short-notice staffing. A Park Police official justified the need for additional officers on weekends by citing an emergency order issued weeks earlier allowing for “mission-critical adjustments” to help the nation respond to the pandemic.

A Secret Service official helping organize the event has apologized for the process. “Sorry, this is such a $#!t show. Will have answers shortly,” wrote the official, whose name is redacted in the documents.

The next day, the event having been moved to the memorial chamber, Fox News wouldn’t need a permit after all, Reinbold wrote. He told his colleagues that it was not in his hands. “They are using the site as a venue and it is in no way a co-sponsored or NPS event,” he wrote on April 29.

Trump and Fox announced that the event would take place four days later, on a Sunday evening.

Fox News began making arrangements. A Fox staffer sent Park Service officials a photo from the 1963 March on Washington, taken from behind the statue of Lincoln looking down at the entrance, which she hoped to replicate.

“We are also looking to make the camera shot in the attached photo,” she wrote on April 30.

An inscription marks the spot where King spoke, 18 steps from the upper level of the memorial.

On May 3, Bernhardt released a “determination dossier,” citing the growing pandemic and the president’s need to communicate with Americans as the reason for authorizing the event. “At this grave time of national crisis, the Memorial is an especially fitting place from which our President can deliver an official message to the American people,” Bernhardt wrote.

Verheyden-Hilliard rejected the idea of ​​the Home Secretary having such authority. “All they’re really doing is putting a windowpane on something that’s clearly illegal,” she said.

In response to questions from The Post, Fox News Media said in a statement that the station had been approached by the Trump administration and “agreed to moderate the May 2020 event for the purpose of providing critical information to the American public. “.

“The location of the Lincoln Memorial was proposed by the administration, and Fox News worked directly with the National Park Service to ensure the production followed all protocols for protecting the space,” the company said.

A park memo after the event said the production team had “generally followed pre-agreed requirements”. But he also said: ‘Inside the Lincoln Chamber there are several scratches and nicks on the floor. Photographic documentation taken and forwarded to senior park management.

No photos of the damage were among the released documents. Fox News said it was not aware of any damage. “At no time was the network informed of any damage resulting from the event,” the company said.

Litterst said in the statement that the damage was “dealt with internally by park rangers.”

In correspondence in the days following the event, on how to answer reporters’ questions, Litterst made it clear to his colleagues that he did not want to give the impression that the agency would allow such an event to happen again: ” I think this is a good opportunity to slam the door on anyone who thinks they can make a similar request to do an in-room interview.

Lucerne Festival’s Diversity Impulse Sparks Debate

LUCERNE, Switzerland – The Lucerne Festival here, one of the premier classical music events, has long had a reputation for exclusivity.

For much of the event’s 84-year history, women and people of color struggled to be heard on stage, and the audience remained overwhelmingly white and wealthy.

But this summer, the festival, which officially begins on Friday, is trying to rebuild its image, by programming its season under the sign of diversity: a series of concerts featuring black and Latino artists, as well as women.

“We don’t have to be radical, but we have to be aware,” Michael Haefliger, the festival’s executive and artistic director, said in an interview. “You should have this feeling of shaking the pitch a bit and realizing that you have excluded a certain part of the public for a long time.

This will is part of a larger effort to address serious racial and gender disparities in classical music, an area in which women and people of color are still underrepresented among performers, conductors , composers and administrators.

“This is a big step forward in bringing the issues in our field to light,” said Chi-chi Nwanoku, founder and CEO of Chineke! Orchestra, a British ensemble made up largely of musicians of color which will be presented in Lucerne this year. “Much of the classical music that we are proud of today is inspired by black artists, black musicians and black composers. But we don’t hear that side of the story.

Lucerne leaders hope the focus on diversity will help spark discussions about racism, sexism and exclusion in classical music. They attempted, with mixed success, to capture the public’s attention. A series of conferences related to the theme have been added to the agenda, including a recent one entitled: “Seeing is believing? Black artists in classical music! A marketing campaign features an assortment of chess pieces reinvented for an era of inclusivity: a knight reborn as a purple unicorn, a bishop wearing zebra stripes.

But the festival’s efforts have been met with skepticism by some artists, audience members and commentators, who see the campaign as mere publicity and say it will do little to address systemic disparities in the industry. And others say the festival should focus on art, not social issues.

“This type of public relations can alienate the natural audience of this festival,” said Rodrigo Carrizo Couto, a freelance journalist based in Switzerland. “Why are we doing this? Why are we following some kind of California curriculum?”

Since the 2020 murder of George Floyd and the ensuing wave of Black Lives Matter protests, orchestras have come under pressure to appoint more women and minority artists as music directors; opera companies have been called upon to program more works by forgotten composers; and performing arts organizations have been criticized for not moving quickly enough to recruit leaders of color. Some groups have been exposed for using dark make-up in productions of operas like “Aida”, long after the racist caricatures had disappeared from many stages.

In Lucerne, the debate on equity and inclusion was particularly heated. The festival’s board of directors is made up mostly of white men. His orchestra includes 81 men and 31 women; only two musicians represent minority ethnic groups.

Haefliger said he started thinking before the pandemic about ways the festival could use its platform to shed light on issues of racism and sexism in the industry – inspired by the 2016 festival theme, “PrimaDonna”, which featured female conductors. He said he wanted to “break the ice” around discussions of race and gender.

“We are not a political organization,” he said. “But in a way, culture is also a social responsibility, and we are part of society.”

The idea of ​​dedicating the festival this year to diversity quickly caused a setback in Switzerland.

Der Bund, a German-language newspaper in nearby Bern, published an article calling the theme “an affront”, saying that while it seemed well-intentioned, it could have the effect of giving guest artists the impression that they were only invited because of their skin color. .

Although this year’s festival, which runs until mid-September, will feature regulars like the Vienna Philharmonic Orchestra and the Berlin Philharmonic Orchestra, there are plenty of newcomers. All of the soloists making their debuts this year, including trumpeter Aaron Akugbo, violinist Randall Goosby and pianist Mishka Rushdie Momen, are people of color. Several renowned artists of color will also be in attendance, including cellist Sheku Kanneh-Mason, sopranos Golda Schultz and Angel Blue, and composer Tyshawn Sorey. As part of the pre-festival lineup, Ilumina, an ensemble of young South American musicians, performed works by Schubert, Bach, Villa-Lobos and others.

Particular emphasis will be placed on the music of black composers; 16 will be presented during the festival. During the red carpet opening on Friday, violinist Anne-Sophie Mutter, who is also part of the Lucerne board, performed a concerto by Joseph Boulogne, a black composer born in the 18th century.

Some musicians have expressed satisfaction that Lucerne leaders are tackling representational issues head-on. Still, they said it was too early to judge the success of the effort and that the festival could demonstrate its sincerity by inviting performers and composers of color back in the future.

“I don’t believe we should embrace diversity as a buzzword,” said Schultz, who will sing a recital at the festival and appear in a semi-stage production of Gershwin’s “Porgy and Bess.” “I appreciate their willingness to tackle these issues. Someone has to take a risk, and it won’t be perfect.

Gerard Aimontche, a pianist of African and Russian descent who performed ahead of the festival this week, said it was important to make a special effort to feature black and Latino artists, given the lack of diversity on the best stages in the world. Still, he added that he yearned for the day when it would no longer be necessary to use terms like “diversity” at a festival.

“Right now you have to provide a special introduction because otherwise no one would ever know us,” he said. “But hopefully in 50 years it will be different. Even though the whole orchestra is made up of people of color, we’ll just be another orchestra, and people will come like they do to hear any another orchestra.

On Tuesday evening, the main concert hall in Lucerne was filled with the sounds of Chineke! Junior Orchestra, which performed pieces by black composers Samuel Coleridge-Taylor and Stewart Goodyear, as well as a symphony by Tchaikovsky. The auditorium was not full, but the orchestra was warmly welcomed, with whistles and cries of “Bravo!” »

During the rehearsal, Venezuelan conductor Glass Marcano, who was conducting the concert, told the orchestra musicians that performing in Lucerne was a special occasion. She took selfies with the orchestra and assured the musicians that they would be up to it.

In an interview, Marcano said that classical music would only thrive if it welcomed a wide range of voices.

“We present classical music in all its richness and diversity,” she said. “From now on, this should be considered normal.”

Indian incentive; Korea Management – Deadline

Welcome to another edition of International Insider. This week you have me, Jesse Whittock, telling you the great stories from beyond America’s shores.

Indian incentive

Draw them into: Indian television production is one of the big developing international narratives of 2022, and the country is desperate to attract more foreign actors to its shores in the wake of a difficult pandemic. Our Asia Editor, Liz Shackleton, looked at a new 30% cashback that the country’s Ministry of Information and Broadcasting has rolled out in recent months. Here’s the science part: the incentive will reimburse up to 30% of eligible expenses up to around INR 20 million ($260,000). An additional 5% (INR 5 million/$65,000) is available for productions with larger Indian crews. To be eligible, productions must obtain I&B approval and spend a minimum of INR 25 million ($325,000). There are several other caveats, but Liz explains it better than me, so read more here. Sources say the (relatively moderate) incentive will come in handy for independent projects looking for the final financial piece of the jigsaw. As is often the case, nothing is completely straightforward in India and several points are still unclear – including how each project is assessed, how long reimbursement and script approvals will take, as well as the daily logistical problems for international productions. But make no mistake: India is going international and you’ll be seeing a lot more of this beautiful country on the big and small screen very soon.

Also in Asia: Liz reported on the 29 projects selected for this year’s Asian Project Market (AMP) at the Busan International Film Festival. New works from Thai Aditya Assarat, Chinese Wang Qi, Vietnamese Le Bao and Myanmar’s Maung Sun, whose producing partner Ma Aeint is currently in prison, sentenced to three years of hard labor by the country’s hardline military junta. Ma Aeint is still attached as a producer on Maung Sun’s project Future Laoban and we will wait to see how things develop. For a full list of APM selections, click here.

Under Korean management

Soyoung Lee

From ‘Squid Game’ to super-agent: Soyoung Lee is a South Korean talent agent you need on your radar. Founder of one of the biggest agencies in the country, Saram Entertainment, she is the face of the company which represents squid game Apple TV+ star Hoyeon, Kinha Kim Pachinko and Oscar nominee Yeri Han minari. Like Netflix squid game has conquered the entertainment world, and its biggest stars are signing with major US agencies, Soyoung quietly tends to the interests of its voluminous book of Korean stars. Unlike losing her clients to rivals in the United States, she told Max in an extensive interview that she even thinks the explosion of Korean TV means she could eventually find American actors working in his country. What a truly intriguing turnaround for TV and film that would be. With Paramount Global’s Chief Honcho, Bob Bakish, recently designating Korea as a key territory for Paramount+, and content budgets in the country have grown significantly, we’ll be watching developments closely.

On site in Locarno

Matt Dillon

In the “TGV”: Let’s move on to Zac Ntim, who wrote this missive after a trip to the fashionable film festival in Switzerland. Locarno drew big crowds and big stars for its 75th edition, which kicked off last week with a lengthy opening ceremony followed by the international premiere of the action comedy festival High-speed train. The crowded opening night took place in Locarno’s famous Piazza Grande square and was a return to form for the festival after a full cancellation in 2020 and a slimmed down version last year. Despite mixed critical response, High-speed train was well received by festival-goers, who gave the film a warm applause as it was introduced by a surprise video call from star Brad Pitt.

Awards Season: Although Pitt didn’t make it to Locarno in person, his co-star Aaron Taylor-Johnson did drop by the Piazza, where he received the festival’s Davide Campari Excellence Award. Shows what just showing up can do for you. In fact, Taylor-Johnson was the first of several high-profile names to land at the festival to receive awards, with Jason Blum, Daisy Edgar-Jones and Matt Dillon taking home the festival award for lifetime achievement. accomplishments, an honor which he told Deadline comes with a comedic balance of positives and negatives. “I’m too young,” he joked. “But I’m doing this because I hope there’s a director here who says, ‘Good job,’ because I’m only as good as the directors I work with.” The festival has yet to award any prizes for its official competition section, but German filmmaker Lukas Nathrath took home the top prize in the First Look sidebar for unfinished projects with a feature debut. one last evening. The award comes with €50,000 ($51,500) in post-production services from Swiss and German production house Cinegrell. The festival ends on Monday. For more information about Locarno, read here.

Depp Impact

Johnny Depp in Jeanne du Barry

Johnny is Louis: Johnny Depp finally made a headline this week that had absolutely nothing to do with his ongoing court drama. Melanie got this big scoop as she unveiled a first look at Depp as France’s King Louis XV in director Maïwenn’s historic love story Jeanne du Barry. Predictably, social media exploded when news of the image, which shows a side profile of a heavily made-up Depp, spread like wildfire. Production company Why Not also confirmed that filming for the film began quietly on July 26, with the resulting feature marking Depp’s first film role in three years and coming shortly after winning his savage libel lawsuit. , rambunctious and often disturbing against ex-wife Amber Heard. Read Mel’s full story here.

Racism runs rampant in UK TV and film


Damning report: In Britain, there is a lot of talk about how the film and television industry can eradicate – or at least begin to genuinely combat – racism. Sadly, many believe these words are rarely matched by action and a Bectu survey published this week found that 61% of ethnic minority respondents experienced racism at work. Similar numbers had witnessed racism and/or said it had impacted career progression. Systems for reporting racist incidents proved totally ineffective and there was a crushing lack of confidence in the ability of broadcasters and unions to deal with complaints. Really depressing stuff. “It is now the job of industry leaders to listen to our demands and formulate a racism reporting body,” said Philippa Childs, head of Bectu. “It’s not too late to tackle racism in broadcasting, and we’ll keep the pressure on until we see real progress.” With the Edinburgh TV Festival fast approaching, now is the time for action. Read on to find out more.

Lars Von Trier’s diagnosis

Director Lars Von Trier poses for photographers as he arrives at the premiere of the film ‘The House That Jack Built’ at the 71st international film festival, Cannes, southern France, Monday May 14, 2018. (Photo by Vianney The Caer/Invision/PA)

” In good spirits ” : Sad news as longtime Lars Von Trier producer Louise Vesth has revealed the Oscar-nominated director and Cannes Palme d’Or winner has Parkinson’s disease. The diagnosis was made public ‘to avoid speculation’ ahead of the premiere of Von Trier’s next series Exodus from the Kingdom, which was unveiled as a selection from the TIFF Primetime program on Wednesday. Von Trier will continue to work on the show and Vesth said the Dane was “in good spirits and being treated for his symptoms”. Deadline wishes him good luck.

The essentials

Cary Grant and Jason Isaacs

🌶️ Hot : Jason Isaacs (Harry Potter) will portray Hollywood royalty Cary Grant in a dramatic biopic for ITV and BritBox International, Max wrote on Monday.

🌶️ Another: Baz scored a scoop by revealing 61st Street star Tosin Cole landed the lead in the blue story the Netflix series from creator Rapman Supacell.

🌶️ A third : Season two of Capturinguh, captured the coveted August holiday slot on BBC One in the UK, previously occupied by ratings hits Bodyguard and Vigil.

🧑‍💼 New Job: Former Bron Studios head David Davoli joins Anonymous Content as president of International. Andreas broke this one.

🎤Address: British news broadcasting heavyweight Emily Maitlis will deliver the influential James MacTaggart Memorial Lecture at the Edinburgh Television Festival later this month.

🤝 Deal concluded: Nancy was the first to announce the news Universal International Pictures has reached a deal that will see Majid At Fattaim Distribution release its films in Saudi Arabia and other GCC countries.

🏆 Latest rewards: Park Chan-wook’s Decision to leave will represent Korea in next year’s International Feature Film category at the Oscars, a first opportunity for the acclaimed author.

🏆 Box office: Black comedy about domestic violence by Alia Bhatt darlings got Netflix’s highest global opening for a non-English Indian film, by Caroline Frost.

🇺🇦 Ukraine 1: Max has revealed that Oscar-nominated producer Den Tolmor is creating a feature film based on a Canadian “lone wolf” sniper who fought the Russians during the first months of the invasion, tentatively titled The good fight.

🇺🇦 Ukraine 2: A series of anthologies documenting the early days of the Russian invasion, Those who stayedis forthcoming from Red Arrow International Studios and FILM.UA.

🇺🇦 Ukraine 3: I reported that the Organization of Ukrainian Producers has completed filming its latest film inside the war-torn country, in the form of a doc Mariupol. Hope not lost.

Max Goldbart and Zac Ntim contributed to this week’s International Insider

Stocks close mixed after further signs of slowing inflation

By STAN CHOE and ALEX VEIGA, AP Business Writers

NEW YORK (AP) — An afternoon pullback left Wall Street stock indexes mixed, wiping out most of their morning gains fueled by another encouraging inflation report. The S&P 500 closed down 0.1% on Thursday. The Nasdaq also fell, while the Dow Jones Industrial Average rose slightly. Investors weighed new data showing that wholesale inflation slowed more than economists expected in July. This bolstered hopes that inflation could be close to a peak and that the Federal Reserve will be less aggressive than expected in raising interest rates. Stocks pared their gains after Treasury yields rose. The Walt Disney Co. rallied after reporting stronger-than-expected quarterly results.

THIS IS A BREAKING NEWS UPDATE. AP’s earlier history appears below.

Wall Street stock indexes turned mixed late Thursday afternoon, losing some of their early gains on more encouraging inflation data.

The S&P 500 fell 0.1%. The benchmark was up 1.1% at the start after a report showed inflation at the wholesale level had slowed more than economists expected. The report bolstered investor hopes that inflation could be close to a peak and that the Federal Reserve will be less aggressive than expected in raising interest rates.

political cartoons

The market is coming off a strong rally on Wednesday, when relief swept through the markets after a colder-than-expected reading on consumer-level inflation.

The Dow Jones Industrial Average rose 10 points, or less than 0.1%, to 33,323 as of 3:28 p.m. EST, and the Nasdaq composite was down 0.6%. All indices rose further in the morning but pared their gains after Treasury yields rose.

Inflation is still painfully high, of course, and the economy gave false signals before relief was on the way, but the rug has been pulled out of lower investors. Some Fed officials also made comments after Wednesday’s inflation report, suggesting their battle against rising prices is far from over. But enough hope for a spike in inflation and the Fed’s aggressiveness piled up that the S&P 500 had roughly halved its losses from the start of the year, and it rose more than 15 % from its mid-June low.

Tech stocks and other investments hardest hit early in the year by the Fed’s aggressive rate hikes were among the strongest, and the Nasdaq climbed more than 20% from its June low.

Thursday’s encouraging signal on inflation helped fuel a broad-based rally that faded in the afternoon, with declines in health care and technology stocks offsetting gains from energy companies, banks and others .

The Walt Disney Co. jumped 4.5% after the entertainment company reported higher earnings for its latest quarter than analysts expected. It cited strong performance at its US theme parks and announced price increases for its streaming services.

Companies whose earnings depend most on a strong economy have generally held up better. Energy stocks as a group rose 3.4% for the biggest gain among the 11 sectors that make up the S&P 500. They benefited from higher oil and natural gas prices. Shares of commodity producers in the index gained 0.5% and financial companies rose 1%.

Concerns about a possible recession still loom in the market, as the Federal Reserve continues to raise interest rates to fight inflation. Such increases are purposely slowing the economy, and parts of the economy have already weakened under their weight, particularly the housing industry. But a resilient labor market provided a strong counterbalance, leading to a confused outlook for the economy.

A report on Thursday showed fewer American workers filed unemployment claims last week than expected, a potentially encouraging sign regarding layoffs. But it was nonetheless the highest number since November.

Traders are now betting on the Fed to raise overnight interest rates by half a percentage point at its meeting next month. That’s down from the 0.75 percentage point rise they were forecasting ahead of Wednesday’s stun of a consumer inflation report.

The Fed’s last two hikes were 0.75 points, an acceleration from its previous two hikes of the year as the central bank intensified its fight against high inflation. Even if the Fed manages to slow the economy enough to eradicate inflation without causing a recession, higher interest rates drive down the prices of all types of investments.

Treasury yields were mixed on Thursday, after paring earlier losses. The 10-year yield rose to 2.88% from 2.79% on Wednesday evening.

It is still lower than the two-year yield, which stands at 3.20%. It’s a relatively unusual event that some investors consider a fairly reliable signal of an impending recession, although the gap between the two has narrowed somewhat.

In overseas markets, European stocks ended mixed, while Asian indices were mostly higher.

In Thailand, the SET fell 0.2% after the country’s central bank raised its benchmark interest rate by 0.25 percentage points to 0.75% a day earlier. The Southeast Asian country’s economy has been hit hard by the pandemic, which has ravaged its all-important tourism sector.

AP Business Writer Elaine Kurtenbach contributed. Veiga reported from Los Angeles.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

The “sweetest” event in Istria should take place again

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    Food & Wine

(Photo: Sweet Istria)

The Sweet Istria (Slatka Istra) festival is held annually on the eve of Assumption Day, August 14, in the center of the Istrian village of Vižinada.

After a two-year break, this year will be the 24th anniversary of the event that celebrates the sweet culinary tradition of Istria and brings you its scents and flavors and takes you back to ancient times when artisans and women of Istria prepared traditional Istrian sweets.

The event validates the past and its customs, the landscape and its inhabitants. This event brings together housewives and housewives who prepare sweets according to old recipes, such as fritule, kroštule, cukerančić, paštine, pandešpanj, pinca, breskvice, bucolaj and povice, as well as a special selection of homemade cakes called “istarske užance”.

The event most

(Photo: Sweet Istria)

They will be presented during an exhibition in the hall of the school, where they will be evaluated by a jury of experts, and the best will be rewarded.

The event most

(Photo: Sweet Istria)

In addition to the exhibition, an excellent entertainment program has been prepared as well as a high-end eno-gastro offer, a football match, tastings of wine, oil and local products from the Vižinada region , a presentation of the traditional Istrian cake at Maraston House and , at the end of the evening, a concert by the Replay Band and the Vigor Group.

The festival continues in Vižinada on the second day, August 15, with the celebration of the traditional folk festival of St. Mary Vela. Concerts by the ZT Vižinada – Banda d’ottoni Visinada brass band and the KUD “Istarski želježničar” Roč brass band at 8 p.m., while at 9 p.m. the Malvazija brass band and the Mambo kings will entertain.

The event, which begins at 6 p.m., is free.

The event most

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The Spark Scholarship gives a John Glenn graduate the opportunity to shine

Winning a performing arts scholarship in high school helped Kaden Furtaw gain confidence for the college application process.

A year after receiving $1,000 through the Spark arts mentorship program, Furtaw is set to attend Saginaw Valley State University while working part-time as a music class teaching assistant at Bay City Academy. .

Furtaw says the scholarship was key to his confidence when applying to colleges. He encourages others to take advantage of the opportunity.

While Korie Lee Blossey sang, Ryan VanDenBoom tap danced during the Downtown Shuffle Around on September 12.The Spark Fellowship, which kicked off in 2020, is hosting its third annual tap dance fundraiser on Saturday, August 27. Ryan VanDenBoom, one of the scholarship program’s founders, a graduate of Bay City Central High School and a Broadway performer, leads the classes. Registrations are requested.

Fundraising is for the one-time scholarship that provides performing arts training to Black, Indigenous, and students of color in the Great Lakes Bay Area.

Furtaw, who was one of two 2021-22 winners, chose monologue, dance and vocal training. The other 2021-22 recipient was Alexus Yorch.

“It was an amazing process. Really fun. I learned a ton of things from it,” says Furtaw.

Kaden Furtaw recently played Troy Bolton in a performance of “High School Musical” at the Midland Center for the Arts (Photo courtesy of Midland Center for the Arts)During monologue training, he learned how to present himself effectively, pick up tips on etiquette, and grab the audience’s attention. The lessons also emphasized the importance of not rushing and maintaining eye contact.

As a veteran of local shows, Furtaw knew his dancing skills needed help. He then chose to study dance.

“I wasn’t a dancer,” Furtaw said. “I didn’t know anything about dancing. I didn’t know any of the terms. I struggled a lot with that.

During auditions, when asked to perform a specific move, Furtaw would stop to see what others were doing and then imitate their moves. This is no longer a problem.

“After going through the dance training, I can definitely say that I feel comfortable auditioning and knowing the terms people tell me to do,” Furtaw says. “It was just such a good learning experience for that.”

Image courtesy of Spark Art Mentorship Program Finally, he took voice lessons with Dr. Matt Travis, a Bay City native and Senior Director of Art Planning at the Midland Center for the Arts. Travis led the classes, but also helped Furtaw with the shows he appeared on last year and with college auditions.

Help paid off. Later this month, Furtaw will begin studying education and acting at SVSU. He will also work as a teaching assistant and assistant director for the Bay City Academy shows. He is also Assistant Stage Manager for “Rent”, which has its last performances this weekend. Tickets are available online.

Furtaw is confident that he will be involved in theater for the rest of his life.

I don’t care what I do, where I am or how long it takes. Right at the end of the day, if I’m around or at the theater somehow, that would make me happy.

Her experience has been so positive that when her sister, Jecara Williams, asked her if she should apply for the 2022-23 program, he was happy to encourage her.

On Saturday, August 27, VanDenBoom will present classic steps in a way that dancers of all skill levels can relate to. (Photo credit: Ben Tierney)“I said, ‘Jecara, it’s been one of the best experiences I’ve ever had. I’ve learned so much, created so many great relationships, and they’re great people too. I’ve say yes, Jecara, go ahead.”

Jecara, who begins eighth grade this fall at Bay City Academy, is one of four recipients of the 2022-23 scholarship. The other recipients are: Deacon Hayward, Myah Shelton and Zoe Whitlock.

South Africa to charge 14 minors with raping 8 women

JOHANNESBURG (AP) — South African prosecutors have charged seven independent minors with the rape of eight women nearly two weeks ago in Krugersdorp, west of Johannesburg.

Seven other men are to be charged with rape on Thursday, officials said.

The rapes of the women – who were part of a film production crew shooting a music video at an abandoned mine in the area – have sparked protests and violent attacks against independent miners, known as zama-zamas.

Residents accuse the miners of operating illegally and committing many other crimes in their neighborhoods.

Following the rapes, angry locals went on a rampage, assaulting the miners before handing them over to the police and burning down the camps where they lived, their belongings and their mining tools. Protests broke out in and around Krugersdorp, including Kagiso, Bekkersdal and Mohlakeng.

The 14 suspects were identified by witnesses on Tuesday, according to the National Prosecutor’s Office. More than 80 suspects have been arrested in a police raid on a disused mine in Krugersdorp after reports of rapes and robberies emerged.

Seven of the suspects were charged at Krugersdorp Magistrates’ Court on Wednesday with multiple counts of rape, sexual assault and robbery. The other seven will appear in court on Thursday, officials said. Those who will be charged on Thursday were in another court on Wednesday where they were charged with being in South Africa illegally.

“We cannot rule out the possibility that more people will be charged and added to the docket as investigations continue. We will be led by the direction the investigation takes,” National Prosecuting Authority spokeswoman Phindi Mjonondwane told the court.

Illegal mining is rampant in many parts of South Africa, such as Gauteng and Free State provinces, where miners dig for gold deposits in disused and abandoned mine shafts. Miners hold gold illegally and often operate in heavily armed syndicates, according to local reports.

Various community and political organizations protested outside the court where the men appeared on Wednesday, demanding that the suspects be denied bail and that the government address the scourge of gender-based violence in South Africa.

Home loans will cost more as mortgage company HDFC raises lending rates by 25 basis points

Home loans are now more expensive for new and existing customers according to a 25 basis point increase in the benchmark lending rate announced by mortgage lender HDFC Ltd. The price increase has been effective since August 9.

The main housing loan company had raised the lending rate by 25 basis points on August 1, making the recent hike the second for this month.

The world’s largest home finance company said in a statement that it will increase its retail prime rate (RPLR) on home loans by 25 basis points effective August 9, 2022, on which its rate home loans (ARHL) are calibrated.

The move came after the RBI hiked key interest rates by 50 basis points, taking the repo rate to 5.40%, in its latest monetary policy announcement in a bid to contain rising interest rates. price.

Over the past three months, HDFC has implemented a total of six increases. Since May of this year, the rate has risen by a total of 140 basis points.

Rates would increase by 25 basis points for current customers (0.25%). For its loans to current customers, HDFC uses a three-month term. As a result, loans will be updated to a subsidized loan rate based on each customer’s down payment date.

In line with the RBI’s monetary tightening since May, financial institutions are going wild with interest rate hikes.

Hall of Fame Resort & Entertainment Company Unveils Hall of Fantasy League Season 2

CANTON, Ohio–(BUSINESS WIRE)–Hall of Fame Resort & Entertainment Company (“HOFV” or the “Company”) (NASDAQ: HOFV, HOFVW), the only resort, entertainment and media company focused on the power of professional football, is delighted to share details about Season 2 of the Hall of Fantasy League (“HOFL”), the first national fantasy football league available to the millions of fantasy football fans nationwide!

Season 2, featuring the NFL’s all-time greatest rusher Emmitt Smith as commissioner, introduces a new format that combines the two most esteemed elements of fantasy sports – a season-long competition and contests. DFS-style weeklies. HOFL Season 2 is open to anyone 21 or older in the United States, is free to play, and features a cash prize pool totaling $75,000. The Season 2 Live Draft will take place at 4 p.m. ET on Sunday, August 14, 2022. WWE’s The Bump host Matt Camp will host the HOFL live stream event onsite at the Hall of Fame Town. The draft will also air live on Sirius XM Fantasy Sports (ch. 87) and can be viewed on the Hall of Fantasy League YouTube channel.

This season, HOFL has expanded to 12 national franchises – all with General Managers who are leading professional fantasy football experts. Joe Dolanwho served as general manager of the defending champion Atlanta Hot Wings last season, is returning this year, as is Melissa Jacobs (Denver Mile Highs), Josh Hayes (New York Bodega Cats), Jeff Ratcliffe (Philadelphia Powderkegs), Scott Engel (Seattle Haze) and Jeff Mans (Vegas Pocket Kings). New managers for this season include Mark Blook aka “Dr Roto” (Boston Barflies), Stephie Petits (Chicago Hogmollies), Lindsay Rhodes (Green Bay Winter Mist), Marcas Grant (Los Angeles Acolytes), Lawrence Jackson Jr. (New Jersey Council Walkers) and Matt Harmon (Goats of Ohio).

To play, participants sign up and then pledge allegiance to their favorite franchise (“Huddle”), giving them exclusive access to the team’s GM’s insights and advice that they can leverage into their own game. In Week 1 of the NFL season, entrants select players based on eight tiers that they believe are best positioned to be among the top performers in a tier each week – called “legendary rosters.” Points from legendary formations are combined, creating a weekly score, and participants choose new legendary formations each subsequent week. Participants can “double” points when a player from their legendary formations is also part of their clique.

“These unique contest formats provide an experience that allows everyone – regardless of skill level – to participate in a truly innovative, exclusive and exciting community,” said Rob Borm, Executive Vice President of Games for HOFV. “The HOFL experience for fans will be unlike any other existing fantasy league.”

Registration for the HOFL Season Contest will be open until September 8, 2022, but participants can still play in the weekly format throughout the HOFL season. More information on the league’s rules and terms and conditions can be found at www.theHOFL.com.

About Hall of Fame Resort & Entertainment Company

Hall of Fame Resort & Entertainment Company (NASDAQ: HOFV, HOFVW) is a resort and entertainment company leveraging the power and popularity of professional football and its legendary players in partnership with the Pro Football Hall of Fame. Based in Canton, Ohio, Hall of Fame Resort & Entertainment Company owns Hall of Fame Village powered by Johnson Controls, a multi-purpose sports, entertainment and media destination centered on the Pro Football Hall of Fame campus. Famous. Additional information about the Company is available at www.HOFREco.com.

About Hall of Fantasy League

Hall of Fantasy League (HOFL) is the only national fantasy football league with no barriers to entry that has disrupted the way fantasy sports are played. The HOFL combines both season-long and week-to-week fantasy components, allowing participants to be part of a team community while allowing them to make their own decisions. The league comprises 12 national franchises – all of which are managed by professional fantasy football experts – and participants pledge allegiance to one of them when registering, giving them exclusive access to the manager’s ideas and advice. this team that they can exploit in their own game. The objective for the participants is twofold: 1) to select the franchise that they believe is best equipped to be crowned champion at the end of the season based on skills and l manager’s experience or rooting personal interests; and 2) pick players based on eight tiers that they think will be the top performers each week to try and rack up the most points after 16 weeks. For more information, visit www.theHOFL.com.

Barenaked Ladies will perform at the Morris | New

SOUTH BEND – The Morris Performing Arts Center has announced that the headliner of Morris 100 Fest will be Barenaked Ladies. The concert will close “Best. Week. Ever”. and Morris 100 Fest on October 1.

Over 33 years, Barenaked Ladies have sold 15 million records worldwide and built an arsenal of hits such as “If I Had $1,000,000”, “One Week”, “Pinch Me” and “The Big Bang Theory Theme”.

In addition to the headliner on Saturday, the free two-day Morris 100 Fest will not only celebrate 100 years of the Morris Performing Arts Center being a staple in our community, but the completion of interior renovations in the first phase of the Morris 100 Fundraising campaign project.

The celebrations will host an entire block filled with two stages featuring a lineup of local and regional artists, a Ferris wheel, games and activities, food trucks, street performers, fireworks and more.

Free outdoor entertainment includes performances by: The Why Store, Blammo, Smash Kings, The 1985, Lalo Cura and Morris partners Southold Dance Theater and South Bend Symphony Orchestra

Barenaked Ladies will perform at 7:30 p.m. on October 1. The Bergamot will open the first concert back in the theater following the exciting completion of the Phase 1 renovations.

Tickets go on sale to the public at 10 a.m. this Friday. To purchase tickets for Barenaked Ladies, visit www.morriscenter.org. To find out more about the festival, visit www.morris100.org.

Inside making of ‘Bluey’ Season 3, coming to the US on Disney+

What makes “Bluey” so special?

The beloved animated preschool show about a 6-year-old Blue Heeler dog named Bluey, his younger sister, Bingo, his mother, Chilli, and his father, Bandit, returns for its highly anticipated third season Wednesday on Disney+.

After launching in Australia in 2018, “Bluey”, which is co-commissioned by the Australian Broadcasting Corporation and BBC Studios, premiered on Disney Junior in September 2019. There are now “Bluey” toys and books “. “Bluey’s Big Game, a stage show, will begin its U.S. tour at Madison Square Garden on November 18. Earlier this year, a life-size Airbnb of the Heeler house was meticulously created in Brisbane. (One lucky family even got to stay the night.) And Lin-Manuel Miranda and Natalie Portman both lend their voices to episodes of the new season.

“It’s been magical five years, really,” says “Bluey” creator Joe Brumm.

Both popular and critically acclaimed, “Bluey” is arguably the best kids’ show currently on television. But what exactly sets it apart from the litany of children’s shows now available to viewers? What’s the secret sauce that makes “Bluey” exceptional?

When you pull back the curtain on the inner workings of the series, the answer becomes clear.

Workshop culture

As production wrapped in April on the show’s third season, The Times received a virtual tour of Ludo Studio in Brisbane, Australia, where the show is being produced from script to screen. The open-concept studio, which features exposed brickwork and wood-beamed ceilings, is dotted with “Bluey” memorabilia. There’s the little red wagon featured in the Season 1 episode “Wagon Ride,” the Airbnb house watermelon rug (the rest was donated), and the original melodica used to compose the “Bluey” theme. The shelves are lined with multiple awards (including the International Emmy Award) and a mammoth production schedule (“a train that doesn’t stop,” says Daley Pearson, executive producer and co-founder of Ludo Studio) is pinned to the wall.

It’s representative of the warm working environment Brumm cultivated on “Bluey,” inspired by his three years previously working on British animated series “Charlie and Lola.” “It was a wonderful atmosphere,” he says. “Great people, great project, great place. I wanted to do a show that was good and successful and fun, but the main thing I wanted was that feeling of return. It was about taking a new generation of animators and making them fall in love with being animators and making them realize that they had chosen very wisely in their careers. Because it’s a magical career.

The majority of Ludo’s staff have been with the show since its inception; many were promoted as the series progressed. “You really have to give the animators, the art directors, the designers the ability to create and put their own work into the show,” says director Richard Jeffery. “When you create that culture, amazing things happen. People can thrive that way.

Each seven-minute episode of “Bluey” takes four months to produce. There are four rotating teams working on an episode, with each team shifted by a week. Every Friday, the entire “Bluey” team comes together to screen episodes that are at various levels of completion. Every 10 episodes, they throw a milestone party, with themes like “superheroes,” “kings and queens,” and “the 80s.”

Lead animator Seb Powell, who leads one of the four animation teams, says these screenings are “vitally important”. “As creative people, you have to see your end product. You have to see what you earn and what your teammates earn,” says Powell. “When you don’t have that, you feel like you’re on a treadmill.”

They all credit Brumm for the tone. “Joe is the most laid-back, unassuming person I’ve ever met,” says Melanie Zanetti, who plays Chilli. “But at the same time, he is very clear in his vision and he also demands excellence. I think when you’re a team of people and you know you’re doing something wonderful, that energy is contagious.

A creative team of children's shows pose on a red carpet with an award.

The “Bluey” team with their 2022 Logie Award for Most Outstanding Children’s Show.

(Ludo Studio)


Neither sweet nor sarcastic, the show’s cohesive tone is perhaps its greatest asset. “Each episode usually starts with something that I notice in my kids’ lives or in the lives of my wife and I that keep coming back,” says Brumm, who writes each episode.

Typically, an episode centers around a game that Bluey and Bingo are playing. “Play is a child’s first draft of life,” says Pearson. “That’s where you learn responsibility and compromise and all that hard and great stuff.”

Bandit and Chilli never seem to get tired of playing with their children. Charlie Aspinwall, executive producer and co-founder of Ludo Studio, says the show is “the perfect representation of patient parenting.” “If you had a perfect world with as much time as you wanted, you might be able to parent that way,” he adds.

The scenarios of the show are intimately linked. Perhaps the most beloved is the Season 2 episode titled “Sleepytime,” which won an international Prix Jeunesse award in June. In the episode, Bingo wants to put “a big girl” to sleep, meaning a sleep where she stays in her bed all night. In seven minutes, “Sleepytime” captures the musical beds that unfold during the night, as well as a nostalgia for growing up.

Surprisingly, Brumm names Dan Harmon’s comedy “Community” as one of his inspirations. “I just copied the way he structured his story,” he says. “It’s interesting how you can condense that into seven minutes. Sometimes your plot points just have to be one-shot.

Brumm counts the Season 2 episode “Bin Night,” where each week Bluey and Bingo help Bandit take out the trash and recycling bins while talking about their lives, among his favorite episodes. “It was written like a musical score,” he says. “I think that sums up what ‘Bluey’ is about: the rhythms of life and how good it is for kids to have those rhythms, young and old.”

“Bluey” also lets parents make mistakes, Zanetti says. “They apologize for what they did, and I just think she’s an amazing model,” she says. “Showing that being vulnerable is actually how you bond. I also love that mom and dad have equal amounts of domestic and emotional work. Bandit, for example, is regularly shown doing the laundry or helping to make the bed.

The show never frequents its young audience. “It doesn’t speak to them. He doesn’t try to teach them things. They learn through experience and play,” says Aspinwall. But he says you need “a bit of a grain in the oyster” to balance out the show’s inherent sweetness. So, for example, you see Bandit plunging the toilet and wondering “What are these kids eating?” in Season 1’s “Grannys.”

“‘Bluey,’ it was just that I was rejecting a lot of other shows and forming a little fence around her,” Brumm says. “I don’t care what’s been done before, because when I watch children’s TV, most of the time I want to turn it off. “

A cartoon dog holding an umbrella in the rain

“Bluey” draws scenarios from intimately relatable experiences. Here, Bluey is trying to use her umbrella to stem the spray of rainwater.

(Ludo Studio)

The look of the show

With animation, everything is intentional – nothing happens, says Pearson. It takes a lot to give a cartoon dog show a sense of authenticity.

The show’s color palette, which producer Sam Moor describes as “a vibrant pastel”, captures the light in Australia. “I wanted ‘Bluey’ to be when you see it, you say ‘Hey, it’s ‘Bluey’,” Brumm explains. “The main thing is that we have the blue and orange from Bluey and Bingo. I think those two colors kind of caught on in Australia.”

The series also has a special effects department. It makes the splashing water in “The Creek,” the falling building blocks in “Daddy Robot,” and the splashing mud in an upcoming Season 3 episode feel real. “We do anything that adds a kind of realism to their world,” says host Nicole Clowes. “We’re the garnish of the show, the sauce on your sundae.”

The sound of the show

As sound designer, Dan Brumm, Joe’s brother, creates the soundscape for the show. “This show is very naturalistic and very organic,” he says. “I try to make everything feel as real as possible so that kids and their parents are kind of immersed in that world.”

No sound is produced. Brumm, who also voices the character Uncle Stripe, travels around Brisbane with his microphone to capture the distinct sounds of children playing on a playground, sliding down a slide or swinging in a swing. For “Wagon Ride”, Brumm borrowed his brother’s little red wagon and recorded as he wheeled his two daughters around. “They make a pretty unmistakable noise,” he says. “I try to put myself and my family in the sounds that I create.”

A family of cartoon dogs in their living room

Bluey and Bingo are playing when they realize mom and dad are cleaning up, so they try to run away until mom freezes them.

(Ludo Studio)

Composer Joff Bush scores each episode, rarely using the same music twice. “During a seven-minute episode, we’ll be talking for hours,” Bush said. “We talk about mythology. We talk a lot about what these stories are about, what perspective we’re going to come from with the characters. I probably spend more time on a seven-minute episode than when I worked on an album. There’s a lot of attention to detail.”

Bush, who plays Busker, is particularly interested in the musical dramaturgy of post-war Japanese cinema. “There is a way to stop your readers,” he laughs. But it uses the same “character seeding” technique popular in this genre. So, for example, if they want to emphasize Chilli’s storyline a bit more in a certain episode, they can seed a musical note played earlier in the episode. “One note could change the whole story,” he says.

All of this will be featured in the highly anticipated third season of the show.

“The theme for the season is, ‘Please don’t let this season be the season where everyone says it wasn’t as good as the season before,'” Brumm laughs. “The theme, as always, is play, and how play can help children grow into adults, helps them grow, helps them reunite a family, eases difficulties… In the end, that’s all that ‘Bluey’ is.”

Student loan bill calls for reform and end to PSLF program as alternative to Biden ‘program’

(NEXSTAR) – As President Biden says he’s gearing up to make a decision on student loans any day, a new bill proposed by Republican lawmakers could upend any measures Biden could take.

Calling it a “responsible alternative to Biden’s general student loan program,” three representatives — House Republican conference chairwoman Elise Stefanik (RN.Y.), Republican education and labor committee leader Virginia Foxx (RN.C.) and Republican Review Committee Chairman Jim Banks (R-Ind.) — introduced a bill last week to reform the nation’s federal student loan system.

“The US student loan system is broken,” lawmakers said in a statement. joint release. “This bill fixes critical flaws in that system, so that higher education institutions no longer have an incentive to impose excessive debt on students for degrees that don’t pay off.”

The Reforms Act for Responsible Educational Assistance through Lending (REAL)or REAL Reforms Act, a five main axes.

Among the notable aspects is the proposed end of the Civil Service Loan Cancellation Program for new borrowers. Commonly referred to as PSLF, the program aims to erase student loan debt from certain public service workers who meet multiple requirements.

Lawmakers are also calling for protection for students, borrowers and taxpayers. They recommend ending the student loan repayment pause, which was originally initiated by former President Donald Trump at the start of the COVID pandemic and has since been extended several times.

The bill would revise the income-contingent repayment (IDR) plan and eliminate interest capitalization that “inflates” a borrower’s loan balance. Loan limits for borrowing and the end of uncapped borrowing for graduate students under the Grad PLUS program are also offered.

The legislation includes targeted student debt relief “for borrowers who need it most.” This includes borrowers who have made payments for several years but “saw their balances explode due to the Democrats’ ill-conceived repayment policies.”

Additionally, it aims to change the way Pell Grants can be used, particularly for “short-term, career-focused programs that provide valuable referrals for in-demand jobs.” The new Workforce Pell grant is expected to be used for programs that allow graduates to progress “rapidly and at a fraction of the cost” of a traditional college bachelor’s degree. Programs deemed less valuable might not have higher tuition fees than the increased income students get from attending.

Justin Draeger, president and CEO of the National Association of Student Financial Aid Administrators, said in a Release that the organization was “pleased to see thoughtful proposals [the House Republicans’] legislation” but was “alarmed” to see the PSLF on the block.

According to NASFAA, this bill incorporates certain aspects of the PROSPER Lawwhich Foxx introduced in 2017.

The Biden administration has proposed changes to the federal student loan system which include measures to discharge the loans of certain borrowers, limit interest capitalization rates and help borrowers working as public servants to obtain a forgiveness on their loans.

Other Democratic lawmakers have recently introduced student loan bills, particularly the PSLF program.

Rep. Joe Courtney (D-Conn.) has proposed legislation that reduce the time it takes to get relief half through the PSLF program. Later, two New Jersey Democratic lawmakers presented a proposal that would make it easier for some civil servants previously ineligible for loan relief under the same program.

While there are a few sign student loan payment break could be extended again, and that some might see debt relief, the Biden administration’s plan remains mostly a mystery. Biden is expected to make a decision before the end of the month.

Hill’s Brad Dress contributed to this report.

Falling ticket sales halve company’s value to $785 billion

The Vue International Cinema chain cut its valuation by around half to around £650m ($785.6m).

The temperature reports that the company is being restructured under a deal that shielded it from a 130 million euro lawsuit in Germany and allowed fresh money to flow into operations. This follows last month’s announcement that Vue’s lenders will take control of the business, replacing former majority owners Alberta Investment Management Corporation and Omers (the two Canadian pension funds).

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Vue had a banner year in 2019, when it was valued at around £2billion, but the chain suffered huge losses in early 2020 as a result of Britain’s Covid lockdown, and later that year -there when studios hesitated to release big budget films like James Bond no time to die in cinemas.

by Christophe Nolan Principlereleased in August 2020, struggled to recoup its $205 million budget, although it recently enjoyed returns of $365.5 million.

This year promises to be brighter, driven by Tom Cruise’s return to fighter piloting in Top Gun: Maverick enjoying a global box office windfall of $1.28 billion so far, although cinema ticket sales are otherwise at 65% of pre-Covid figures – impacted by factors such as Disney’s decision to release titles such as Pixar turn red directly on the Disney+ streaming platform.

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Presented by Reggae Rise Up and Live Nite Events, Dirty Heads returns to the Downtown Las Vegas Event Center on Saturday August 6, with their “Let’s Get It Kraken 2022” tour.

Known for their hits ‘Vacation’ and ‘Lay Me Down’, Huntington Beach natives Dirty Heads bring an immersive experience to the music scene by blending hip-hop, rock and reggae, churning out top-notch SoCal tunes and… contagious grooves. Their latest single, “Life’s Been Good”, is their take on Joe Walsh’s 1978 hit – check it out here. With Grammy-winning SOJA, Tribal Seeds and The Elovaters, locals and tourists alike are invited to experience an evening of reggae fun under the sun with good vibes, good drinks and unparalleled sounds.

Doors open at 6:00 p.m. on Saturday August 6th. The event is for all ages. General admission tickets are on sale now and can be purchased here.

For your convenience, the Downtown Las Vegas Event Center has partnered with the City of Las Vegas to offer plenty of parking options for event-goers at a discounted rate. To purchase parking for Dirty Heads, visit https://dlvec.com/parking

For more information on the Downtown Las Vegas Events Center, visit https://dlvec.com

A well-done “Guess who’s coming to dinner” served at the Riverside | Arts & Theater


After the lighthearted “Nunsense” earlier this summer, Riverside is going for meatier fare with “Guess Who’s Coming to Dinner.”

The local performing arts center brings this beloved melodrama to the main stage in a thoroughly satisfying production, under the wonderful direction of Anita Gonzalez. It’s a powerfully moving and inspiring story about interracial love and family. Todd Kriedler’s adaptation of the iconic film is laced with raw honesty, along with frequent touches of humor, as it navigates the deep and uncomfortable conversations that arise when Joanna Drayton brings home her black fiancé, John Prentice, to meet his parents and get their blessing. . Their union catches everyone off guard, from his liberal parents, to his mother’s horrible assistant Christina, to his family’s longtime housekeeper, not to mention John’s own parents.

While “Guess Who’s Coming to Dinner” sounds dated with its 1967 mentality, its story about race relations still resonates today. Hard to believe it was last month – in 2022 – that the House passed the Respecting Marriage Act, protecting the rights of interracial and same-sex marriages, in a bipartisan 267-157 vote. Come on, love is love, friends.

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The film, featuring a screenplay by William Rose, was groundbreaking in its depiction of an interracial romance between a white woman and a black man at a time when such a marriage could not exist in 17 states. Within a year of its release, the Supreme Court released its landmark decision in Loving v. Virginia involving the Caroline County couple and struck down anti-miscegenation laws.

Full disclosure: I’ve never seen the Stanley Kramer classic starring Sidney Poitier, Katharine Hepburn and Spencer Tracy, and that’s a good thing. It made it more exciting to see how this story unfolds in Riverside, without the constant comparisons to acting legends and the Oscar-winning film itself.

In the staging, the Drayton family’s spacious and inviting living room serves as the main setting for the play. Their well-appointed home, with envious views of San Francisco’s Golden Gate Bridge, was meticulously imagined by set designer Frank Foster and properties master/dresser Destiny Fauntleroy. And retro wardrobe pieces by Kyna Chilcot, lighting by Weston Corey and sound by J. Pat Bragg Jr. complete the atmosphere.

Riverside has recruited an exceptional cast, capable of directing Kriedler’s dense dialogue as well as handling the series’ dramatic and comedic undercurrents. The talents of all nine performers are maximized in this show, and even those late to the party – Crystal Henry Arful-Addoh and Neal Grace-Burks as John’s parents – get time to share their thoughts on the imminent marriage.

Marc D. Lyons makes a memorable Riverside debut as a handsome widowed doctor who has found love again. John is the picture of poise and sensitivity, but when pushed, audiences are made aware of a deeper emotional side to his character and gain insight into their own family issues. Rachel Pulley, who has appeared in several of the company’s productions, is a joy to see on stage with her character’s overflowing enthusiasm. The love shown during their dynamic exchanges is palpable, and you just want them to get their happily ever after.

Robert John Biedermann and Kathy Halenda take on the heavy roles of Matt and Christina Drayton. “I know the world as it really is there,” he says. As an overworked newspaper editor, Matt sees what happens every day and worries about what will happen to his daughter if this marriage goes through and what kind of life their children would have. Matt’s galvanizing words during a dramatic scene are one of the show’s most heartbreaking moments. And Halenda, an all-around Riverside favorite, is formidably associated with Biedermann as a stoic and fiercely supportive mother.

As the tough but caring housekeeper, Tillie, Nancy M. Crawley is lovely and she also gets the best one-liners. Tillie is very protective of Joanna, whom she watched grow up. She’s extremely suspicious about this new relationship, thinking John might be some kind of hustler, but like many characters on this show, there’s an opportunity to change hearts and minds.

And Alan Hoffman as Monsignor Ryan, and Matt’s golf buddy, brings a lot of levity to the tense situation and is seemingly the only one to embrace John immediately without reservation.

With heartfelt performances and a powerful message about love and family, this is “dinner” you want to sit down for.

Audition Dates Set For Sauk’s “Steel Magnolias”

Six women of varying ages are needed for The Sauk’s upcoming production of “Steel Magnolias.”

The action takes place in Truvy’s beauty salon in Chinquapin, Louisiana, where all the women who are “anybody” come to get their hair done. Aided by her passionate new assistant, Annelle (who doesn’t know if she’s still married or not), the outspoken and wise Truvy hands out free shampoos and advice to the town’s grumpy rich, Ouiser, (“I’m not mad , I’ve just been in a bad mood for 40 years”); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good old boy”.

Auditions will be at 7 p.m. on Tuesday, August 16 and 2 p.m. on Saturday, August 20 at the Sauk Theater, 240 E. Chicago in Jonesville. The auditions will consist of cold readings of the script. No preparation necessary. Please bring a list of all conflicts from August 21 through October. 23. There are roles for six women (ages 19-70). Anyone 18 and older can audition for the production. Ron Boyle will direct.

Performances are October 13-15 and October 20-22 at 8 p.m. with matinees at 3 p.m. on October 16 and 23. All performances are at the Sauk Theater, 240 E. Chicago in Jonesville. All tickets are $8-$13. The October 13 performance is a preview of Pay What You Can. Preview tickets are not sold in advance. All senior tickets for the October 20 show are $5. Tickets are available at www.thesauk.org or by calling 517-849-9100.

“Steel Magnolias” is sponsored by Olivia’s Chop House and Saucy Dog’s Barbecue. The 2022 season is sponsored by Joyous Journey Photography. The 2022 media sponsor is WCSR Radio Hillsdale and The Dale 99.5 FM.

Jury in Alex Jones trial awards Sandy Hook parents $45 million more

AUSTIN, Texas — A Texas jury on Friday ordered conspiracy theorist Alex Jones to pay the parents of a child killed at the Sandy Hook school in 2012 by drawing $45.2 million in punitive damages for spreading the lie that they helped organize the massacre.

The jury announced its decision a day after awarding the parents more than $4 million in compensatory damages and after testifying on Friday that Mr. Jones and Free Speech Systems, the parent company of his disinformation outlet, Infowars, were worth $135 million for $270 million.

Mr Jones was found guilty last year of defaming the families of the victims while spreading false theories that the shooting was part of a government plot to confiscate Americans’ guns and that the families of the victims had been complicit in this scheme.

This week’s trial was the first of three to determine how much Mr Jones owes families for the suffering he caused, and the amount of the award is sure to be disputed. Jurors deliberated for about four hours before delivering Friday’s verdict.

Compensatory damages are based on proven harm, loss or injury and are often calculated based on the fair market value of damaged property, lost wages and expenses, depending on Cornell Law School. Punitive damages are intended to punish particularly injurious behavior and tend to be awarded at the discretion of the court, and are sometimes many multiples of a compensatory award.

The case decided this week was brought by Scarlett Lewis and Neil Heslin, whose 6-year-old son Jesse Lewis died in the attack in Newtown, Connecticut. It was the first to stem from several lawsuits filed by the victims’ parents in 2018.

“This is an important day for truth, for justice, and I couldn’t be happier,” Ms Lewis said in the courtroom after the verdict.

Before jurors began deliberating on punitive damages, Wesley Todd Ball, a lawyer for the family, told the jury that he had “the ability to send a message to everyone in this country and can – be this world to hear”.

“We’re asking you to send a very, very simple message, which is: stop Alex Jones,” he said. “Stop the monetization of misinformation and lies. Please.”

Mr. Ball had asked the jury for punitive damages of about $146 million, in addition to the $4 million in compensatory damages awarded on Thursday.

Credit…Pool photo by Briana Sanchez

How much Mr Jones will actually have to pay in punitive damages will certainly be the subject of legal action. Texas law caps punitive damages at twice compensatory damages plus $750,000.

But Mark Bankston, a lawyer for Mr Heslin and Ms Lewis, told reporters on Thursday the matter would likely end up in the Texas Supreme Court, and legal experts said there were disagreements over the constitutionality of the ceiling.

Mr. Jones’ attorney, F. Andino Reynal, said the punitive award would eventually be reduced to $1.5 million.

Mr Jones believes ‘the First Amendment is under siege and he is eager to continue the fight,’ Mr Reynal said after the verdict.

After the jury award, judge Maya Guerra Gamble also paved the way for another step that could prove problematic for Mr Jones.

Lawyers for the family had revealed during the trial that Mr Jones’ team had apparently inadvertently sent them a huge cache of data from Mr Jones’ mobile phone, and on Friday Judge Gamble said that she would not stand in the way of lawyers for Mr. Heslin and Ms. Lewis relaying the messages to law enforcement and the House Jan. 6 Committee.

The committee subpoenaed Mr. Jones to appear in its investigation into his role in planning the pro-Trump rally in Washington on January 6, 2021, which preceded the attack on the Capitol.

In the Sandy Hook defamation cases, a trial for damages in another lawsuit is set to begin next month in Connecticut, but could be delayed due to a bankruptcy filing last week by Free Speech Systems. Lawyers for the families criticized the move as another attempt by Mr Jones to protect his wealth and escape judgment.

The Texas case allowed plaintiffs to present testimony about Mr. Jones’ wealth and the operations of his businesses, which in addition to airing his shows make money selling merchandise.

Bernard Pettingill Jr., a forensic economist and former professor of economics at the Florida Institute of Technology, testified Friday as a witness for Mr. Heslin and Ms. Lewis that Mr. Jones “is a very successful man.”

Infowars averaged $53.2 million in annual revenue between September 2015 and December 2018, Pettingill said. Since then, there’s been a “nice healthy increase” in the company’s revenue, including sales of survival products and supplements, and it brought in nearly $65 million last year, it said. -he declares.

At one point, Mr. Jones was paying himself an average of $6 million a year, Mr. Pettingill said.

In its bankruptcy filing, Free Speech Systems reported $14.3 million in assets as of May 31, with $1.9 million in net income and nearly $11 million in product sales. Free Speech Systems also had nearly $79.2 million in debt, 68% of which was in the form of a note to PQPR Holdingsan entity that appoints Mr. Jones as manager.

Last year, after Mr Jones was found liable by default in the Sandy Hook cases, he began pumping $11,000 a day into the PQPR, Mr Pettingill said.

The ‘gigantic’ loan from PQPR, a shell company with no employees, is actually Mr Jones ‘using this note as a clawback to pay himself off’, Mr Pettingill said, although Mr Jones’ lawyer insisted that PQPR is a real business. . Another note will mature when Mr Jones turns 74 (he is now 48).

Mr Pettingill said he managed to track nine private companies associated with Jones, but had to piece together information in part because Mr Jones’ team resisted discovery orders.

“We can’t really put our finger on what he does for a living, how he actually makes his money,” he said.

“His organization chart is an inverted T, which means everything goes to Alex Jones. Alex Jones made all the big decisions, and I think Alex Jones knows where the money is,” Mr Pettingill said. “He can say he’s broke, he has no money, but we know that’s not right.”

Mr Reynal, Mr Jones’ lawyer, said in his closing statement on Friday that ‘we got no evidence of what Alex Jones actually has today, we got nothing of what FSS has today, what money they have, what assets they have to pay.

Mr. Jones and associates such as Genesis Communications Network, which helped syndicate his show for decades, claimed to be aware of the financial troubles, using the libel cases as an opportunity to implore fans to donate.

Mr Jones complained that his earnings had plummeted after he was banned from major social media platforms in 2018. Mr Bankston pushed back to court on Wednesday: ‘Well after your platform your numbers keep going up improve,” he said.

After Friday’s verdict, Ms Lewis stressed the importance of having had the opportunity during the trial to confront Mr Jones directly in the courtroom earlier in the week.

“I have to look him in the eye and I have to tell him the impact his actions have had on me and my family and not just us – all the other families in Sandy Hook, all the people who live in Sandy Hook, then the ripple effect that that has had around the world,” she said. “It was a cathartic moment for me.”

It was also significant, she said, that Mr Jones saw a video, shown in court, of Jesse alive, running through a field. “I think he was punished,” she said of Mr Jones. “I think he’s been held accountable, and I hope he really takes that to heart because at the end of the day, love is a choice, and what he says – lies, hate – it’s also a choice.”

Elizabeth Williamson reported from Austin, Tiffany Hsu of San Francisco and Michael Levenson from New York.